August 20 2014

styledotcom Put an end to frizz for the rest of summer:

Subscribe to Style Magazine
4 posts tagged "Katy England"

Katy England Would Rather Just Get on With It


Katy england

Although you’ve definitely seen her influence, you may not have heard of Katy England. She isn’t one for the street-style paps or the blogosphere—probably because she’s too busy styling the collections of such talents as Riccardo Tisci, Tom Ford, and Marios Schwab to stop and strike a pose. During her twenty-year-and-counting career, England has built close relationships with Dazed & Confused and AnOther magazines (she previously held the role of fashion director at the latter), and served as the creative director of Alexander McQueen’s studio from the mid-nineties to the mid-naughties. If you’re still not impressed, we should tell you that she’s styled covers and spreads with photographers such as Rankin, Nick Knight, and Willy Vanderperre, and currently works with one Kate Moss on her much-talked-about Topshop range.

England has just released Made in England, a short film, created in collaboration with Vauxhall, that focuses on the many facets of contemporary British youth culture. Here, the stylist talks to about her directorial debut, McQueen, and why fashion is for the young.

Your film is all about British youth culture, which has historically played a huge role in British fashion. Do you think that youth culture now is equally as influential as it was during the punk or New Romantic/club kid eras?
I don’t feel there’s the same energy. It’s just so different, but I’m not young anymore. Teenagers today think they’re doing the most exciting things, just like we did at our age. It’s all relative. But I think designers—all of us—get inspired by young people and what they’re doing. I certainly do. Real fashion, high fashion, is from the kids and for the kids. We can all look stylish, and we can all dress really well and be on trend, but real fashion, as I would call it, is for the young. I work with Riccardo Tisci on his menswear collections; he is so inspired by what young kids are doing worldwide. And I’m sure Marc Jacobs does as well. I think there’s a certain bunch of them that are really young at heart.

What do you think of the increasing focus being placed on London’s young talents?
I used to work for Alexander McQueen, and when he took his position at Givenchy many, many years ago, it was the beginning of designers being approached by big houses. We were just kids—new kids on the block at the house of Givenchy—and we didn’t know what to do, and we didn’t get much support. I think now it’s become much more familiar—it happens all the time. And it’s great, but [the young designers] all need to have support around them, whether it’s great stylists, great people helping them research, great technicians…. I think these jobs are huge, and they’re a lot of pressure for the kids. If they’re supported, they’ll be fine, because they have a huge amount of energy, but it’s so tough. I did it with Alexander McQueen, unsupported. And it was harsh—really harsh.

Do you think it’s a positive thing that big houses are tapping young talents, and that these important companies are investing in new designers?
Sometimes I think it’s too much too soon, and I think there’s a huge value in learning in a smaller way. I work with Marios Schwab, who has a very small company in London. He’s been doing it a long time, and he’s such a talent. Bit by bit, he keeps going, and I hope that it will happen for him in the end. And when it does, my god will he be set up and ready for it, because he’s learned his craft. You have to learn your craft. You can’t just catapult. You’re going to be better for it if you learn the hard way.

Would you prefer to have youth or wisdom?
I’d love the energy of youth. I love being around people with that energy. I really feed off of that. But it’s tough for kids now. When I started in the fashion industry, it was so openly creative and you were not restricted in any way. Kids don’t have that opportunity so much anymore, because fashion is much more of a business now. Even with photo shoots, the clients are so much more powerful, because of digital photography—they can watch the shoot taking place. That was never the case before, and they had to put trust in a team of creatives to book the right people and get on with it. It was literally so free, and you would hope that you captured it, and you’d be so excited to see the film in the end. The creative process is very spontaneous, and it needs to be spontaneous. I think that we’ve lost a lot of that spontaneity. Continue Reading “Katy England Would Rather Just Get on With It” »

Ming Xi in 3-D


Nick Knight—famed photographer, founder of SHOWstudio, and all-around digital fashion maverick—has always been ahead of the curve. So no one expected his Spring ’13 campaign for Chinese luxury retailer Lane Crawford to be a traditional photo spread. This season, Knight teamed up with stylist Katy England and enlisted model Ming Xi to star in digital images and films, which he created with 3-D scanning. “Three-D is a step toward the future of our visual language, which was why I started SHOWstudio,” Knight told Knight has been fascinated with this particular method of image making (it’s also used for video games) for fifteen years and has, in the past, done 3-D scans of Lady Gaga, Kate Moss, and Naomi Campbell. The ads—which will appear online, in outdoor media, and in print this month—make Ming Xi look like some kind of fantastic high-fashion android. Watch her strut her digital stuff in Alexander McQueen (above) and Givenchy (below), exclusively on

Continue Reading “Ming Xi in 3-D” »

The Holy Mother And Child—Mariacarla Edition


It’s friends and family at Givenchy this season. For the Spring ’13 campaign, shot by Mert & Marcus and styled by Carine Roitfeld and Katy England, Riccardo Tisci got intimate. “They are the people I love and who love me. It’s about family,” he said in a statement. “Something that is difficult to find in today’s world.” The Givenchy family (and now campaign) includes Kate Moss and Marina Abramović, among others, but it also includes a flesh-and-blood mini-family of its own: longtime Tisci muse Mariacarla Boscono and her own baby daughter, Marialucas. “When I look at this photo, I feel blessed with all the magic that surrounds me—my loves, my affections,” Boscono told “Something very strong that embraces the love I feel for my daughter, so special and overwhelming that words would not be enough…and the concept of family that ties my soul with that of Riccardo, which stands in my life as something very, very special.” The campaign shot at left debuts exclusively on A behind-the-scenes video debuts below. Continue Reading “The Holy Mother And Child—Mariacarla Edition” »

Chloë’s London Debut


Chloë Sevigny has turned up in London from shooting a movie in Wales adapted from the autobiography of the drug smuggler Howard Marks. “It’s called Mr. Nice, and I’m playing his wife Judy,” she told a group of guests she’d invited to dinner at The Double Club, the London phenomenon underwritten by Miuccia Prada and designed by Carsten Höller, whose situationist installations have caught the imagination of Londoners since he designed a series of shute-tubes in the Tate Modern for the population and their kids to play on. Sevigny was there to check out the half-Congolese, half-Western setup and give friends, including Pat McGrath and Edward Enninful, James Kaliardos, Roland Mouret, and Katy England and her husband, Primal Scream’s Bobby Gillespie, the heads-up on her new collection for Opening Ceremony. She’ll be back in the Double Club on Sunday to present a “men’s collection for women,” she was telling everyone. The wide-legged navy slouchy pants she was wearing really whet the appetite.