134 posts tagged "Lady Gaga"
Just in case you haven’t gotten your fill of Lady Gaga’s paint-smeared face, it’s back in the video for “Applause,” the first single to (officially) drop from the singer’s forthcoming album, Artpop. Fittingly, for the woman devoted to living her life as a live-action editorial shoot, the video was directed by fashion photographers Inez van Lamsweerde and Vinoodh Matadin, who also shot Artpop‘s cover and Gaga’s four September V covers. “For me, it was one of the most memorable experiences that we’ve ever had,” Gaga’s stylist, Brandon Maxwell, told Style.com when asked about working with the photographers. Of course, the clothes—like an archival John Galliano gown accessorized with duct tape and safety-pin baubles by Mathieu Mirano, and Valentino Couture lingerie paired with Alaïa boots—added to the excitement.
“The concept was really, What would you do for the applause?” explained Maxwell. Donning a custom Gareth Pugh pillow gown (which explodes around a black catsuit by Mila Schön) and a Maison Martin Margiela Couture jacket (Gaga wears it atop a mirror-and-pin costume conceived by her sister, Natali Germanotta) seems a good place to start. However, Maxwell stressed that some of Gaga’s most memorable looks boast a DIY touch. “Nobody loves clothes and couture more than Gaga, but I think some of her most famous costumes are things that she made with her own two hands,” asserted the stylist. “So there are parts of the video that are incredible for fashion people—like, I was basically crying during that whole Galliano scene. But she has a huge fan base, and I like to choose pieces—whether they’re off the runway or made by us—that some of these kids can make at home.” This time around, those items included seashell pasties; a floating bikini bottom that Gaga’s in-house Renaissance man, Perry Meek, assembled from fresh flowers, glue, and string; and a surreal top by Jean-Charles de Castelbajac shaped to look as though two gloved hands are grasping Gaga’s breasts. The pop star also wears assemblage-style wings—fashioned from broken umbrella spokes—by L.A.-based Junker Designs. Continue Reading ““Applause,” Please: Brandon Maxwell Talks Styling Lady Gaga’s Latest Video” »
Gary Card is a master at making other people’s visions a reality. He’s become the go-to set designer/prop maker/illustrator/artist for the likes of Lady Gaga, Nicola Formichetti, and Nick Knight, and has worked with such top-tier publications as AnOther Magazine, Dazed & Confused, i-D, and T magazine. (Perhaps you saw the flaming, ten-foot-tall, wicker T he built for the latter back in 2009?) But last night in London, Card took a little “me” time and opened his first solo show, Abandoned Amusement Park, at Dalston’s Eternal Youth gallery. “I am used to building things based on the tastes of other people, and it was quite nice to do something for me for a change,” offered the artist.
The exhibition features strange cartoonish figures created with wire and tape, then papier-mâchéd into ghostlike figures. They each have bulbous noses and a look of horror on their faces. “The idea of something like an old relic being rediscovered fascinated me,” explained Card. “This is meant to represent something that has been left to rot, melt, and die, and the tragedy of that is shown in their faces. Yes, it’s cartoonish, and there are definitely sinister undertones, but that is perhaps the way life should be seen.”
The opening was a significant milestone for Card, and he shows no signs of slowing down. Next on the docket are a project with Roksanda Ilincic; a film with Chris Sutton, for SHOWstudio; and a trip to New York to work with Spring Studios. “It is looking to be a very exciting fall,” he said.
With her ArtPop album set to debut in November (and a new song that allegedly leaked today), Lady Gaga has ended her uncharacteristic under-the-radar spell—she’s been recovering from hip surgery since February—reemerging on the scene with a look that’s pared down but no less bold. Earlier this month, she attended artist Robert Wilson’s Watermill Benefit in the Hamptons (where she announced an upcoming project with Wilson and Marina Abramovic), donning a vampy black gown that curved in at the chest to reveal a black lace brassiere. The ensemble, we learned, wasn’t designed by any of Gaga’s favorite haute powerhouses—rather, it was the work of 26-year-old up-and-comer Louise Leconte. “Her stylist wrote me and asked for six or seven looks from my graduation collection, so of course I sent them,” the French-born, Brussels-based designer told Style.com. Continue Reading “Louise Leconte Gets the Gaga Bump” »
Or, at least, that’s what he told WWD today. The designer has reportedly created a range of power suits for Foster’s role in the upcoming film Elysium, which, out on August 9, is set in the year 2154 and also stars Matt Damon. Of course, Armani is no stranger to cinematic wares—last year, he outfitted the cast of The Dark Knight Rises, and, in the past, the label has dressed Richard Gere in American Gigolo, Kevin Costner, Robert De Niro, and Sean Connery in the The Untouchables, Tom Cruise in Mission Impossible, and he’s even dabbled in pop star duds, creating costumes for Lady Gaga’s Born this Way Tour. No doubt, the Armani-clad Foster is in pretty good company.
We’ve been seeing Marina Abramovic quite a lot lately, both in the art world and elsewhere. Earlier this year, the performance artist worked alongside longtime pal Riccardo Tisci on the Opéra de Paris’ short production of Boléro—the designer created a range of ethereal costumes; the artist (a die-hard Givenchy devotee) conceived the set and scenography. A few weeks ago, Abramovic popped up alongside Jay Z at Pace Gallery, where she starred in the shoot for Hova’s forthcoming Picasso Baby music video. And this weekend, at the Watermill Center Benefit, a surprisingly pared-down Lady Gaga—whose reemergence, it would seem, is in full swing—stepped onstage with Abramovic and announced that she’ll be training under the conceptual provocateur. Their hard work will be revealed during the pop star’s upcoming collaboration with Robert Wilson at the Louvre Museum in Paris this fall. However, we’re not saying that extreme exposure is necessarily bad for business—at the event, a quartz stone from Abramovic’s work Black Dragon was auctioned off for a cool $60K. The high bidder, of course, was Gaga herself.