137 posts tagged "Lady Gaga"
Prabal Gurung got the call on Friday. Lady Gaga was looking for a dress for the VMAs on Sunday night; could he put something together? A 48-hour turnaround in the middle of fashion week prep sounds like a pretty big ask to us, but not for Gurung, who is a self-described “huge, huge, huge fan” of the pop icon. “I think she is one of the most important artists of our time,” he said on the phone this morning, explaining that the gown was fit on Saturday. “I love her music and what she stands for. She is one of the most vocal celebrities on gay rights.” Gaga wasn’t Gurung’s only dressing coup of the weekend; First Lady Michelle Obama wore a blouse from his Resort collection to the Arthur Ashe Kids’ Day.” They are at opposite ends of the spectrum,” he said, “yet very similar in what they believe.” But what really counts for the designer: Dressing Gaga will ensure his status as the “cool uncle” with his nieces and nephew in Nepal. The black technical satin dress is a riff on a gown that will go down Gurung’s runway at the end of next week. He gave Style.com an exclusive look at the sketch. Don’t miss our complete coverage of the VMAs here.
More often than not, “love at first sight” is written off as bullshit. But somehow, Dutch husband-and-wife photography duo Inez van Lamsweerde and Vinoodh Matadin manage to make it a believable concept. “We knew the first time we met,” said van Lamsweerde while eying Matadin from across the table in their downtown New York studio. The year was 1986, and they became acquainted while at art school. “We each had a different partner, so it just wasn’t possible. But we worked together on and off for six years without dating,” she continued. “And then we met on the street in Amsterdam, went for a coffee, and it all sort of clicked.”
In the more than two-and-a-half decades since that initial encounter, the couple has married, had a son, Charles, and built a veritable fashion and art photography empire. You’d be hard-pressed to flip through a magazine’s September issue without stumbling upon an Inez & Vinoodh-lensed editorial, or one of the Fall campaigns they shot for Jason Wu, Balmain, Valentino, or a bevy of other powerhouses. Oh, and of course, they’re responsible for Lady Gaga’s latest album cover and video. Their next creative endeavor? A collaborative jewelry collection with TenThousandThings. “It’s a love project,” explains van Lamsweerde. “And it’s about having something to commemorate the love you have for your partner, your child, your best friend, your co-worker…”
The seeds were planted last year while the couple was working on a charity project with TenThousandThings’ David Rees and Ron Anderson. Before they wrapped, Matadin enlisted the jewelers’ help to design a one-off necklace for van Lamsweerde—an oxidized silver chain garnished with a pavé drop, two linked circles (representative of the couple’s wedding rings), and a star pendant. “That’s a symbol for Charles, because his middle name is Star,” said van Lamsweerde. “I started wearing it right away, and everyone would ask me, ‘Where did you get that?’ So it grew into more.” The photographers worked with Rees and Anderson to create a carefully considered debut range, which began with ten of the intertwined wedding-band necklaces (ten because Charles celebrated his tenth birthday this year). Each piece (available in oxidized silver, 18-karat rose or yellow gold, or leather) is garnished with various charms—a ruby resembling a drop of blood, a turquoise heart, a diamond briolette, a white Tahitian pearl, and more. An eleventh necklace combines all the trinkets on one chain. The same concept applies to the collection’s delicate rings, earrings, and bracelets, and van Lamsweerde and Matadin plan to update the offering biannually.
Naturally, the pair shot their own campaign—a selection of black-and-white images that depict friends and lovers including Stefano Pilati and his boyfriend, Christiaan Schoonis; The Misshapes; Charles and his best friend, Stella (“It only took ten frames; he’s seen a lot of people strike poses for us,” said van Lamsweerde, laughing); musicians Lou Doillon and Keren Ann (van Lamsweerde describes them as sisters in singing and songwriting); and van Lamsweerde and Matadin themselves. The latter two images debut here.
The collection—priced between $450 and $19,000—can be found at Colette, Net-a-Porter, and Barneys New York this September, and will officially launch via a personal appearance at Barneys’ Madison Avenue store on September 7 at 3 p.m. The event will also celebrate the pair’s Byredo fragrance, 1996, and offer a sneak peek at their forthcoming Taschen book, Pretty Much Everything, which follows a traveling retrospective of the same title.
So considering they’ve conquered the worlds of photography, art, and—now—design, it seemed only appropriate to ask the photographers if they felt like they had done, well, pretty much everything. “No,” said Matadin. “We’re working on a movie…. It’s just meetings in Hollywood now. It will take a bit of time.” No doubt they’ll enjoy spending that “bit of time” together.
Just in case you haven’t gotten your fill of Lady Gaga’s paint-smeared face, it’s back in the video for “Applause,” the first single to (officially) drop from the singer’s forthcoming album, Artpop. Fittingly, for the woman devoted to living her life as a live-action editorial shoot, the video was directed by fashion photographers Inez van Lamsweerde and Vinoodh Matadin, who also shot Artpop‘s cover and Gaga’s four September V covers. “For me, it was one of the most memorable experiences that we’ve ever had,” Gaga’s stylist, Brandon Maxwell, told Style.com when asked about working with the photographers. Of course, the clothes—like an archival John Galliano gown accessorized with duct tape and safety-pin baubles by Mathieu Mirano, and Valentino Couture lingerie paired with Alaïa boots—added to the excitement.
“The concept was really, What would you do for the applause?” explained Maxwell. Donning a custom Gareth Pugh pillow gown (which explodes around a black catsuit by Mila Schön) and a Maison Martin Margiela Couture jacket (Gaga wears it atop a mirror-and-pin costume conceived by her sister, Natali Germanotta) seems a good place to start. However, Maxwell stressed that some of Gaga’s most memorable looks boast a DIY touch. “Nobody loves clothes and couture more than Gaga, but I think some of her most famous costumes are things that she made with her own two hands,” asserted the stylist. “So there are parts of the video that are incredible for fashion people—like, I was basically crying during that whole Galliano scene. But she has a huge fan base, and I like to choose pieces—whether they’re off the runway or made by us—that some of these kids can make at home.” This time around, those items included seashell pasties; a floating bikini bottom that Gaga’s in-house Renaissance man, Perry Meek, assembled from fresh flowers, glue, and string; and a surreal top by Jean-Charles de Castelbajac shaped to look as though two gloved hands are grasping Gaga’s breasts. The pop star also wears assemblage-style wings—fashioned from broken umbrella spokes—by L.A.-based Junker Designs. Continue Reading ““Applause,” Please: Brandon Maxwell Talks Styling Lady Gaga’s Latest Video” »
Gary Card is a master at making other people’s visions a reality. He’s become the go-to set designer/prop maker/illustrator/artist for the likes of Lady Gaga, Nicola Formichetti, and Nick Knight, and has worked with such top-tier publications as AnOther Magazine, Dazed & Confused, i-D, and T magazine. (Perhaps you saw the flaming, ten-foot-tall, wicker T he built for the latter back in 2009?) But last night in London, Card took a little “me” time and opened his first solo show, Abandoned Amusement Park, at Dalston’s Eternal Youth gallery. “I am used to building things based on the tastes of other people, and it was quite nice to do something for me for a change,” offered the artist.
The exhibition features strange cartoonish figures created with wire and tape, then papier-mâchéd into ghostlike figures. They each have bulbous noses and a look of horror on their faces. “The idea of something like an old relic being rediscovered fascinated me,” explained Card. “This is meant to represent something that has been left to rot, melt, and die, and the tragedy of that is shown in their faces. Yes, it’s cartoonish, and there are definitely sinister undertones, but that is perhaps the way life should be seen.”
The opening was a significant milestone for Card, and he shows no signs of slowing down. Next on the docket are a project with Roksanda Ilincic; a film with Chris Sutton, for SHOWstudio; and a trip to New York to work with Spring Studios. “It is looking to be a very exciting fall,” he said.