116 posts tagged "Lanvin"
Have you ever urgently needed a Lanvin frock at 2 a.m.? What about a pair of Nicholas Kirkwood pumps. No? Even so, we bet guests at The Mark hotel will find a host of reasons for late-night sartorial demands. Starting tomorrow, The Mark—the five-star Upper East Side lodging establishment favored by Carine Roitfeld, Russell Crowe, and Marc Jacobs, who decamped to the hotel during Sandy—will launch a partnership with Bergdorf Goodman. The union will solve any and all designer emergencies, providing guests with twenty-four-hour access to Bergdorf’s personal shoppers and, in some cases, after-hours admission to the store itself. “We make the impossible possible,” the hotel’s chief concierge, Isabelle Hogan, told Style.com. Hard-to-get items will also be readily available—for instance, if, say, a new Céline bag hits shelves in the morning, The Mark will give Todd Okerstrom—Bergdorf’s head of personal shopping—a call, and you can have it sitting on your bed by lunchtime. Delivery is, of course, complimentary.
The Mark hotel is located at 25 East 77th Street, New York, NY 10075.
Aside from maybe a tiara, nothing heightens the glamour of a full-on evening look quite like a pair of gloves. Eye-catching gauntlets turned up on the Lanvin, Gucci, and Oscar de la Renta Fall runways. And at last week’s high-wattage Met Gala, divas from Madonna to Beyoncé to Paloma Faith covered up their digits with statement-making pairs of varying lengths. Kim Kardashian’s custom Givenchy number was the talk of the town, but what really piqued our interest was the gown’s built-in gloves, which prompted speculation that Kim was concealing an engagement ring (you know Kanye would go all out with a rock for his baby mama).
From the Keith Haring installation to a giant Barbie display to entire worlds created by Tim Walker, Gilbert & George, Chanel, and Lanvin, the windows of Rei Kawakubo’s London concept boutique Dover Street Market (which is slotted to open in New York later this year) have become somewhat of an institution. So when the storefront is lent to a young designer, it’s a veritable rite of passage. Earlier this year, rising star Simone Rocha built an Irish wilderness behind Dover Street’s glass facade. And today, Phoebe English—a 27-year old Central Saint Martins graduate who won the coveted L’Oréal Professional award upon her graduation in 2011—takes the stage, mounting her first project for the shop. “They were my first stockist,” said English, who’s now been selling at Dover Street for four seasons. “We’ve been working on this for a long time. And it’s been very challenging because it’s such a different thing than putting together a collection.”
English has a penchant for combining unexpected materials in her wares—synthetic hair and strips of rubber, for example. So naturally, her installation, a giant, ethereal icy-blue orb that combines shreds of fabric and glass beads from her Spring ’13 collection (above, left), follows suit. “It’s a bit of a play on contradiction. I liked that the solidity of the sphere contrasted against the irregular textiles and beads,” she explained, noting that her sculpture had an intergalactic inspiration (“I quite like planets and stars,” she giggled). As for why she decided to forgo a clothing-based display, English offered, “I felt that it would be too literal. Dover Street is such a creative garment-based space already, and it felt right to push my creative thought in a new direction.” English’s windows will be on view through May 29, and her Spring ’13 collection is available now at Dover Street Market’s London boutique.
Through its latest exhibition, 1931, Face-Dos-Profil (1931, Front-Back-Side), Paris’ Galliera Museum offers a detailed look at the fashions of the 1930s. But the photographs featured in the show, selected from a collection of 10,000 copyrighted documents from the period (courtesy of Paris’ patent office) look more like mug shots of well-dressed delinquents than haute relics. The vintage snaps depict couture-clad ladies posing in front of a three-sided mirror and offer complete 360-degree views of the 1930s’ most covetable designs (think beach pajamas, romantic satin ruffle dresses, sheaths constructed with a complex system of figure-hugging seams, and sumptuous evening wrap coats in silk velvet and white ermine) from the era’s most sought-after names (like Schiaparelli and Mainbocher).
The images, you see, served to prevent knockoffs. In 1931, a large-scale counterfeit clothing operation—which had illegally obtained couture sketches—was uncovered in Paris. Not surprisingly, that same year, a record number of couture houses (almost 50 in all), including Madeleine Vionnet and Lanvin, patented the hats, bags, dresses, and shoes from their collections. Curator Sylvie Lécailler juxtaposes these patent documents with a few actual pieces and fashion spreads from the era. While it’s not the most glamorous peek back at fashion’s past, the show certainly reminds us that imitations are not to be accepted—not then, not now, not ever.
1931 Face-Dos-Profil runs from March 28 through July 6 at the Galerie du Crédit Municipal de Paris, 55 rue des Francs-Bourgeois 75004, Paris.
Following the release of Barneys’ 2012 Electric Holiday film, an animated short that starred tall and skinny Disney characters wearing designer duds (Minnie in Lanvin, Goofy in Balmain, and Daisy in Dolce & Gabbana), the fashion biz took some heat for not portraying the iconic cartoons in their traditional proportions. Well, this weekend, in celebration of Disneyland Paris’ 20th anniversary, Alber Elbaz took a stab at a new Minnie Mouse ensemble. The lovable rodent stomped the runway in a custom purple embellished Lanvin frock and one of the designer’s Fall '13 Love necklaces. Needles to say, Ms. Mouse looked pretty sharp, and she didn’t have to lose a pound to do so. Other runway ensembles included a Cinderella-inspired knit skirt and top from London’s Sister by Sibling, and as well as enchanted wares from Custo Dalmau and Jean-Paul Knott. According to The Telegraph, some onlookers complained that they missed the polka dots. Elbaz offered, “We’re not here to transform people. We love her the way she is.”