6 posts tagged "Lapo Elkann"
Linda Evangelista For Chanel, Lapo Elkann Unveils The Fiat 500 By Gucci Car, And More…
Linda Evangelista is the star of Chanel’s new eyewear campaign. The images, lensed by Karl Lagerfeld, feature Evangelista sporting a slicked-back ‘do and wearing black and white graphic prints. [Fashion Gone Rogue]
Italian financier and playboy Lapo Elkann was in Beijing this week to launch the Fiat 500 by Gucci car he helped design. The limited-edition ride, complete with the Gucci red and green band, is selling for $42,641. [WWD]
Vivienne Westwood has designed a line in celebration of Queen Elizabeth’s Diamond Jubilee. The Red Carpet Capsule Collection, as it’s called, includes cocktail dresses, gowns, and jewelry, and it hits stores in May. [Grazia Daily]
Dior fêted its newly renovated Tokyo Ginza flagship shop last night, along with its traveling Lady Dior As Seen By exhibition (open through May 20). Neither the brand’s interim designer, Bill Gaytten, nor recently named creative director Raf Simons made it out for the event because they are hard at work on the house’s upcoming collections. [WWD]
What Would Lapo Do?
I’ve just joined the ranks of the Ferraristi, me, who’s never been behind the wheel of a car. But after 48 hours in Maranello, the northern Italian town that is Ferrari’s nerve center, all I want for Christmas is an FF four-seater. It looks chic in a pearlized off-white, a shade called Ingrid after Ingrid Bergman, whose lover Roberto Rossellini gifted her a Ferrari in that color as a wedding present. (The actress, who didn’t drive, was unamused. “Oh, just what you wanted,” she snapped—or a four-letter variant to that effect.) Though maybe I’d rather have the California model, in a rich matte blue like Lapo Elkann’s. His has a denim interior. I prefer something in Hermès orange.
Anyway, whatever I want I can get, courtesy of Tailor Made, the new initiative that style arbiter Lapo is spearheading. It’s the haute couture of car customization, a sky’s-the-limit opportunity for Ferrari customers to turn their wheels from a mere extension of their personality into an objet d’art that is the very mirror of their souls. Which conjures up delightful visions of freeways full of wild and wacky racers, 21st-century counterparts to John Lennon’s psychedelic Rolls-Royce from 1967 (it sold at auction in 1985 for $2.2 million, which is a mere bagatelle compared to the $16 mil snared by a vintage Ferrari last year). Dream on. “We don’t want to be in the prison of the past,” declares Luca di Montezemolo, the company’s urbane but steely CEO, but there is, after all, the bella figura of one of the world’s great brands to protect. Maybe that won’t pose such a challenge while the Ferraristi still seem so innately respectful of tradition. More than a third of the 7,000 cars Ferrari produces annually are ordered in the company’s signature racing red (even though red actually used to account for 80 percent of orders, and customers in those all-important emerging markets are increasingly turning to white). In the Maranello compound’s working museum, where old Ferraris come to be resuscitated, there are, however, a couple of models from the early seventies that have been specced inside and out for a new client in dubious shades of pink. Very tellingly, that just looks terribly wrong. So, with this new program, di Montezemolo will have the last word on just how tailored the make actually is.
Still, it’s tempting to imagine that the tone of Tailor Made will be set by Lapo Elkann, the 34-year-old Fiat scion whose life and style have been shaped by easy access to the best—and the worst—that all the money in the world can buy. His own aesthetic has been celebrated in every best-dressed and most-stylish list there is, but what gives his style its allure is its exaggerated, almost twisted edge. The twist can be as subtle as the heavy linen that Lapo’s Prince of Wales checked suit is cut from, or as out-there as the camo that patterns his other Ferrari. (And what other captain of industry sports a bright blue Toy Watch?) So while you consider these choices for your interior (Kevlar or cashmere? Pinstripes or paisley? Rubber or Madagascan crocodile?), entertain yourself by wondering What Lapo Would Do. The two years you have to wait for your car should give you plenty of time to second-guess your decisions. And it’ll give me more than enough time to get a driver’s license.
Braving The World Of Street Art’s Godfather

“It’s not just about the red dots next to the paintings,” Vladimir Restoin-Roitfeld said of the “Sold” stickers that dotted his exhibition, Richard Hambleton New York: The Godfather of Street Art. “It is about coming up with different ways of selling art, of showing it, of communicating art to the public.”
Still, quite handy that a vast majority of the pictures picked by Restoin-Roitfeld and his partner in crime (make that “curation”), Andy Valmorbida, sold quickly at the pop-up exhibition at London’s Old Dairy—after all, nothing can send an electric charge through a crowd, even a starry one like this, like the sound of ka-ching in the air. Certainly, the tills were busy, leading to a very celebratory vibe at the post-show dinner at Q-Forum. The diners included Restoin-Roitfeld’s proud parents, Carine Roitfeld and Christian Restoin, doting girlfriend Giovanna Battaglia, Lapo Elkann, Nick Rhodes, actor Matthew Goode, Caroline Sieber, and, representing la famiglia Armani, who collaborated with VRR and Valmorbida on the exhibition, Roberta Armani.
“My uncle admires Richard Hambleton’s work immensely,” Armani explained, as she geared up to fly to Copenhagen the next day for an Armani store opening. “When Vlad approached us to collaborate with him on this project, we immediately said yes, because in my uncle’s mind, Hambleton is ageless, tireless. He has this energy, and certainly is one of the most inspirational artists alive.”
Inspirational but not necessarily predictable, according to Valmorbida. “Working with Hambleton was an incredible journey—but not for wimps,” he said. “I felt like I had to wear a rubber suit to protect myself from all the syringes that inhabit his world. It’s been wild, but hugely gratifying. We feel incredible now that this show has been such a success. If anyone in the art world deserves it, it is Hambleton.”
Capturing Cunningham; Stars Who Dress The Part—Alone; And More…
Street-style photogs may be everywhere now, but at the beginning, there was one: The Times‘ Bill Cunningham, who is celebrated with a documentary at the MoMA tonight. The Times‘ appreciation is required reading for anyone who’s ever sent around a Sartorialist link. [NYT]
The Daily Beast salutes the stars who dare to dress themselves, like Diane Kruger, Marion Cotillard, and January Jones. We feel just a mite skeptical that there’s no one back there weighing in, but we guess looks like January’s slightly weird Lanvin headband at the Golden Globes suggests she’s going it alone. [The Daily Beast]
Forever 21 jumps on the designer-collab bandwagon, announcing its first tie-in with the L.A.-based designer Brian Lichtenberg. [WWD]
Claudia Schiffer revealed on German television this week that she’s pregnant with a girl. Look for her in the Spring 2026 campaigns. [Vogue U.K.]
Lapo Elkann—the Fiat heir, playboy extraordinaire, occasional tabloid fixture, and surprisingly capable menswear designer—is launching his own collection of jewelry in carbon fiber. That’s one way to use unsold car parts, we guess. [WWD]
Model-Gazing At The Cooper Square Hotel
“I feel like a different person,” said an almost unrecognizable bleached blonde Raquel Zimmermann last night. The model was taking in the impressive views from the Cooper Square Hotel’s glass-walled Penthouse at DNA’s pre-Met cocktail party alongside Lapo Elkann, Natalia Vodianova, Justin Portman, George Cortina, and a bevy of the agency’s beauties, many of whom were staying at the new boutique hotel. (We also spied Nadja Auermann and Amber Valletta having a tête-à-êtete on a lower floor.) Zimmermann will accompany Proenza Schouler’s Lazaro Hernandez and Jack McCollough to the gala wearing their design; Edita V. told us she’s planning on Chanel; and Magdalena Frackowiak will wear Tom Binns jewelry and a dress that was literally sewn on her body by Thakoon Panichgul. “All the Vogue girls” had a shoot for the magazine on Sunday, said Zimmermann, “and all we could talk about was what we’re wearing, how we’ll wear our hair, and what time to arrive.” Drop-dead looks, it seems, don’t make you immune to Met ball fever.

