16 posts tagged "Lily Cole"
When we first heard that Kate Moss and Johnny Depp would reunite for Sir Paul McCartney’s music video for the single “Queenie Eye,” we knew it was going to be something special. But the flick, which features McCartney jamming on the piano while wearing Birkenstocks, surprised us with a slew of star-studded cameos. Meryl Streep, Jude Law, Lily Cole, and even Tom Ford are just a few of the familiar names that rocked out to McCartney’s new hit. Our only question is—where was our invite?
Yesterday evening at New York’s Rockefeller Center, artist Ugo Rondinone officially unveiled his latest project: a series of XXL stone sculptures entitled Human Nature, underwritten by the city’s Public Art Fund. Rondinone’s megaliths tower over the plaza’s western block—stoic sentries holding court in Midtown’s otherwise frenetic hive.
“The stone is from Pennsylvania,” the artist told Style.com, “the same site where all the sidewalk laid at Rockefeller Center comes from.” Engineered and stacked to impressive scale, Rondinone’s figures retain a singularly calming (if not alien) effect. “The human is a basic figure, and [the sculptures] are named after basic feelings,” he said. “The mood is to be reminded of our origins.”
Despite Manhattan’s unseasonably frigid twilight, friends and fans braved the windchill to show their support. “Other than the fact that it was freezing cold, it was incredibly beautiful,” said model-cum-actress-cum-artist Lily Cole. “I’ve been thinking about making furniture out of stone, so I was sort of in that frame of mind,” she added.
After the opening, guests such as Olympia Scarry, Sadie Coles, and Maria Cornejo headed to Monkey Bar, where Public Art Fund director Nicholas Baume told the oohing and ahhing crowd, “By the time the exhibition closes, some 20 million people will have seen these works.” Cornejo best captured the excitement. “It’s amazing to see them finished,” she said, having previously checked out the project’s models in Rondinone’s studio. “I think it’s joyful.”
Human Nature is free to the public and on view until June 7, 2013.
Artist, photographer, and all-around troublemaker Juergen Teller’s latest exhibition, Woo, opens at London’s Institute of Contemporary Arts tomorrow. And, as always with Teller’s work, it promises to be a visual and conceptual feast. Covering the photographer’s extensive career, which spans over twenty years, the show will include some of his most iconic fashion and pop-culture works, like images of Vivienne Westwood (above), Kurt Cobain, Lily Cole, and Kate Moss (below), as well as shots from his innovative and sometimes shocking Marc Jacobs campaigns (remember when he shot Victoria Beckham’s suggestively parted legs popping out of an MJ shopping bag?).
Teller’s photographs aren’t all fashion focused, though—his art photography, which most recently includes landscapes and intimate family portraits, will be featured, as will shots and witty writings from his controversial column in Die Zeit magazine (think photos of Teller passed out next to a roasted pig’s head). The letters of complaint that Teller’s Die Zeit contributions elicited from readers will be proudly displayed next to the photographer’s work.
Woo runs from January 23 through March 17 at London’s ICA, The Mall, London SW1Y 5AH, +44 20 7930 3647.
The eighth edition of cult U.K. magazine Centrefold landed on our desk today, and we think the issue, which celebrates Storm Model Management’s 25th anniversary via provocative editorials with supermodel clients like Cindy Crawford, Style.com/Print cover girl Cara Delevingne, Lily Cole, Alec Wek and Jourdan Dunn, is worth a look. Of course, it was Kate Moss’ raw cover shoot with Venetia Scott that first caught our eye. But from thick, finger-pleasing paper stock to smart layouts on oversized pages, the latest from Centrefold is yet another reminder that print is alive and well.
To see more, visit centrefoldmagazine.blogspot.com.
Now that Kate Moss is a happily married missus, it feels like ages ago that she was rocking hard—maybe a little too hard—alongside then-beau Pete Doherty. So what’s the occasionally shambling Babyshambles rocker been up to while Kate’s been quieting down? Sunday’s interview in the The Guardian with Pete Doherty suggests he’s spent the past four years on the mend in Paris. Still trying to overcome his infamous heroin addiction, Doherty has taken up poetry, painting, and, of course, acting—not necessarily to acclaim. But while critics described his performance alongside Lily Cole and Charlotte Gainsbourg (who’s apparently not on the best of terms with the singer since he read her diary on set) in the period film Confession of a Child of the Century as “catastrophic” and “wooden,” his mother credits the project’s director, Sylvie Verheyde, with saving his life. Although he certainly seems calmer than in days gone by, he’s still causing the requisite modicum of trouble. Doherty claims to have been banned from the train system after stealing a conductor’s shoes, and that his presence in Paris offends good-looking French men.