17 posts tagged "Lindsey Wixson"
Copenhagen fashion week wrapped this weekend, and the Scandinavian Spring ’14 runways saw designers embrace relaxed, sportswear-inspired looks in mesh, nylon, and neoprene. A fitting trend, perhaps, seeing as informality is a big part of Copenhagen’s culture.
Danish enfant terrible Asger Juel Larsen opened the festivities, and his hard-hitting political show set a high standard. Anne Sofie Madsen delivered a striking array of intricate leather dresses, bulky tops inspired by motocross, and broad pants paired with mesh tops. She completed her looks with jewelry by Trine Tuxen. And rising star Freya Dalsjø raised the bar still, bringing in Lindsey Wixson to open her three-model-only show (above, left). Her trio of catwalkers piled on layers and layers of color-blocked silk garments before wrapping up in boxy, swoon-worthy neoprene coats for their final lap.
Henrik Vibskov showed off his print chops with an Afrocentric collection—one of his best in recent years (above, right). Baum und Pferdgarten, too, delivered strong prints—from leopard spots to stripes—on its wearable, feminine garments, and Jean//Phillip returned to the menswear scene with a lineup that included red and green reptile motifs. Continue Reading “Danes Just Wanna Have Fun” »
Artist Max Snow isn’t new to clothing design—he’s been creating his own black jeans and T-shirts for years. This summer, however, he turned it into a more official gig when he agreed to create a limited-edition nine-piece capsule collection for the Surf Lodge in Montauk. Snow’s luxe assortment of swim trunks, tank tops, wool baseball caps, and selvedge-denim jackets (with prices ranging from $75 to $595) will get their official debut tomorrow, at Snow’s weekend pop-up shop at the East End hotel. To accompany the collection, the Surf Lodge artist-in-residence for the summer will unveil his new series of black-and-white images (making their exclusive debut here, on Style.com), a few of which feature Lindsey Wixson sporting the pieces.
“Who wouldn’t want to spend a summer in Montauk?” asks Snow, who also hosted a weekend of partying and performances at the Surf Lodge, with Willie Nelson and Courtney Love, earlier in the season. “To be honest, the whole thing was a very organic process, and I’ve really enjoyed it from beginning to end,” he says. Continue Reading “Surf and Snow” »
Dsquared²‘s Dean and Dan Caten have taken a cinematic approach to showcasing their collections of late (who could forget last season, when the pair dressed up in drag for their Spring ’13 film?). In order to tell the story behind their Pre-Fall ’13 range, the brothers have expanded upon their Resort video, in which Cara Delevingne—dressed in the house’s glam-gone-grunge wares—screams into a gritty pay phone. Lensed by Senio Zapruder, the new short (above) stars Jasmine Tookes, who prank calls Delevingne while wearing Dsquared²’s decadent vintage Hollywood looks. “[Resort and Pre-Fall] are two very different types of collections—Jasmine is all thirties, and Cara is nineties sexy—but it was an interesting way to connect them,” offered Dan, noting that previous Dsquared² girls, including Lindsey Wixson and Jessica Stam, make cameos as x-ed-out images in Jasmine’s diary.
“We have fun and we don’t take ourselves too seriously; that’s what makes our job interesting,” said Dan when asked about he and Dean’s penchant for dramatics—apparent not only in their videos but also on the runway (Spring ’14 menswear, anyone?). “Sometimes we get bitched out about it, but if we had to be serious and political, and think too much, we would get bored. So whatever; we’re not boring like that yet, and when I am, I will probably stop doing what I do,” he added.
The designers feel it’s important to work with young talent on their creative projects—director Zapruder is a student, and Stefano Riva, who wrote the music for the short, is only 17. “Young people have a lot of fresh ideas and energy. And they know stuff! I’m almost 50, I don’t go out as much as I should, and kids keep you attached to the world,” said Dan.
The brand’s next project will be a film for its new underwear line. “It’s going to be super, super hot,” said Dan. “Like hard-core hot. And we just did a baby collection…. I’m sure we could do a couple things for that royal baby.”
The Karl caravan has arrived in Singapore. Lagerfeld and forty-seven models are set up at the city’s famous Raffles Hotel, the gorgeous nineteenth-century English-colonial hotel, with enough hardworking dressers, stylists, and global PR reps attending them to put you in mind of a postcolonial Downton Abbey. Today, they’ll put on Chanel’s Cruise show. But last night, it was a party for a prelude: a pair of short films, screened alfresco in the hotel courtyard, beside which Maugham and Hemingway sat in the Long Bar, sipping Singapore Slings.
Leave it to Lagerfeld to make not one, but two films. The preview and the movie: They just go together, he explained. So Women Only featured a raft of his favorite girls—Kati, Cara, Lindsey, Lina, Xiao Wen, Soo Joo, et al., all clad in Chanel Pre-Fall—piling into a movie theater for the debut of a new film. Then the film within the film: Naturally, it’s a little number by Lagerfeld. Once Upon a Time… takes us back a century, to the opening of Gabrielle Chanel’s shop in the French resort town of Deauville. It opens with a scene of two servant girls impugning the name of Chanel. “Who is Gabrielle Chanel?” they wonder as they wander past her shop. “I don’t know, but she has no taste.”
But he who laughs last laughs best. Business starts out slow for Coco Chanel (Keira Knightley, absent from this Singaporean affair, on her honeymoon) and her partner/confidante Aunt Adrienne (Clotilde Hesme), but the crème de la crème of Riviera society eventually come swishing through her door. That Chanel girl, the consensus eventually runs, she’s really got something.
So does her latter-day inheritor, Karl Lagerfeld. “I did everything,” Lagerfeld said after the applause had died down. “I designed the set, I made the costumes, I made the characters, I made the dialogue. I make everything—otherwise, I’m not interested. I could never work with somebody who makes the dialogue, because I want them to talk the way I’m thinking.” He built a town from scratch—the whole thing was shot at a Paris film studio—and assembled a cast of thousands. (Well, 160 extras, at least; but as Hesme laughed, “I think the budget is much larger than the film I did before.”) And he bravely tossed the book out and shot without a script, calling out lines just before takes and encouraging his actresses to improvise. A task like that separates the wheat from the chaff. And who knows, some stars may have been born. Lagerfeld saved special mention for Ashleigh Good, who played the Swedish actress Jacqueline Forzane, and he wasn’t the only one. “Keira was impressed by Ashleigh,” he said gravely. As for others—well, the catwalk is a fine consolation.
Lagerfeld is as new to filmmaking as many of his actresses, but Karl’s gals—out in force tonight to celebrate—were full of praise for their fledgling director. “It was great fun—it was a giant playground,” said Stella Tennant, fresh into town from the Met Gala, who played Lady de Grey, Oscar Wilde’s patroness. “He’s very fresh,” added Caroline de Maigret, who played the towering Russian ballerina Ida Rubinstein. (Lagerfeld made her even more towering by dismissing all but the shortest extras for her scene.) “He’s very enthusiastic, excited. He’s laughing, ‘Ah, brilliant, brilliant!’
“He gets excited by everything he doesn’t know,” she declared, stubbing out her cigarette—usually a hot-button issue in law-abiding Singapore, but Karl’s night, Karl’s rules. “That’s his power. That’s what drives him, the unknown.”