10 posts tagged "Lou Dalton"
London’s fashion boom has been a particular boon for menswear, and as of last June, the city inaugurated its own menswear weekend to recognize it. I was glad to be in the early guard of editors who made the trip, alongside Style.com’s Tim Blanks, who serves on the Menswear Committee of the event, and came away impressed with the energy and individualism of the city’s designers. Even the youngest—the trio of Agi & Sam, Shaun Samson, and Astrid Andersen, who showed collectively as part of the MAN show—had more courage of their convictions than many far more seasoned labels in New York or elsewhere. And while everyone agreed that the start was an auspicious one, the unofficial consensus among the attendees I spoke to was that the week could use a few tentpoles from the big-time ranks to solidify its position and round out its offerings. The provisional schedule, announced today by the BFC, suggests it is getting just that. London is still extremely supportive of its emerging set—eBay and the mayor of London are teaming up for a Fashion Forward sponsorship, which will be extended as in seasons past to Christopher Shannon, E.Tautz, and J.W. Anderson, and for the first time, to the promising Lou Dalton—but several more established houses are planning to show as well. Alexander McQueen (a look from the Spring ’13 collection is at left) and Tom Ford, both of whom previously presented by appointment in Milan, will show in London; Savile Row’s own Hardy Amies, which showed in Paris, joins as well. More to follow? To be seen. In the meantime, to catch up on London’s Spring 2013 show coverage on Style.com, click here.
After a royal kickoff, London Collections: Men (its official, if slightly wordy name) began in earnest this morning.
The first show on the schedule belonged to Lou Dalton, the brassy woman-in-menswear (like her sister-in-arms Martine Rose) who is a promising part of the young London scene. Her futuristic take on tailoring (left)—jackets with inset mesh panels, shirts in classic fabrics like seersucker that billowed like deflated humps behind their wearers, and boxy shorts, worn with trainers and high socks—seemed almost sci-fi, but it had an appealingly dystopic twang. Alexa Chung, who dipped backstage after the show to offer her congratulations, seemed to appreciate it.
And now, as the Pythons used to say, for something completely different. (This is England, after all.) Hackett’s show at the English Opera House drew inspiration from the past, specifically the thirties of Gatsby. That sort of vertigo-inducing 180 from the future to the past and the experimental to the traditional characterized the day and may well characterize the full schedule of collections here in London. In the afternoon, Savile Row opened its many doors, while not far away, Rose made her mark—literally—with outerwear and shirts in neoprene stamped with impressions of her own hands. Continue Reading “Letter From London:
The Men’s Collections, Day 1″ »
After cramming a city’s worth of menswear offerings into a single MAN Day for the last few seasons, London is planning to give its standout men’s offerings a bit more room to breathe. The first men’s-only London fashion collections (technically three days, rather than a few weeks) will take place June 15 to 17, with opening programs including a launch event hosted by Prince Charles. In addition to the young London designers who have been showing on MAN DAY—like J.W. Anderson, James Long, Topman, Lou Dalton, and Christopher Shannon—the new opportunity has lured several U.K. brands back to their home turf, including Pringle of Scotland and Nicole Farhi, who have been showing in Milan, and Dunhill. E. Tautz, Hardy Amies, and Richard James will show ready-to-wear collections on Savile Row, and Richard Nicoll (pictured) will debut a menswear collection. The full schedule is now available at www.londoncollections.co.uk.
Talk about multitasking: Juergen Teller’s new campaign for Marc Jacobs—starring Masha Kirsanova and Caroline Brasch Nielsen—was shot backstage at Jacobs’ Spring ’11 show (left). [Fashionologie]
The womenswear winners of London’s NewGen sponsorships were announced earlier this week, and now the prize is spotlighting the men: J.W. Anderson, Christopher Shannon, and James Long will show their menswear on the runway during LFW’s Man Day, while Lou Dalton, Katie Eary, Omar Kashoura, and knit wits Sibling will have their presentations supported. (Men’s designer Christopher Raeburn, who was listed among the winners yesterday, will also have his installation underwritten.) [Vogue U.K.]
It’s time (again) for Diane von Furstenberg to clear some space on her mantel: The indefatigable designer will receive amfAR’s Award of Courage—alongside President Bill Clinton and Elizabeth Taylor—at the AIDS research nonprofit’s silver anniversary gala next year. [WWD]
Leandra Medine, better known as the voice of Man Repeller, is the high priestess of high-waisted pants—and shoulder pads, schlumpy layers, and all of the other “girls get it, guys don’t” fashion choices out there. Men may be repelled, but the Times wasn’t; Medine got the full profile treatment today. [NYT]
And here’s more from Ford: The latest glimpses of TF’s womenswear come courtesy of W, which shot a few looks, styled by Alex White and shot by Inez and Vinoodh, on Lara Stone. [W]
Wade with an open mind through the variety of shows and presentations on offer during London Fashion Week’s MAN Day, and you’d have been impressed by just that—variety. From Savile Row smart to Mineshaft sleaze, London’s menswear designers laid out a buffet that could make your palette pulsate with pleasure or leave a bad taste in your mouth. But what was immediately striking about every single designer who showed a men’s collection on Wednesday is how sophisticated they were with their back-stories. James Long, currently anointed The One to Watch, referenced Fuse Boy, a film by the scarcely-known Canadian filmmaker Guy Maddin, for a collection (pictured) which imagined men in a steamy boiler room, their steam-saturated clothes slowly going moldy. That scenario scarcely impeded appreciation of Long’s masterful use of leather. New Power Studio was inspired by London’s multiculturalism and, at a time when the city feels like it is splintering, there was idealism in a show that offered a cross-section of ages, races and sizes in sportswear that was elemental enough to embrace them all. And, because I’m a fashion trainspotter, I couldn’t help drawing a line from the last look—a be-glittered guy in a shtreimel—to the ultimate fashion idealist Jean Paul Gaultier’s Jewish collection in 1993. Turns out NPS’s main man Thom Murphy is a big Gaultier fan.
If the rest of the world is going to get the picture, it is essential that MAN Day bring together all the strands of the burgeoning British menswear scene. I felt this one did. I’ve already written about Topman and I’ll have more to say about E.Tautz. The ideas they represent—the heritage of Savile Row, the historical romance of benchmark English designers like Galliano and McQueen—clearly provide a framework that is dictating the direction of many younger designers. James Small was so focused on tailoring that he trimmed everything superfluous out of classic men’s pieces. That peacoat? So lean it was mean. Lou Dalton, Carolyn Massey and J.W. Anderson opted for history, a temporal construct (Bonnie Prince Charlie) in Dalton’s case, a personal patchwork with Anderson, with a knapsack laden with roses (below) as one of the day’s enduring images.
And it wouldn’t be London if there wasn’t at least one intensely polarizing presentation. Rasharn d’Vera Agymang and Jaiden James are buoyant twentysomethings who make clothes that are anything but upbeat. With Mad Max apocalypse and Mapplethorpe’s X Portfolio in mind, they produced a collection of fetish leathers that was numbingly literal. Meanwhile, Re:Bel, the magazine they make together, was being distributed outside in the courtyard of Somerset House. It’s an impressive feat, a manifesto that rebuts the bloggy brevity their peers opt for. In fact, Re:Bel looks so substantial that it made the clothes feel like an afterthought. But, from Karl Marx to Malcolm Maclaren, London has always been the city that is kindest to manifestos.