189 posts tagged "Louis Vuitton"
This morning, Marc Jacobs announced that he is changing the name of his popular diffusion line, Marc by Marc Jacobs. “I’ve always hated that name,” Jacobs told British Vogue. Of course, the new name has yet to be unveiled; Jacobs is “superstitious” and apparently wants to wait for the right time. Might that be on February 11 at Katie Hillier and Luella Bartley’s first Marc by Marc Jacobs show? We wouldn’t be surprised. The news coincides with Jacobs’ recent departure from Louis Vuitton to focus on his main line as well as the company’s forthcoming IPO.
Ladies, take it from us: Nothing kills a fashion week buzz quite like wiping out in front of a pack of street-style photographers in a pair of teetering stilettos. The glacial weather we’ve been enduring here in New York calls for practical footwear, but the trusty pair of Sorels you’ve been slushing around in all winter are all but guaranteed to earn you some disapproving looks from your boss. If only we could shop designers’ new Pre-Fall collections now. The Louis Vuitton and Fendi lineups both included furry moon boots, while Balenciaga’s sculptural looks were shown with practical yet polished pony-hair lace-up moccasins. Think of them as a luxe evolution of mukluks. And speaking of evolution, we also have our eyes trained on Chitose Abe’s fuzzy sneaker hybrid for Sacai Luck.
This year, the January high jewelry presentations were but a prelude to the July Haute Couture season, which itself will be just a preview of what’s to come at the year’s biggest jewelry event: Paris’ twenty-seventh Biennale des Antiquaires in September. But even though most houses just offered a shimmering taste, indie brands and established houses alike gave us lots to lust for. Here, a roundup of the season’s most compelling gems.
Aurélie Bidermann: Aurélie Bidermann’s quintessentially boho-chic personal style reflects the various places she’s lived since childhood—Paris, London, New York, and especially South America, with a nod to India for good measure. This multicolored sapphire and gold cuff with a tsavorite scarab detail headlines her debut foray into precious pieces. The designer’s much-anticipated collection spans colorful critter-shaped charms, a heavy elephant pendant, woven gold bracelets with diamond-lined edges, bangles that jingle, and medieval-inspired rings. We’re looking forward to seeing what fine-jewelry jungle the designer comes up with next.
Boucheron: Believe it or not, it’s been a decade since Boucheron first launched its covetable Quatre rings. Now, offspring include an all-diamond variation and cuff bracelets. The Radiant iteration comes in gold with a row of diamonds, and sober, all-gold Monochromes were on offer for those with subtler tastes. Other options include summery renditions with white ceramic “clous” (so named after the calibrated square cobblestones of the Place Vendôme). Mix-and-match stackables and solitaires round out the story.
Bulgari:In the months since Carla Bruni-Sarkozy debuted the original “summer” Diva necklace—she sported 108 carats of fancy-cut emeralds—Bulgari has been crafting a one-of-a-kind Diva for every season. The autumnal variation comes in 116 carats of moghul-cut rubellites, plus diamonds, amethysts, and mandarin garnets, while the winter version’s leaves are frosted over entirely with more than 40 carats of diamonds. Spring is still in the workshop, but it is set to be green, with mint tourmalines and peridots offset by amethysts and diamonds. Meanwhile, graphic, seventies-inflected pieces in diamonds and onyx join the Intarsio line.
Chanel: Gabrielle Chanel loved pearls—real, faux, by day, by night, for sport, you name it. But there is nothing faux, or workout-appropriate, in the brand’s latest high jewelry collection. About three-quarters of the eighty-seven pieces in Perles de Chanel—the first collection in eight years to focus on the house staple—was on display in the Chanel salon this week. And the decadent wares hit all the high notes in the Chanel lexicon: ribbons, lions, camellias, and Coromandel swallows, with pearls ranging from seed-size to gumball (mostly the latter). The colorful one-off necklace strung with five sizable Australian baroque pearls and seven varieties of precious and semiprecious stones is just one of many showstoppers.
Dauphin: Charlotte Dauphin de la Rochefoucauld, who chose her maiden name to headline her maison, makes her first foray into high jewelry this season, and her debut collection is nothing if not impressive. With a little help from friends like Paolo Roversi and Saskia de Brauw, the designer showcased a short line of “strong but light” pieces inspired by architecture—her gold and diamond rings and earrings could be the blueprints of the Eiffel Tower. Another cuff and matching necklace are an exercise in bone structure. Continue Reading “At Paris’ Haute Joaillerie Outings, a Twinkling Taste of What’s to Come” »
Over the past sixty-plus years, Façonnable has established itself as a brand that captures the essence of the Côte d’Azur lifestyle (think: a round of tennis followed by an afternoon spent sailing off the coast of Monaco). Best known for its classic men’s suits and signature sporty staples, such as polo shirts and chinos, the label is repositioning itself and reviving its womenswear program for Fall ’14 with the help of its new artistic director, Daniel Kearns. Before taking the helm at Façonnable, Kearns served as the design director of menswear for Yves Saint Laurent under Stefano Pilati, and also worked at Louis Vuitton, Alexander McQueen, and John Galliano. With this proven prowess in masculine tailoring, he rose to the challenge of creating his first women’s collection. “This is the first time I have mixed both tailoring and flow. Womenswear needs a more sensitive approach and is another mind-set,” he told Style.com.
For his debut ladies’ lineup, Kearns kept the look elegant and understated (for the most part), whipping up sharp tuxedos, slim sheaths, and plush outerwear. His looks feature subtle accents that recall Façonnable’s heritage, such as braided trims and belts (a nod to the brand’s nautical roots). With an eye on the modern customer, he added several pieces that felt a bit more fashion-forward, including novelty bomber jackets and a metallic rose-gold pencil skirt. Another major development here was the reintroduction of eveningwear, which plays an important role in Façonnable’s history. When Jean Goldberg founded the label, in 1950, many actresses sought him out for gowns to wear to the Cannes Film Festival. With that in mind, Kearns showed a handful of beautiful, body-skimming column dresses with capelet details in back—the style in crimson-hued silk was a particular standout. “When you think of the French Riviera, you think of Cannes and women like Romy Schneider and Grace Kelly in Monte Carlo, as well as the photography of Helmut Newton and all the artists who retreated here for inspiration,” he explained. Altogether, Kearns’ impressive first foray into womenswear (in addition to new advertising campaigns, updated branding, and refurbished stores) suggests a bright new future for Façonnable.
Façonnable’s Fall ’14 womenswear lookbook, which was shot at the historic Cap Estel hotel, debuts here, exclusively on Style.com.