3 posts tagged "Lover"
“She was at the top of our list, but it was an ‘in your dreams’ kind of thing,” recalled Nic Briand, one half of the design duo, along with partner Susien Chong, behind Australian label Lover. He’s talking about Karen Elson, the star of the decade-old brand’s first-ever campaign, which, debuting exclusively here, features the fiery-haired English beauty in Lover’s romantic coated-lace and silk Fall ’13 collection. “Karen has always been one of our all-time fantasy muses. She’s up there with people like Charlotte Rampling and Jane Birkin,” said Briand. “We met her briefly, at a friend’s wedding, and in and of itself that encounter would have been enough. When she said she was a fan of the clothes and that she wanted to do the campaign, we were blown away.”
The images, lensed by Lina Scheynius and styled by Leith Clark, show Elson lounging in soft, natural light. It’s an organic compilation that feels just stripped-down and confidently fragile enough for Chong and Briand’s delicate designs. Baby blue, slightly ruffling minidresses with sheer lace detailing have an almost Victorian feeling, while high-neck lace cocktail dresses were inspired by musicians such as Courtney Love and Patti Smith. “There’s this vulnerability about them, but their stage presence is so in-your-face. We love that duality to come through in the clothes,” said Briand. Continue Reading “Karen Elson’s Got a New Lover” »
Australia fashion week wrapped in Sydney today://www.style.com/fashionshows/F2013RTW/SYDNEY">click here.
Fashion week in Sydney concluded this afternoon with a show by Zambesi (left), one of the major brands from New Zealand. Even if you hadn’t known that Zambesi was based in Auckland, the clothes on the runway made it altogether clear that a non-Australian sensibility was at work. To put it plainly, Zambesi designers Elisabeth Findlay and Dayne Johnston have an affection for the eccentric and borderline frumpy that the local Sydney designers do not share at all. The men’s looks, designed by Johnston, were relatively straightforward—vaguely thuggish tailoring, plus the odd flourish like a pair of tailored wool shortalls. The womenswear, from Findlay, had a bit more range, with crispy and rather clinical white looks ebbing into more challenging pieces, such as long narrow dresses covered with fringe tassels. For both sexes, the sharpest looks were the ones in a tartan organza; very on-trend, that.
Zambesi aren’t the only carpetbaggers on the Australian fashion scene. Jewelry designer Estelle Dévé hails from the South of France, originally, but her brand is based in Melbourne, and in the five years since she launched, it has emerged as something of a cult phenomenon. Dévé’s signature pieces are plated rings with a rough-hewn look; this season, she’s elevated her aesthetic quite a bit, drawing on her French heritage for a bit of soigné, and sourcing influence from the surrealists. Standout pieces in the new collection include statement necklaces with egg-shaped crystal pendants half-covered in a dissolving layer of silver.
Dévé adapted several pieces from the new collection for a capsule range of bracelets and necklaces made in collaboration with Camilla and Marc (left). Those pieces were on the Camilla and Marc catwalk at the very start of Australian Fashion Week; so too was the jewelry work of Ryan Storer, whose dangerous-looking ear pieces adorned all the models at the show. Storey’s brand is ultra-new”—his very small debut collection is shipping to stores now, with a selection of the ear pieces due to arrive at Browns in London at any moment.
I am a girl who loves a good hoodie. I have been known to make brunch in the pair of baggy Champion sweats I have worn—and adored—since college. I prefer comfort to discomfort and ease to difficulty, and I am non-categorical about high fashion and low. Theoretically, I am the target market for the fashion makeover of fleece that is currently afoot. And yet: Something in the mind revolts. It’s not that Alexander Wang’s sweat shorts are currently retailing for the ambitious price of $225, or that Osklen’s pleated sweat dresses and loose, floor-skimming sweat skirts for Fall ’09 strike me as a whit too conceptual for a cotton Gwyneth doesn’t even want to let into her new Tribeca gym. No, my problem with the sweats trend is more general. I want to preserve the distinction between clothes you wear to look stylish, and the stuff you put on when you just don’t care. I would hate for sweats to go the way of denim and draped tees and become a fetishized, merchandised must-have; the kind of thing that demands a rigorous attention to detail. I suspect that when sweats become a fashion item, it won’t make my lifestyle more casual, but less. Lover’s circular cape in gray marl has me convinced that fleece can look streetwise and suave, but I’m not yet convinced that it should. What do you say? To sweat or not to sweat?