22 posts tagged "L’Wren Scott"
Black Friday may seem ages away, but after viewing Banana Republic’s latest collection, we’ve got holiday gifting on the brain. “I was thinking of Gstaad, walking down the street and finding all these little curiosities,” said creative director Simon Kneen during a preview of BR’s Holiday 2013 collection last night. He was referring to the lineup’s five subdivisions. Dubbed Shimmer, Print, and Candy for women, and Black and White and Après Ski for men, the mini capsules were conceived to mirror the types of boutiques one might see in quaint, ritzy mountain towns.
Those capsules will offer plenty of gift-worthy options, in both ready-to-wear and accessories. Après Ski, for example, includes a slew of smart Fair Isle knits for the gents, while Candy gives women options for a tropical winter getaway—Pop-bright faux pony-hair flats included. Kneen, though, is particularly smitten with the zebra- and ocelot-screened Prints component. “I fell in love with the animal thing…. It’s kind of stepping out—or stepping up for us. It’s very feminine, very soft.”
The collection, which ranges from $16.50 to $475, will hit stores in early November, just before the December 5 release of the brand’s recently announced L’Wren Scott capsule. The latter, too, has a holiday theme, and promises everything from cozy knits to cashmere blankets.
Fashion and art often find each other, as they did last night at the Neue Gallery New York, where L’Wren Scott sat down with longtime pal Rachel Feinstein to discuss her Gustav Klimt-inspired Fall ’13 collection. The museum, which welcomed the likes of Feinstein’s husband John Currin, and actress Ellen Barkin for the affair, acquired one of the twentieth century Austrian artist’s most famous works, Portrait of Adele Bloch-Bauer I (1907), back in 2006. Created during his golden phase, the painting was the primary muse for Scott’s decadent Fall looks, and it served as the backdrop for the Q&A. Having first discovered Klimt when she visited Paris’ Musée d’Orsay in her teens, Scott explained that her love of his work, “obsession with his golden period” and “longtime love of gold,” were the starting points for her collection. And indeed, while examining Scott’s gilded Fall ’13 designs, four of which were displayed in the front of the room, the connection was clear.
Scott offered that Klimt’s life—or, more specifically, the women in his life—were equally as inspiring as his art. In particular, she referenced Adele Bloch Bauer (a wealthy socialite and one of his foremost patrons), and his supposed lover, the bohemian fashion designer Emilie Flöge. “She was very well known for her little caplets, and she used to embellish them beautifully with geometric designs and inspirations from ancient Egyptian and Byzantine times. That’s how Klimt started doing his geometric patterns,” said Scott. One such caplet topped a black and gold sequined evening gown that hugged a mannequin to her left. Continue Reading “L’Wren Scott’s Living Canvas” »
Only for Hedi Slimane is it par for the course to dress a Rolling Stone. The designer—who opened the doors to Saint Laurent’s swanky new Avenue Montaigne flagship today—has created Keith Richards’ onstage duds for the Stones’ 50 Years and Counting tour. Considering the designer’s musical ties (most recently, he created Daft Punk’s helmeted Coachella costumes, his pals include Sky Ferreira and Alison Mosshart, and, of course, his latest ad campaigns feature the likes of Beck, Courtney Love, and Marilyn Manson), and the fact that he dressed the Stones while at Dior Homme, Slimane was, perhaps, the obvious choice for Richards (front man Mick Jagger, however, turned to girlfriend L’Wren Scott for his looks). The rocker’s ensemble will consist of silk scarves, T-shirts, a vest, and a café racer jacket. The latter—aptly named the Keith jacket—will be available for a mere $4,850 as part of the forthcoming Saint Laurent Stage Wear by Hedi Slimane collection, which will hit stores in June. Not surprisingly, Saint Laurent reports that Slimane has more sartorial stage projects in the pipeline.
The results are in. Today, The Hollywood Reporter released its third annual list of Hollywood’s 25 Most Powerful Stylists. The winners include big names we’ve been hearing a lot about of late—Kate Young, who’s been whipping up a buzz with her new Target collection (and who styles Michelle Williams, Rachel Weisz, and Natalie Portman), came in at number four. Elizabeth Stewart, who chronicled her experience styling Amanda Seyfried, Jessica Chastain, Julia Roberts, and Cody Horn for the Golden Globes for Style.com, came in at number five. And Rachel Zoe, who styled Anne Hathaway and Jennifer Lawrence in their much-talked-about Oscar gowns, slid in at number three. Petra Flannery, who styles Emma Stone, Zoe Saldana, and Megan Fox, was this year’s runner-up. And the big winner is (drumroll, please) Leslie Fremar, who styles discerning stars like Julianne Moore, Charlize Theron, and Jennifer Connelly. A surprise on the list was designer (and Mick Jagger’s girlfriend) L’Wren Scott, who came in at number sixteen for dressing Nicole Kidman.
After 50 years of sweating, screaming, and singing with the Stones, Mick Jagger is all about feeling good on stage. “Men aren’t interested in clothes that look amazing but are fantastically uncomfortable to wear. We’re not into pain—we’re into comfort,” he told WWD today. The dapper duds his girlfriend, fashion designer L’Wren Scott, created for his current “50 and Counting” tour apparently fit the bill. But all one has to do is look at the Stones’ old tour photos to know that, in his earlier years, Jagger’s comfort was the exception, rather than the rule.
In the late sixties, Jagger, along with his then wife Bianca, became big-time clients of Ossie Clark, the It designer of London’s swinging sixties. Clark, who also counted the likes of Twiggy and Jean Shrimpton among his fans, designed jumpsuits that hugged Mick, very, very tightly, in all the right places. From a bedazzled blue velvet onesie to a low-cut unitard, to the lace-up number pictured above (which is currently up for auction at Christie’s with a starting bid of $12,744), Jagger shied away from neither glamour nor flamboyance. Rather, as he wiggled and kicked about on stage in his Clark designs, he embraced them. Which would explain why he quite literally wore his second-skin suits to death. “You can see the pelvic wear and tear from all the gyrating,” V&A curator Kate Dorney told the Guardian in 2009 when asked about one of the rock star’s Ossie-designed costumes featured in an exhibition. However, Jagger never fell victim to the “wardrobe malfunctions” so common in modern stardom. Being the master that he was, Clark always made sure Mick was equipped with well-made backups.