16 posts tagged "MAC"
Lindsay Ellingson’s line of silk-and-gold bracelets, Goldie Knots, is sweet and unassuming—a lot like the model herself, who has a girl-next-door appeal despite her high-profile career. She got her start by attending a scouting event on a whim in 2005. At the time, she was studying biology at the University of California at San Diego, and knew nothing about fashion. So when she was quickly picked up by an agency, flown to Paris, and instantly sent to meet with John Galliano, who wanted her to open the Christian Dior show (mind you, she had never heard of John Galliano or Christian Dior), she didn’t know what to expect. “My eyes were squinting so badly because I didn’t realize the lights were going to be so bright!” she says of her Dior debut.
A self-confessed science geek (in Valentino: The Last Emperor, the camera pans a room of models backstage in hair and makeup, and she can be spotted with her nose in a tome on Einstein), Ellingson, now twenty-eight, has been going nonstop since diving into modeling eight years ago. She’s walked for everyone from Michael Kors to Chanel, done Victoria Secret’s runway spectacle for five years running (yes, she’s worn those coveted Angel wings), shot campaigns for the underwear megabrand, as well as Tommy Hilfiger, Moschino, and MAC, and starred in editorials (and a few cover shoots) for Vogue, GQ, and Marie Claire.
A stranger to fashion no more, the model is now somewhat of a designer herself, turning out high-quality creations of knotted silk and 14-karat gold that she makes by hand. Having learned the craft from her mother, Ellingson started by making the bracelets for herself. However, the baubles quickly caught the attention of her friends, and a Victoria’s Secret stylist requested to use them on a few shoots. Thus, Goldie Knots was born. Most of her business has come from word of mouth, but her Web site is launching this spring, where the bracelets will be sold for $150 to $250. A lover of animals, Ellingson will be donating a portion of the proceeds to help out her furry friends. “So far, in just the very small amount of business I’ve done, I’ve donated about $2,000 to the Humane Society of the United States.” Talk about an Angel.
Fashion rallied behind the cause of Azealia Banks in 2012: There were the umpteen performances (the Chanel after-party, the Karl launch party, the Anna Dello Russo x H&M party, the Terryworld Art Basel party), the endorsements (Azealia for T by Alexander Wang), the collaborations (Azealia x MAC), the Fashion’s Night Out performance, the red-carpet walk at the Met Gala. Today’s forecast? Twelve more months to come. Now spinning: “BBD” (that’s “Bad Bitches Do It”), the latest Banks track, released via Twitter and laced with enough four-letter words to make earphones at the office a solid recommendation.
The latest style brand to dip a toe in the waters of “Made in America”? Apple. The tech giant’s CEO, Tim Cook, announced that it will be piloting a program to to build some computers in the U.S. as part of a $100 million effort. For now, details are scarce; the company is vowing it will not merely assemble components made elsewhere in the U.S., but it is not specifying which models will be U.S.-made, beyond saying that it is a line that is already in production. (Not necessarily laptops, then, but we can hope.) One iDay, will we see a Mac on Michael Williams’ vaunted American List?
If you prick Liz Goldwyn, does she not bleed L.A.? It’s not simply that her genes are as haute as Hollywood gets (her iPhoto of her grandmother Frances Howard is by Edward Steichen, for Pete’s sake), or that’s she’s as glamorous as all get-out with her red lips and her Lanvin. She’s also a serious student of the city’s history—or at least that part of it that pertains to street life. In early November, Goldwyn transformed the Hearst Suite of Los Altos Apartments (where the tycoon William Randolph Hearst installed his mistress Marion Davies in the twenties) into a nineteenth-century brothel for a one-night-only art/film installation called The Painted Lady. She’s fascinated by all aspects of prostitution, high and low, male and female. “In the early days of Los Angeles, the madams had real power,” Goldwyn explains.
Her fascination has spilled over into other aspects of the commercialization of sex. Burlesque, for instance. PrettyThings, the 2005 film and book that Goldwyn made about burlesque queens, has now provided the unlikely inspiration for her latest project, which is all about an entirely different kind of street sensibility. She’s designed a range of skatewear for Altamont using images from vintage burlesque designer Rex Huntington. As much as Goldwyn’s current look channels hyper-sophisticated cocktail culture (MAC Cosmetics commissioned acapsule collection of Deco-inspired makeup bags from her), she insists she was once all about Big Brother magazine, Fuct, and the Menace Skateboard crew, as she explains in the video above. If vintage currently means classic couture to her, it used to be Vision Quest and Bones Brigade T-shirts that jived her buns. In the grand L.A. reinvention-required scheme of things, that makes her a genuine West Coast Renaissance woman.