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July 10 2014

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11 posts tagged "Maggie Gyllenhaal"

Runway to Red Carpet: Babes on Broadway and a Splash of Feminine Flair

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tilda swintonNew York was graced with plenty of glitz this week when musically inclined stars took to the red carpet for Sunday night’s Tony Awards. A slew of silver-screen stars came out to show their support, with notables including Kate Mara, Emmy Rossum, Lucy Liu, and Maggie Gyllenhaal in attendance. Rossum, who is no stranger to the stage, turned up in a silver silk Ralph Lauren Pre-Fall ’14 gown. Liu was also a highlight in a Vivienne Westwood number that offered a fresh riff on the tuxedo.

On Saturday, Jaime King smoldered at Spike TV’s Guys Choice Awards, stepping out in a saucy black suede Emilio Pucci minidress with a web of crystal embellishments. Rihanna unsurprisingly took home the evening’s (somewhat degrading) Most Desirable Woman accolade, and donned a simple yet elegant black vintage John Galliano silk slipdress to accept her trophy.

Tilda Swinton, who, let’s face it, looks flawless in pretty much anything, walked the red carpet in a decidedly feminine burgundy Schiaparelli Couture for the premiere of Snowpiercer during the Los Angeles Film Festival. With structured hips and a form-fitting silhouette, the dress was an unlikely but stunning choice for the oft-androgynous actress.

Here, more of this week’s red-carpet highlights.

Runway to Red Carpet: High-Wattage Gowns and a Racy Duet

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Maggie Gyllenhaal, Sarah Jessica Parker, Naomi Campbell

Over the past few days, mega-starlets have walked red carpets in a multiplicity of wares from fashion’s heaviest hitters—an A+-list week, if we’ve ever seen one.

Last Thursday evening, Tilda Swinton attended the opening of Chanel’s Little Black Jacket exhibition in Shanghai. Draped in an all-white and finitely textured dress from the house’s Resort ’14 lineup, Swinton was spookily ethereal as ever.

On Monday, Sarah Jessica Parker (above, center) headed to the premiere of London’s new Charlie and the Chocolate Factory musical, donning a twinkling Marc Jacobs Resort ’14 dress. Also in the Big Smoke this week: Natalia Vodianova—resplendent in a Stella McCartney lamé, long-sleeve column, with a wooden clutch from the designer’s Fall ’13 collection, at the Saatchi Gallery’s Arts for Life charity auction (which Ms. Vodianova hosted along with Nadja Swarovski and Susan Hayden).

Stateside on Tuesday, Maggie Gyllenhaal (above, left) wore a Christian Dior Fall ’13 number to the premiere of White House Down in New York. The outfit—with its scrunchy peplum waist, scalloped bustier, and interlocking Deco-tinged skirt—balanced Dior’s Old Hollywood glamour with Raf Simons’ architectural flare. Out West in Los Angeles a few hours later, Naomi Watts arrived at the premiere of Ray Donovan in an eyebrow-raising Pre-Fall ’13 Alexander McQueen leather minidress. The bold frock, complete with a teardrop neckline, was definitely racier than the actress’s usual sartorial choices. And finally, back in London Town Wednesday night, another Naomi opted for an edgy option. At the L’Wren Scott-hosted Serpentine Gallery party, Ms. Campbell (above, right) was seen touting a David Koma Fall ’13 mini—complete with sheer shoulders, a banded waist and hem, and athletic sleeves.

Photos:Getty Images

Maggie Gyllenhaal Strikes A Pose For Vena Cava

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Vena Cava’s Sophie Buhai and Lisa Mayock didn’t have their show as usual this season, opting instead to have their celebrity friends, including Nora Zehetner and Tennessee Thomas, model their forties-esque clothing in their Spring ’12 lookbook. If you thought you had already seen all the looks, think again. Today, Style.com shares a few more offerings from the duo, modeled by Maggie Gyllenhaal.

“Maggie was our ideal woman to represent Vena Cava,” Mayock tells Style.com. “She’s a movie star in the traditional sense, but also has the modern-day qualities we admire and adore in friends, collaborators, and accomplices.”

Photo: Jason Frank Rothenberg

Toasting T

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“Second only to Diane von Furstenberg, Sally Singer is my favorite woman in fashion,” Mickey Boardman said last night. “Wherever she is, I’ll be there with bells on.”

Last night, “there” was the Spotted Pig, and Boardman was indeed on hand-draped in bling if not in bells. He’d turned up, like Charlie Rose, Maggie Gyllenhaal, Jonathan Adler, and Jason Wu (left, with Singer), to toast Singer’s new gig as the editor in chief of T. The editor herself was in a forward-looking mood (if a little exhausted, like most of those on hand, from a week-plus of fashion shows). But she’s as well known for her wide-ranging non-fashion interests-design, literature, culture, art, and so on-as for her taste for clothes. And at T, that’s a requisite. “I think [the interconnectedness] is indelible to T and the Times, where we have the best newsroom in the world-the best newsrooms all over the world.” Asked if she felt pressure to institute bold changes, she demurred. “Not at all,” she said. “I think Stefano [Tonchi] did an incredible job. I inherited an incredible magazine. I don’t have to change anything. A magazine just naturally takes on the personality of its editor.”

The Spotted Pig, meanwhile, had taken on the personality of the magazine for the night. Giant bouquets of roses scented the second floor room, and scattered around were giant versions of T‘s gothic-script logo constructed out of hay. It may have been the tail end of a long fashion week, but the designers came to pay their respects, too. Joseph Altuzarra, fielding compliments and praise for his show, spoke for many when he said, “Sally was one of my earliest supporters. I’m so happy for her.” And Wu put the capper on it: “What’s not to celebrate? Sally’s amazing.”

Photo: Chance Yeh/Patrick McMullan

Blasblog: Dancing (And The Occasional Strip-Down Push-up) With The Dancers

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When I first moved to this big city, the New York City Ballet’s annual Dance With the Dancers benefit was one of my first fancy philanthropic experiences. So Monday night’s fête was both nostalgic and lovely: cocktails on the veranda as the sun set, tucked away in Lincoln Center’s southwest corner (which we’ll all be getting used to come September, when fashion week’s tents are shoved in there). It was all as I had remembered it to be—lots of bubbly, lots of turned-out young women and ballet bodies draped in chiffon. At our table, the honorary chair, Maggie Gyllenhaal, sat between the pregnant Sarah Sophie Flicker and the also pregnant Yelena Yemchuk (pictured, above, with Leith Clark)—cue the camera phone pics of babies passed back and forth (Gyllenhaal admitted she wants another soon). All in all, the usual gala politesse—until, that is, after cocktails, when the company’s dancers busted a dance-off. One group did a Michael Jackson tribute; another, a Chippendales number that had three buffed male dancers spinning in nothing but red underwear, bow ties, and cuff links. It was a gamble: The uptown crowd that came to the David H. Koch Theater were probably expecting tutus and point shoes, not yellow lingerie and flexing physiques. But benefit chairwoman Arden Wohl, for one, was happy to see some of the world’s best dancers let loose. “Look, they’re having fun,” she said, praising the fabulous form of the men’s topless push-ups.

Photo: Nick Hunt / Patrick McMullan