51 posts tagged "Maison Martin Margiela"
It’s no secret that fashion is having an affair to remember with punk right now, so it’s fitting that vinyl and PVC also made subversive waves on the Fall runways. Donatella Versace ratcheted up the fetish factor with her “Vunk”-themed lineup full of the shiny stuff (left), while Joseph Altuzarra and Jonathan Saunders gave corseted looks a kinky kick by whipping them up in technical poly- and patent leather, respectively. (Speaking of kick, we couldn’t get enough of Karl Lagerfeld’s glossy thigh-high boots.) But slick synthetics weren’t exclusively used in a sexy context this season. The rain-resistant material was a practical yet eye-catching choice for the classic trenches and mackintosh coats that turned up at Burberry Prorsum, Maison Martin Margiela, and Salvatore Ferragamo, to name a few.
Here, our roundup of the best in vinyl, on and off the runway >>
Is Maison Martin Margiela everywhere these days? Not really, but thanks to last year’s H&M capsule and Kanye West’s frequent sartorial and lyrical endorsements, the notoriously covert house has definitely experienced a spike in visibility. Today, Margiela makes news again with the announcement that it will be helping watchmaker G-Shock celebrate its thirtieth anniversary with a limited-edition collaborative timepiece. Titled the GA-300, the watch—only 3,000 models of which have been produced—marks Margiela’s first venture into the world of horlogerie. Staying true to MMM’s cerebral, deconstructed, think again! aesthetic, the watch sits atop a detachable silver leather strap that can be worn solo as a cuff. Priced at $300 (we’re sensing a theme) the wares will hit Margiela stores this Saturday.
Narrowing down the season’s top newcomers to just ten girls is never an easy task. After following their progress through New York, London, Milan, and Paris, we admittedly feel a bit like stage moms cheering on all the rookies. But, considering Fall ’13′s impressive crop of fresh faces, picking our favorites this season was even more gut-wrenching than usual.
At the end of the day, however, decisions have to be made. But the runners-up deserve a round of applause, too. At the top of our list of girls who almost made the cut is Elisabeth Erm (WILHELMINA), who shot to the front of the pack after walking Calvin Klein in New York, and then went on to kill it in Europe. She ended particularly strong in Paris, turning up at Balenciaga, Chanel, Dior, Givenchy, and Miu Miu, among others. Another girl who boasted a very impressive show list was Nicole Pollard (ELITE), a favorite of Raf Simons, who closed the month with twenty-seven top-tier turns, including Dior, Alexander Wang, Saint Laurent, Balenciaga, and Givenchy.
Some girls only walked a few shows, but that doesn’t mean they went unnoticed. Take Binx Walton (NEXT), for instance. The Tennessee native racked up exclusives at Marc Jacobs and Versace, and also appeared at Miu Miu in Paris, and Giles and Sister by Sibling in London (clearly, Katie Grand, who styles both collections, is a fan). Breathtaking brunettes Elise Smidt (WOMEN) and Lauren English (IMG) also went the selective but premium route. Smidt caught the eye of casting directors in Milan, at Prada and Jil Sander, then went on to hit the runway at Miu Miu, Louis Vuitton, Valentino, Chloé, and Dior in Paris. English emerged as a favorite of Alexander Wang (who definitely has a sixth sense for models) in New York, then turned up again on his Balenciaga catwalk in Paris. She rounded out the season with Céline, Acne Studios, Loewe, and Maison Martin Margiela. Keep an eye out for these ladies during the next few months—we have a feeling you’ll be seeing more of them.
Frank Ocean is everywhere in fashion. There he is front row at Dior. There he was front row at Margiela. And look: Here he is in Band of Outsiders’ new Polaroid campaign.
From Dior’s demure gowns to Maison Martin Margiela’s high-fashion denim, the Spring ’13 Haute Couture shows had a lot to offer. But when it comes to couture, no look is quite complete without some jewels to go with it. As the last collections walked the runways today, some of the biggest houses debuted their Haute Joaillerie collections in Paris. Tina Isaac reports back on the most opulent baubles from Chanel, Dior, Louis Vuitton, and more.
Snakes are already trending for 2013—but it’s worth remembering that Boucheron has been turning them out for well over a century. For Spring, the house has rifled the archives and polished up hallmark designs from its first Serpent collection of 1968, giving them a more contemporary spin. Serpent rings in sculpted gold, beading, and the house’s signature snow setting—an eye-catching pavé of studied randomness—come with one head or two, in three sizes; pendants with honeycomb backs can be worn as a necklace or mounted as brooches on gold safety pins.
For the first time, Chanel dedicated its entire high jewelry collection—all ninety-nine pieces—to a single theme: the camellia. The flower appeared rendered every which way: mounted into 3-D diamond swirls; flattened into graphic diamond pavé etched with a black spinel border; sculpted in onyx and white coral; fashioned into a diamond, gold and lacquer ring rendition of Mademoiselle’s celebrated Coromandel screens; or articulated in a big, colorful “origami” of pink sapphires and other stones.
As a prelude to the presentation of her new collection next July, Victoire de Castellane showed a curated selection of additions to existing collections. These included a trio of slimmer caned rings and bracelets in the My Dior collection, a Les Précieuses garden-inspired necklace anchored by a sizable emerald, a Toi et Moi rose-shaped ring in diamonds and emeralds, and a unique set of antique cameos mounted into earrings for the Coffret collection. Meanwhile, the house’s watch lines are expanding fast. Colored gems offset black or white ceramic settings in the Dior 8 line, russet feathers fan into the skirt-shaped oscillating weight on the new model of the Grand Bal watch, and a trio of Mini D watches feature zingy fuchsia, turquoise, or neon yellow bands.
The latest addition to the Place Vendôme continues its travel through time, expanding the Vuitton galaxy with new takes on classic motifs. For instance, Vuitton showed new iterations of its lacy, articulated “knife edge” settings on a collar necklace. There was also a Monogram Infini fractal mandala and delicate bracelets mounted with the house’s signature star and flower cut diamonds. If there’s anyone out there who didn’t know the house was a new installation (Vuitton opened its Vendôme boutique and workshop in 2012), they could easily be forgiven for mistaking the diamond chandelier earrings for pieces that emerged from a bygone era.