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April 18 2014

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6 posts tagged "Maison Michel"

Maison Michel’s Head Space

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Maison Michel's Paris Pop Up

One of fashion’s most beloved milliners, Maison Michel, whose black felt Virginie fedora is a perennial favorite, finally has a place to, well, hang its hats. Founded in 1936, Maison Michel catered to houses like Yves Saint Laurent, Pierre Cardin, and Christian Lacroix before permanently joining the Chanel galaxy sixty years later. Thanks to the ministrations of Laetitia Crahay, the house now channels Parisian chic through all manner of headgear, from headbands with veils and sassy little rabbit ears to paint-splattered straw boaters and one-off exclusives in croc or full-on feathers. These are now artfully arranged in an intimate and colorful pop-up “apartment” that quietly opened last month just down the street from the mother ship on the Rue Cambon. Here, Maison Michel is also offering a demi-mesure service for customized pieces, and already its success has been such that the closing date, originally set for March, has been pushed back until late June. More permanent digs are said to be in the works for later this year.

Maison Michel, 19 Rue Cambon, 75001 Paris. www.michel-paris.com

Photo: Courtesy of Maison Michel

Take Five: C├ędric Rivrain’s Antique Medical Instruments

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Fashion folk are a curious bunch, and we’ve found that they tend to collect equally curious things. In our new “Take Five” feature, we get the lowdown on our favorite industry personalities’ most treasured trinkets.

Cedric Rivrain's Antique Medical Instruments

Best known for the eerie, expressive fashion illustrations he’s done for the likes of Martine Sitbon, John Galliano, Lanvin, Hermès, and Maison Michel, Cédric Rivrain lives in a Paris flat filled with curiosities. Among them are piles of anatomical figures, containers filled with unusual drawing tools, and stacks of Hermès boxes. But most intriguing is his collection of over fifty vintage medical instruments—some of which date back to the early nineteenth century—which are displayed proudly on his glass coffee table. “Some people are scared of them, but they know that I’m not a mean person, so it’s fine,” said Rivrain. “And everybody is always trying to guess what they were used for. I actually don’t even know myself!”

He doesn’t really want to know, either. Left to Rivrain by his late father—a general practitioner who had a large practice in Brittany—the drills and breathing masks look more like implements of torture than a doctor’s paraphernalia. “I was obsessed with them as a kid,” remembers Rivrain, who, along with his brother, would play with the unsettling antiques when his parents were out. “That’s why I never really wanted to know what they were used for. In my memories, they were never for medicine. They were for magic and fun.”

Here, Rivrain, who divulged that he’ll be launching his first T-shirt collaboration this fall, discusses his favorite contraptions with Style.com.

1. “This one is a total mystery to me, but I think it’s a weird old mechanism for cutting. I know it was for surgery, and you’re supposed to fix different instruments to it, and then it rotates. I used to play with it and pretend it was a pistol.”

2. “This is a mask that was used for anesthesia. It’s quite rare to still have the bubble attached. I think it’s made of something awful, like a dried organ—but not a human organ, of course. I wasn’t allowed to play with this one when I was a kid, because it’s super fragile, but it goes over your mouth and nose.”

3. “This is a little spoon with a hole. I have no idea what it’s for. I have a few of them, and I love the big handle. When [my brother and I] would play, in our heads, it was a spoon for magic potions.”

4. “This is a knee hammer, for testing reflexes. When we were kids, we’d pretend to have trials, and we’d use this for a judge’s gavel.”

5. “I always thought this one was really scary. It’s a very complex syringe of some sort. It’s made of glass and leather and steel. I never played with this as a kid, because I was so afraid of it, but now I think it’s such a beautiful object.”

Photos: Lauren Fleishman

Here Comme-s Peter Cottontail

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The bunny ear trend has come full circle. Comme des Garçons’ Rei Kawakubo first led us down the proverbial rabbit hole back in 2007, when she showed black eared caps with her pink and purple fall collection. Next came the long wiry taffeta versions that Marc Jacobs sent down Louis Vuitton’s Fall runway in 2009. (Madonna wore them to the MET Ball—in sea foam—shortly thereafter.) The same year, Maison Michel released their lacy take on the trend, which was (and still is) worn by everyone from Lady Gaga to the Olsen twins to Lily Allen to Poppy Delevingne. Eugenia Kim was next, releasing her felt-eared cap—favored by Charlotte Dellal (technically, we think those were cat ears, but let’s not split hares.). And today, Comme des Garçons sent us back down the bunny trail with its Fall ’13 menswear collection, showing Stephen Jones-designed black leather baseball caps crowned with giant rabbit (and, it would appear, Mickey Mouse) ears. We’re all about (tasteful) novelty headgear, so when it comes to a bunny-topped Fall ’13, we say hop to it.

Photos: Yannis Valmos/ InDigitalTeam/GoRunway.com

Tip of the Hat

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Thanks to European labels like Saint Laurent, Acne Studios, and Costume National, hats—mainly casual versions with wide brims—are a well-established Spring ’13 trend. But here in the USA, it’s National Hat Day. And while milliners across the pond (like Stephen Jones, Philip Treacy, Piers Atkinson, and Maison Michel) get lots of love from the fashion set, we’d like to use the holiday to tip our toppers to homegrown headgear talent. Take CFDA winner Eugenia Kim, for instance. Her sweet kitten-ear felt caps were a big hit this fall, and her bright feather-embellished fedoras can be worn with most anything. Satya Twena crafts everything from easy-to-wear fedoras to out-there studded fascinators, and Jason Wu included floppy feminine hats in his debut Miss Wu collection. On the more eccentric side, we have milliner Heather Huey, whose conceptual chapeaux (left)—which range from bejeweled bunny ears to sculpted, twisted takes on more traditional styles—have appeared in magazines such as Vogue, W, and Interview . Whether or not you deem yourself a “hat person,” National Hat Day is the perfect excuse to experiment with topping off your look. And, considering each of the designers above is based in New York, you won’t have to go too far to do so.

Photo: Courtesy of www.heatherhuey.com

The Carnaval Is Coming To Town

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Native Parisians have had their hands (and streets) full this week during the Paris collections, when a tide of editors, stylists, celebrities, and assorted hangers-on flooded into town for the shows. The season wraps up today, and when the pros head home, the Parisians will have a reward to look forward to: the epic, 15th anniversary Carnaval that Colette is setting up in the Tuileries, the first branded, public event ever held in the gardens. Barring a private party on Saturday night, the full slate of booths, games, and activities is open to one and all. The participants include:

—A.P.C., which will shoot you into its new ad campaign
—Maison Michel, which is bringing a photo booth, and hats to wear into it
—Olympia Le-Tan, who will take your temperature with her pharmacy-kit purses
—Nike, which is setting up a basketball court for three-on-three games
— Carhartt, which is organizing a rifle-shooting stand
— A Bathing Ape, which is creating a kiddie pool
— Ladurée, which is cooking up a custom candy-floss-flavored macaron for the occasion
— Darcel (above), the dour blog icon (and Style.com/Print contributor), who is creating custom merchandise for the occasion, and more.

To get the full details, visit Colettecarnaval.com.

Photo: Courtesy of Colette