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318 posts tagged "Marc Jacobs"

The Underworld Rises Again

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What with both Lady Gaga and Madonna on Saturday Night Live and a corset-crammed Jean Paul Gaultier show, yesterday was quite the moment for innerwear as outerwear. But as our Sarah Mower points out, it was in fact John Galliano who sparked the revival of this old-trend chestnut with his Christian Dior haute-couture show back in July. Galliano continued the idea in his ready-to-wear collection two days ago with a forties glamour in lacy hems and sheer dresses layered over corsets. Is this the logical reaction to a few seasons of urban warriordom? Now that we’ve become weary of shielding ourselves with armor, perhaps it’s time to expose something vulnerable. And what could be more so than your unmentionables? That seemed to be partly the reason Marc Jacobs had—pronouncing himself tired of black and studs—at his Spring show, which wove in an exposed lingerie motif. Not that there isn’t a certain hard-edged facet to this trend. Look at the power of Dolce & Gabbana’s corsets. But there’s something fresh in the softer side, like Peter Copping’s pretty take on the subject at Nina Ricci and Fendi‘s powdery shades; and frilled bras hazily visible through chiffon. Are you ready to expose your inner workings this Spring?

Photos: Marcio Madeira

Lady Gaga Goes Commercial In Marc Jacobs

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Don’t waste your time sifting through our runway slideshow to suss out which Marc Jacobs Spring 2010 look Lady Gaga wore yesterday to the launch of her new Monster headphones at the New York Palace Hotel. As per the designer’s PR, the multifariously ruffled and be-pearled top and frilly bloomers are actually a loan from the commercial collection—not a customized look. What did come down a New York Spring runway, however, are her Alexander Wang sunglasses. At any rate, if our fashion calculations are right, this marks the maiden voyage of this collection into the (somewhat) real world.

Photo: Bryan Bedder/Wireimage

Marc’s Reality, Celebrity Weddings, And More…

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Dear Marc, we’re going to strongly advise you against this. We know those Housewives can draw you in with their gripping mini-dramas, but pretty please don’t put yourself in a reality TV show about “high-powered (openly gay) playboys.” Just start twittering, or something, OK? Thanks. [NY Daily News]

Emmy Rossum had a secret marriage, and now she’s having a not-so-secret divorce. Luckily, all the money she saved on a big nuptial bash can go toward paying her husband’s court fees. Even better than a DJ! [Us Weekly]

Rumors of Claire Danes and Hugh Dancy’s recent wedding in France have still not been discounted, which in tabloid land is as good as a marriage license. [People]

Ever the contrarian, Cathy Horyn did not have such a great time in Milan. One show made her think that the city was covered in “an old pair of pantyhose,” which is never, ever a good thing. [NYT]

Opening Ceremony just got delivery of its Where the Wild Things Are merch. We’d go for the slightly savage faux-fur coats or Pamela Love bijoux. And if you want to be little Max come Hallowe’en, here’s your one-stop shopping. [OCNN]

Photo: Randy Brooke/Wireimage

Bringing Humanity To The Fashion World

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Last night, the contemporary art scene in Chelsea was just as buzzing as the stores. And—no surprise—in some pockets there was heavy overlap between the worlds of art and fashion. At Lehmann Maupin Gallery, Juergen Teller opened an exhibition called Paradis, blurring the distinction, as Teller does so deliciously, between commercial and art photography. The subject of his show? A series of portraits of the Marc Jacobs ad man’s past muses Charlotte Rampling and Raquel Zimmermann, shot nude as they lounge and pose in the Louvre. Said the elegant gallerist Rachel Lehmann of the show, “Juergen brings humanity in a very, very strong way into the fashion world and this is, I think, why Marc Jacobs likes working with him so much.”

Credit: Photo: Juergen Teller, Paradis, 2009. Courtesy of the Artist and Lehmann Maupin Gallery, New York

Juergen Teller Had His Hands Full Everywhere

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Fashion’s constant state of flux means that few things ever remain, well, constant. For this reason, Juergen Teller’s creative relationship with Marc Jacobs as the shooter of all campaigns bearing some form of Jacobs’ imprimatur is so remarkable. Teller’s raw, intimate, and often comedically irreverent style is the thread running through the various seasons, but the mind meld between designer and photographer has managed to stay interesting and provocative over the course of a decade. Two of Teller’s past MJ campaigns have evolved into books: Louis XV, from his infamous romp with Charlotte Rampling at the Hôtel Crillon for Spring 2004 and Juergen Teller, Cindy Sherman, Marc Jacobs from the Spring 2005 shoot with the artist. But this week, Steidl releases the simply named Juergen Teller: Marc Jacobs Advertising 1998-2009, a chronological compendium of every single ad. Style.com caught up with Teller on his publicity tour to talk about getting dressed with Cindy Sherman, the arc of Marc, and his adventures at the Louvre.

So this book contains literally every single campaign organized chronologically?
We had to cut it down a little bit, but yes. That was kind of important to me that you see the development through the years. It starts with the first, which is Kim Gordon, and ends with Raquel Zimmermann. And it’s basically done as it appears in magazines, like tear sheets. It’s a crisp white page and you see faintly the tearsheet is a bit off-white. You can see that it’s Artforum size and it’s square, or that it’s Teen Vogue and it’s tiny. It’s quite important to me to not take a single photograph out and put it together as some sort of book. I wanted to see it how the consumer sees it in the end.

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