August 20 2014

styledotcom Diane Kruger's '90s hair accessory made us do a double take:

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315 posts tagged "Marc Jacobs"

Jeffrey Kalinsky Cares


Stacking Jeffrey New York’s annual Fashion Cares charity fundraiser with good-looking gents was “not part of the plan,” host Jeffrey Kalinsky insisted last night—but it certainly didn’t hurt. Whatever gets people here, the Charleston-born retail guru shrugged. Bidders vied for luxury trips and silent auction items that ranged from leather totes to (no kidding) stem cell treatment. Among the evening’s beneficiaries was the Gay Men’s Health Crisis and the gay-rights nonprofit group Lambda Legal, which recently triumphed in Iowa, as well as a dapper crowd of 800 or so, which happily settled in for a fashion show of Jeffrey looks worn, in Kalinsky’s words, by “43 gorgeous men.” From his front-row perch, Marc Jacobs’ betrothed, Lorenzo Martone, noted with approval that there were fewer shirtless catwalkers this year. “I like it better this way. It’s a fashion show—let’s look at some fashion,” he said. Based on audience noise levels, he was very much in the minority on that one.


Designers Take A Vow


Is fashion finding religion? For starters, Domenico Dolce and Stefano Gabbana play priests in the upcoming musical film Nine. As for the Fall runways, the models at Todd Lynn’s show carried rosary beads and walked to chants; there were cassock coats at Giambattista Valli; and the headgear at Alexander McQueen, Marc Jacobs, and Fendi recalled medieval wimples. A photo of Grace Jones in a draped hood by Azzedine Alaïa influenced the severe geometry of Bruno Pieters’ collection. “Hers was soft and draped. I wanted to do mine in a constructed way,” the designer explains. “Nuns were not an inspiration—more the result, I think.” Do you say hallelujah or good riddance and amen to the trend? Click for a slideshow and let us know.

Photo: Marcio Madeira

Blasblog From Moscow: Meet The City’s Other Chic Entrepreneur


It’s no secret that I’m a major fan of Dasha Zhukova, the Moscow-born, California-raised beauty who has founded a museum, launched a fashion label, and was recently named the new editor of Pop—all before the age of 28. Here in Moscow, I’ve met another Russian stunner who’s a master at multitasking (and, like Zhukova, has a closet full of Balmain). Meet Aizel Trudel. The daughter of a Russian diplomat, Trudel grew up all over the world and developed an obsession with fashion that she’s put to good use: She now operates a collection of stores in Moscow, including two Louboutin shops, two Diane von Furstenberg stores, the Marc Jacobs boutique and another for Marc by Marc, a J. Mendel location, and five Aizel stores of her own, which were the first to stock the likes of Proenza Schouler and Balmain in Russia. And it looks like that’s just the beginning.
How did you get into the fashion business?

I was the head of PR and advertising for a company here in Moscow that worked with Donna Karan, Christian Lacroix, Thierry Mugler, and a slew of other brands, but when I turned 25 I wanted a change. A few years ago my friend Santiago Gonzalez and I went to a party at Saks Fifth Avenue in New York, and as I was going down the escalator I saw Christian Louboutin with Diane von Furstenberg going up the other way. I realized that was my chance to meet him, so I ran up the escalator to catch him and started shouting “Christian!” That was the start of our great friendship and business relationship. It was a fruitful meeting because it introduced me to DVF as well.
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Sabyasachi’s Madonna Moment


The eighties, in all their body-con, big-shouldered splendor, were the biggest trend to emerge from the Fall shows. At Lakmé fashion week, Sabyasachi, one of India’s best-known designers, who shows in New York during the Spring collections, was on to a related scent. Taking an unexpected approach to references, he sent out an eye-popping mash-up of rustic Indian looks mixed with Like a Virgin-era tulle and netting accents. Call him the Marc Jacobs of the subcontinent.

Photo: Courtesy of Lakme Fashion Week

A Portrait Of Portrait Artist Mike Mills


You know Mike Mills. If not the man himself, then surely you know his work: Perhaps it was the lips-and-cherries print he made for Marc Jacobs that caught your eye, or his What They Bought photo exhibit at Colette. Maybe you own a copy of the Air LP Moon Safari, whose sleeve Mills designed, or maybe there’s an X-Girl T-shirt with a Mills illustration lurking in the back of your closet. If you saw Thumbsucker, starring Tilda Swinton, you know Mike Mills—he directed the film. If you’ve enjoyed music videos made by Sofia Coppola, or Patrick Daughters, or Shynola, you know Mike Mills, because he co-founded the Directors Bureau, the company that produces their work. And if you happened to be driving around Hollywood in 2007 and saw a wild animal staring at you, uncannily, from on high, then you know Mike Mills, because he’s the guy who mounted the billboard. All of which is to say, even the most casual culture consumer will have had the chance to encounter a Mike Mills creation at some point in the last 15-odd years. His work is only slightly less prevalent than his influence. Now, much of his output has been collected in the book Mike Mills: Graphics Films (D.A.P.). Co-edited by Mills and Aaron Rose (Beautiful Losers) and published this February, the volume does yeoman’s work condensing Mills’ adventures through many kinds of media into a story of one journey through certain obsessive themes—love of music, alienation, adolescence, flags. All of this and more will be up for discussion tonight at the Hammer Museum in L.A., where Mills is to be interviewed by Rodarte designers Kate and Laura Mulleavy as part of Los Angeles Art Weekend. In the meantime, Mills gives a sneak peek into his headspace.

The fact that you’re going to be interviewed by the Rodarte girls makes intuitive sense to me. On the other hand, it really makes no sense at all. How did you wind up on this bill together?
I kind of like that you think it’s a little off. I don’t actually know Kate or Laura that well—I mean, I mostly know them socially, and I’ve always had great conversations with them, so I guess I figured it would be more interesting to have them conduct the interview than any of the usual suspects. They’re super-smart, they both studied art…I don’t know, there’s not much more to it than that. Unless it’s some kind of midlife crisis thing. That’s always possible.

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