14 posts tagged "Maria Grazia Chiuri"
This week, Valentino bowed a new flagship in Shanghai. Designed by renowned architect David Chipperfield, the store will be the house’s second largest to date. To celebrate the opening, Valentino designers Maria Grazia Chiuri and Pierpaolo Piccioli created a special collection, which walks down the runway today. Catch the exclusive lineup’s catwalk debut, above.
On June 13, Valentino’s Maria Grazia Chiuri (who serves as the house’s co-creative director alongside Pierpaolo Piccioli) and her daughter, Rachele, headed to Barcelona to take part in Cash & Rocket‘s 2013 Car Tour—an auto race started by Cash & Rocket’s founder, Julie Brangstrup, that invites women from the worlds of art, fashion, film, music, and business to help raise funds for various charities. This year, the team of 70 women—including Margherita and Teresa Missoni, Delfina Delettrez Fendi, Patricia Arquette, Selita Ebanks, Charlotte Stockdale, Betony Vernon, Jodie Kidd, and Jo and Leah Wood—were driving in support of Shine On Sierra Leone, which is helping to build a primary school for 300 children; Orphan Aid Africa, which aids in creating a survival center to support 100 dislocated families; and Sumbandila, a charity that provides high-quality secondary education to underprivileged children and families in southern Africa. The event, which was sponsored by Valentino, saw the ladies drive 35 sports cars from Barcelona to Rome. Here, Chiuri shares her experience from the open road exclusively with Style.com.
Here is Julie Brangstrup, the creator of Cash & Rocket. She’s an amazing woman and mother of six.
I am driving a beautiful Maserati GranCabrio. It’s my first time ever driving an automatic, but this car is absolutely fantastic. Rachele and I are team 12.
Finally arrived in Cannes after 650 kilometers. Thirty minutes to change and dress in all white for an all-women dinner on a beautiful island in front of Cannes. Continue Reading “Designer Diary: Maria Grazia Chiuri’s Postcard From Cash & Rocket’s European Road Race” »
Traditional folk costume is experiencing a modern revival. Maria Grazia Chiuri and Pier Paolo Piccioli wove an enchanting tale on the Valentino Fall runway, showing floral embroidered dresses and tapestry coats that evoked the peasantry (granted, there was nothing common about these clothes). Then Erdem Moralioglu went Amish on us with a crafty new Resort collection full of hexagonal patchwork quilting motifs. Earlier this week, Marc Jacobs got into the mix with stiff A-line frocks overlaid with lace that were fit for a matryoshka doll. Speaking of, you can often spot real-life Russian doll Ulyana Sergeenko preening for the street-style photographers in her own old-world-inspired designs.
CLICK FOR A SLIDESHOW of more folksy looks.
We’ve already noted the influence Angelina Jolie had on this year’s Met ball red carpet. No less influential: Gwyneth Paltrow. Paltrow’s cape-and-gown Tom Ford look was Oscar night’s best, and it’s proven to have legs at the Met, too. Gwyneth’s stylist, Elizabeth Saltzman Walker, told me at an event in Paris that she was inspired by Jackie Kennedy’s timeless chic when working on Gwyneth’s Academy Awards look. Last night, some of those donning capes, like Maria Grazia Chiuri, in Valentino, went for classic, too. But there were just as many others who chased glitz and glam. Lana Del Rey sparkled in custom Altuzarra, and Bianca Brandolini d’Adda, in Dolce & Gabbana, reminded me of an Italian movie star from the sixties. Sally Singer was lacy in Nina Ricci, but the cherry on the surrealist cake goes to Linda Fargo in custom Naeem Khan. Shocking, Schiaparelli-style.
Tomorrow in Florence, Valentino’s Maria Grazia Chiuri and Pier Paolo Piccioli debut their Fall ’12 menswear collection as the invited guests of Pitti Uomo. The occasion marks the first runway show for the men’s collections, which the designers took over several season ago and have been quietly showing by appointment in their Place Vendome showroom—where it has been a quiet highlight of the Paris collections—ever since. In advance of tomorrow’s show, Chiuri and Piccioli spoke to Style.com about their couture sensibility, the idea of individual luxury, and their quest for the perfect piece. They’ve also shared two sketches of pieces that will hit the catwalk tomorrow; check back for the full looks, as well as Tim Blanks’ review from Pitti.
How do you approach designing menswear differently from designing womenswear? How do you see the Valentino man in relation to the Valentino woman?
Menswear in our vision is very close to the idea of personal and private luxury such as with the haute couture. It is a different result, of course, but the approach is quite similar… Volume and proportions are contemporary but with an echo of memory of sartorial and couture culture, silhouettes are cutting edge and sharp, constructions are very precise, maintaining lightness. [The Valentino man and the Valentino woman] share the same culture of couture and same spirit of effortless elegance.
How did you begin designing this season: Were there specific inspirations or ideas in mind, and how do these compare to what you’ve done in seasons past?
The world of couture. La sala Bianca. Antonioni and Pasolini. Mastroianni and Roman style. In the other collection, we were concentrated on translating the culture of couture in sportswear and modern wardrobe for contemporary men. In this collection, we aim to define our men with a more cinematographic attitude.
How did you research this collection? Does it relate to Valentino’s archival menswear, or is it more of a break with what’s come before?
This collection is close to the values of beauty and luxury of the brand, but our man is definitely far from what [he] was before. Beauty is individual and luxury is understated. You need a workmanship culture to buy a couture piece as you would need it to buy a sartorial jacket with the kind of innovation that takes place when tradition meets technology.
You’ve been showing your men’s collection in the showroom for the past several seasons. What do you have planned for your first presentation? Will it be a static presentation or a runway show? How are you working to incorporate Florence into the presentation?
A runway show, but with the intimate feeling of a couture show. Digital screens will give a new perspective and balance to the frescoes of the baroque rooms of Palazzo Corsini.
What do you think is the ideal outfit for a man? Do you feel that the ideal men’s outfit has changed over the years?
The perfect suit. The perfect shirt. The perfect tie. The perfect shoes. The perfect outerwear. The perfect denim. To be perfect, everything has to be authentic, but with the perfect proportions and a subtle something—everything is just about the obsession for perfection!