19 posts tagged "Marilyn Monroe"
Today’s sci-fi epics (ahem, Hunger Games), throwback flicks (The Wolf of Wall Street being the latest, with its portrayal of down-and-dirty nineties bankers), and witty dramas (Blue Jasmine, anyone?) have some pretty impressive wardrobe teams. But when it comes to the most iconic on-screen ensembles, the films of yore take the cake. According to a poll conducted by the U.K.’s British Heart Foundation (it held the study to promote its “Ram Up Red” campaign, which raises awareness about heart disease), Marilyn Monroe’s William Travilla-designed white halter frock (yes, that one) from 1955′s The Seven Year Itch was at the top of the list. In second place was Judy Garland’s blue gingham dress and ruby red slippers from 1939′s The Wizard of Oz, and Olivia Newton-John’s second-skin black look from Grease, Ursula Andress’ white bikini in Dr. No, and the ebony Givenchy gown Audrey Hepburn wore in Breakfast at Tiffany’s came in at third, fourth, and fifth place, respectively. As for the win, we’re sure Ms. Monroe—or rather, her character, The Girl—would think it’s “just delicate.”
About Hollywood’s history, that is. On the heels of last year’s exhibition Hollywood Costume, which displayed ensembles worn by one hundred of cinema’s most iconic characters, the London-based museum will open a show exploring the life of legendary British actress Vivien Leigh this fall. The late actress was married to Laurence Olivier, palled around with the likes of Marilyn Monroe, Tennessee Williams, and the Queen Mother, and is best known for her role as high-strung Southern belle Scarlett O’Hara in Gone with the Wind.
The Spring 2013 issue of Du Jour, the online and print magazine that caters to Gilt Groupe‘s top spenders, has an unlikely cover girl. Out today online and the first week of March in print, the new issue features Kim Kardashian, who, shot by Bruce Weber, appears in her first pregnancy photo shoot. Weber lensed two covers: The first, which debuts above, shows Kardashian dressed up like a Tahitian princess (although, with a floral Du Jour crown hovering about her head, she looks uncannily like a Madonna), while the second depicts her, sans makeup, emerging from a pool. The pared-down photographs were taken at Weber’s Miami home. “We had come off this moment where we launched with Christy Turlington and were lucky enough to have Nicole Kidman on the second cover, with Patrick Demarchelier shooting, and we wanted to try something a little bit different,” says Nicole Vecchiarelli, who serves as the magazine’s co-editor in chief, along with Keith Pollock.
Now one might not think a reality-TV star would appeal to the magazine’s high-net-worth readers, but Vecchiarelli believes Kardashian will capture their interest. “We realized that everyone has an opinion about her. Our idea was that any audience would be able to appreciate seeing someone who they may view in a certain way reshape her image. It was an artistic endeavor, and I think there’s a lot for our audience to really delve in to, whether they’re personally into her or not.” Vecchiarelli adds that the interview with Kardashian, written by Du Jour‘s editor at large Alyssa Giacobbe, reveals that as she approaches motherhood, the reality queen is rethinking her approach to privacy and how she connects with her fans. What’s more is that Weber chose do draw visual comparisons to Kardashian and Elizabeth Taylor (there are even a few images of Kardashian leafing through books about the actress). “Could she ever be an Elizabeth Taylor or Marilyn Monroe personality of her generation? If she [were to become that] it would be because she’s continued down the road that she did with Bruce—opening herself up to different ideas and pairing herself with different kinds of people.”
The icon that is Marilyn Monroe is having (yet another) fashion moment. Last week, Chopard exhibited never-before-seen prints of the late actress during its holiday party, and now, she’s re-emerged as the inspiration behind Bruno Frisoni’s Limited-Edition Rendez-Vous collection for Roger Vivier. “Marilyn is the essence of femininity whilst embodying sexuality,” said Frisoni of his muse. “It is my hope that I have created a collection that can express the innocent yet sensual nature that Marilyn does so well.”
The designer’s limited edition accessories, like sequin and lace heels and an exploding poppy clutch, have a certain delicate-meets-saucy allure. But it’s the rosebud handbag, garnished with a bright pink smooch, that feels the most “Marilyn.”
Frisoni notes that the house’s history also provided a few notes of inspiration, particularly the prism shape, which he describes as a key emblem of Roger Vivier. “I wanted to give a fairy-tale accent and a little extreme luxury to our most iconic pieces,” said Frisoni. It’s hard to get more luxe than the designer’s crystal-covered prism clutch, which, along with the rest of the range, will make its international debut in Roger Vivier’s Miami boutique on December 15. The traveling collection will land in New York on January 8.