19 posts tagged "Marina Abramovic"
With her ArtPop album set to debut in November (and a new song that allegedly leaked today), Lady Gaga has ended her uncharacteristic under-the-radar spell—she’s been recovering from hip surgery since February—reemerging on the scene with a look that’s pared down but no less bold. Earlier this month, she attended artist Robert Wilson’s Watermill Benefit in the Hamptons (where she announced an upcoming project with Wilson and Marina Abramovic), donning a vampy black gown that curved in at the chest to reveal a black lace brassiere. The ensemble, we learned, wasn’t designed by any of Gaga’s favorite haute powerhouses—rather, it was the work of 26-year-old up-and-comer Louise Leconte. “Her stylist wrote me and asked for six or seven looks from my graduation collection, so of course I sent them,” the French-born, Brussels-based designer told Style.com. Continue Reading “Louise Leconte Gets the Gaga Bump” »
We’ve been seeing Marina Abramovic quite a lot lately, both in the art world and elsewhere. Earlier this year, the performance artist worked alongside longtime pal Riccardo Tisci on the Opéra de Paris’ short production of Boléro—the designer created a range of ethereal costumes; the artist (a die-hard Givenchy devotee) conceived the set and scenography. A few weeks ago, Abramovic popped up alongside Jay Z at Pace Gallery, where she starred in the shoot for Hova’s forthcoming Picasso Baby music video. And this weekend, at the Watermill Center Benefit, a surprisingly pared-down Lady Gaga—whose reemergence, it would seem, is in full swing—stepped onstage with Abramovic and announced that she’ll be training under the conceptual provocateur. Their hard work will be revealed during the pop star’s upcoming collaboration with Robert Wilson at the Louvre Museum in Paris this fall. However, we’re not saying that extreme exposure is necessarily bad for business—at the event, a quartz stone from Abramovic’s work Black Dragon was auctioned off for a cool $60K. The high bidder, of course, was Gaga herself.
If fine art wasn’t already the ultimate status symbol, it certainly is now. Yesterday afternoon, the reigning king of hip-hop and all-around tastemaker Jay-Z brought together the crème de la crème of New York’s art, fashion, and entertainment worlds for the marathon six-hour-long shoot of his video for “Picasso Baby,” off the new Magna Carta…Holy Grail album, at the Pace Gallery in Chelsea.
“I just met baby Picasso, baby!” enthused Jenna Lyons, pointing out the late painter’s granddaughter, Diana, who participated in the action along with Judd Apatow, Jim Jarmusch, Alan Cumming, Adrian Grenier, and Jemima Kirke. Further upping the event’s street cred were Rosie Perez, Fab 5 Freddy, and Michael Kenneth Williams (a.k.a. Omar from The Wire). Naturally, the art world was well-represented, too. An established collector of Basquiat, Warhol, and Hirst, Mr. Carter worked with his personal art adviser, Jeanne Greenberg Rohatyn, to bring in contemporary stars such as Richard Phillips, Elizabeth Peyton, Rob Pruitt, Aaron Young, Kalup Linzy, Jane Holzer, and Klaus Biesenbach. Each took a turn vibing alongside Mr. Carter during a live performance of the song that was being filmed by Mark Romanek (who was also behind “99 Problems”) in the format of Marina Abramovic’s The Artist Is Present show. Notoriously transgressive photographer Andres Serrano, who was rocking his signature flattop hair and a vintage cowboy ensemble, told Style.com, “I’m just going to wing it when I get up there and go off of him. “‘Big Pimpin’ has to be my favorite song of his.”
At the end of the track, Hova would huddle up all the eager onlookers. The vibe was amped up, but it wasn’t high enough for Jay. “Y’all call that energy?” he boomed into the mic, which reminded people to stop Instagram-ing and Vine-ing.
The clear highlight of the production was Jay’s interaction with Abramovic herself. The two locked foreheads, as if in a performance-art mind meld, and stared each other down while circling the room. And when their powers combine? The artist Laurie Simmons’ verdict is likely the one the two were courting: “Simply genius.”
Anyone pondering the future of couture needs to check out what Net-a-Porter is cooking up for fall. On Wednesday, Net-a-Porter’s fashion director, Holli Rogers, invited a handful of editors to the Palais de Tokyo to catch a glimpse of how the e-tailer is moving the needle: Come September, the site will be selling one-off couture-inspired creations by contemporary artists George Condo, Terence Koh, Vik Muniz, Marina Abramovic, and Mickalene Thomas. Dubbed Art Capsul, the project was curated by Stacy Engman, an art-world veteran and fashion devotee, who approached the artists about creating garments inspired by the tradition of haute couture. “I wanted the artists to use their artwork to conceive a garment from beginning to end,” said Engman. “The process in fashion and in art is very similar in that both artists and designers are striving to create visual experiences that did not exist before. But this project is about contemporary art, and that is about the future. It’s just that this is art that can be worn.” No fashion designer is affiliated with this project.
As it turns out, Abramovic had been mulling the idea for a couple of decades: Her “jumpsuit of the century” is actually a set of seven jumpsuits in various colors, inspired by the planets. (Mars is blue; Mercury, red; Venus, white; etc.) She strategically incorporated magnets into the wares for their energetic properties. Koh dreamed up a coat covered in 20,000 pearls of different sizes, while Condo delivered a cheeky little topper with fur trim and pom-pom ties. “The whole point was to challenge people’s ideas about what we’re doing,” explained Rogers. “It’s art, it’s fashion, and you can wear it if it suits you.” Not to mention your wallet: These pieces are slated to be sold at “art-world prices.” And while the price tags for these one-of-a-kind wares aren’t yet confirmed, we have a feeling that Dolce & Gabbana’s Fall ’13 Lava dress, which is set to retail on Net-a-Porter this month for about $48,873, might just seem like a steal in comparison.
At this very moment, cult sub-Fourteenth Street denim label BLK DNM is plastering downtown Manhattan with its newest “Wild” poster campaign—the company’s only form of advertising since its inception in 2011. Lensed by the brand’s founder and creative director, Johan Lindeberg, the sixth installment of the guerrilla promos feature none other than genetic Powerball winner Gisele Bündchen. But this isn’t your standard Gisele fare—in fact, all that’s shown is the model’s mile-long legs and covetable Brazilian posterior in a pair of second-skin jeans as she’s inspecting the engine of a vintage automobile.
“We drove together in that car to Brooklyn for the shoot,” Lindeberg laughed. “It’s an ’85 Mercedes!” The designer and model celebrated their collaboration last night at BLK DNM’s Lafayette Street store, where guests such as Marina Abramovic, Theophilus London, and Waris Ahluwalia perused an expansive series of Lindeberg x Bündchen imagery. In darkened gray scale, the arguably austere shots depict Bündchen in various states of undress and undulation. “Maybe it’s a little bit the dark winters [in Sweden], and both my grandparents were priests,” said Lindeberg, addressing his style. “I like that kind of deeper expression, somehow.”
Bündchen, perhaps, paraphrased the Lindeberg aesthetic best. “He sees women as real—or, he has a very real idea of women. There’s no retouching. There’s a rawness that’s just kind of who you are, you know?”
An exhibition of Lindeberg’s Gisele portraits will be on view at BLK DNM’s 237 Lafayette Street boutique for the next month.