19 posts tagged "Mario Sorrenti"
As if it wasn’t enough to design women’s, men’s, and couture, not to mention land one of the biggest Oscars gets of them all in Cate Blanchett, not to mention maintaining the front-runner position in the who-will-replace-Galliano-at-Dior guessing game, Givenchy’s Riccardo Tisci has revealed exclusively to Style.com that he’s collaborated with Visionaire on its 60th issue. The topic? Only Tisci’s favorite, of course: religion. The designer curated the entire issue, and all of the work was specially commissioned for the project with the exception of two photographs by Robert Mapplethorpe. Tisci’s one stipulation to his collaborators: no Givenchy credits. Among the contributions, Karl Lagerfeld photographed Carine Roitfeld, Paolo Canevari envisioned Franca Sozzani as a saint, and Givaudan perfumer Yann Vasnier created a Religion scent. Tisci’s proudest achievements: convincing Helmut Lang to participate—”he’s my god,” says the designer—and working on a project with the performance artist Marina Abramović, whom he calls his mother. “Any religion, it’s like a family,” he said. And he means it. The limited-edition issue is a leather-wrapped 228-page hardbound book complete with a case inspired by a church altarpiece. It will be released in June and retail for $425 at select bookstores worldwide and at Givenchy flagship stores. Continue Reading “Exclusive: Visionaire 60 By Riccardo Tisci” »
Paris Vogue‘s annual calendar is always a hot-ticket item—and this year, the emphasis is squarely on hot. Daria Werbowy (left) covers the new edition, which comes packaged with the Tom Ford-edited December issue of the mag, wearing little more than Louis Vuitton jewels. Anastasia Barbieri styled the calendar shoot, with Mikael Jansson behind the lens. (Curious? The full, NSFW version is after the jump.)[@VogueParisLive]
Speaking of underdressed supermodels, Kate Moss will unveil a portfolio of her favorite shots of herself at Miami’s Art Basel. Topping the list? A nude shot from a 1993 black-and-white series by Moss’ then-boyfriend, Mario Sorrenti. [Vogue U.K.]
The Alexander McQueen label is back in charge of McQ, its five-year-old contemporary line, and an expansion is in store. A new, 160-piece pre-fall collection will lead into a full Fall 2012 range to be shown in February. [WWD]
One day, every “Teenage Dream” will end. That’s why Katy Perry is wearing her trademark latex dresses while she can—”They have an expiration date and that’s why I’m wearing them now at 25,” the singer said. [NYDN]
And Twitter will be a few celebrities down on Wednesday. Lady Gaga, along with Justin Timberlake, Usher, and more, are signing off the social networking site for the good of Alicia Keys’ Keep a Child Alive AIDS charity. They’ll return only when $1 million has been pledged, so get busy, Little Monsters. [EW via Teen Vogue]
Repetition we can get behind: another day, another Haiti fundraiser. This latest push for relief comes by way of ROSE Charities and FOTORELIEF, which have partnered to organize A Picture Saves a Thousand Lives. The short of it: Round up a few of the best photographers in the world, many of them longtime fashion veterans; auction off 130 prints by the masters; send the cash to Haiti. Of course, with the likes of Patrick Demarchelier, Bruce Weber, Mario Sorrenti, Sante D’Orazio, and Greg Kadel involved, the bidding’s bound to be fierce. “Everything’s been donated, down to the frames. People have really come out for this,” ROSE president (and former model) Noot Seear says of the impressive roster, curated by FOTORELIEF director John Gettings. “It’s really the best of each photographer, pieces that represent them. We really wanted art pieces, things you want to hang on the wall.” Given the participants and their penchant for stylish nudity, you may want to make that a high wall—nursery art this isn’t. But with pieces like D’Orazio’s (above, bids start at $750), grown-up glossy obsessives (or prurient bachelors) should find plenty to love.
A Picture Saves a Thousand Lives auction will be held tomorrow from 7 to 10 p.m. at Milk Gallery, 450 W. 15th Street, NYC. Suggested donation is $25. For more information, visit www.fotorelief.org.
When Michael Nevin launched The Journal ten years ago, the magazine was a skinny black-and-white zine dedicated to all things skate and snowboard. A decade later, the issue of The Journal that comes out tomorrow comprises, among other features, new work by Jonathan Meese in memorial to Dash Snow, semi-destroyed photographs of Kate Moss and Mario Sorrenti taken from photographer Glen Luchford’s archives, a lengthy interview with Walter Pfeiffer, and a supplement dedicated to William Eggleston. The Journal is glossy now, and hard-bound, and printed in color; there’s a gallery in Williamsburg attached to it, too. Contributions from the likes of Juergen Teller, Helmut Lang, Mark Gonzales, and Miranda July fill The Journal archives. Not bad for a magazine first stapled together at a highway-side Kinko’s in New England by a kid who was all of 19. Now, more transformations are afoot. The tenth anniversary issue of The Journal is physically larger than the previous one, it’s been given an engaging redesign by Peter Miles, and it includes the magazine’s first-ever fashion spread, starring Jamie Bochert. And yet, for all that, The Journal has changed less than it might appear. “The magazine has always been—and I hope will always be—an honest reflection of my interests,” explains Nevin. “It’s just that those interests have shifted over time.” Here, Nevin talks to Style.com about dialing up the Internet, cold-calling art stars, and texting Rodarte.
This is going to sound like a snotty question, but—why launch a magazine? This is the digital age, or hadn’t you heard?
When I first started The Journal, “online” wasn’t really a thing yet. I mean, I can remember signing up for my first e-mail account after I published the first issue of The Journal. I just wasn’t looking for the things that interested me on the Web. At the time, I was looking at magazines. Really looking—I mean, I grew up in Vermont, and there weren’t too many progressive publications around, so I’d have to work to cobble together bits and pieces of what interested me from the mainstream stuff I had access to. I’d spend hours in the bookstore, poring over magazines. And there was nothing out there covering this whole creative universe that derives from skateboarding and snowboarding. I wanted to read about that, and having just come off a year entering pro contests as a snowboarder, I felt like starting a magazine was a way to continue being a part of something I’d loved.
In other words, magazine-ness—print—runs deep in you.
Yeah, it does. But for reasons that are more than sentimental. I think they’re more than sentimental, anyway. I love the printed image, I love being able to open up the magazine and flip through the pages, I love being able to give a copy to somebody, I love seeing it in stores. I love what it represents. It’s essentially my curation in those pages, and to send the magazine overseas, and know that what I’ve worked on is being looked at, in the same material way, is really fantastic.
Meet Georgia May: The youngest of Mick Jagger and Jerry Hall’s progeny is the new face of Hudson Jeans, the only company that seems to have any money these days. And, as if one insanely famous name weren’t enough, the ads were shot by Mario Sorrenti and styled by Camilla Nickerson. See what we mean about the money? [WWD]