14 posts tagged "Meryl Streep"
“Hopefully, this time my film won’t be banned for being too sexy,” actress and director Penélope Cruz tells Style.com of her latest short for her lingerie line, L’Agent by Agent Provocateur. “But I doubt it, because this one is even sexier.”
Her last directorial outing for the range, which she designs with her sister, Mónica, proved too racy for the Web, and YouTube ended up taking it down. That didn’t stop Cruz from laying on the sex appeal in the newest Fall 2014 film—she turned the heat up to full blast.
“I am a perfectionist, and I obsess about it in the months while I’m working,” she says of the filmmaking process (which included a collaboration with her brother on the music). “I’m involved in every single step. I do the casting myself for every single character, I spend a few months in preproduction and a long time in the editing process.” Cruz not only directed it, she even appears in the film wearing a red leopard-print bra, along with a host of ladies in their underthings dancing across the desert.
That was nothing for this seasoned vet, who once told press that the most interesting love scene she has ever done was with Meryl Streep for an AIDS campaign shoot. She counts her scenes with Scarlett Johansson in Vicky, Cristina, Barcelona as a close second. “Kissing Scarlett in Vicky, Cristina, Barcelona…it was funny for us to see the faces of all the men on set,” she says. “They were all acting very weird.”
Here, an exclusive behind-the-scenes look at the film before it’s unveiled in its entirety August 1 on lagentbyap.com. Plus, a first glimpse at the lookbook images of the new collection.
It’s time to head West—cinematically speaking, at least. Next month’s Cannes Film Festival lineup includes a surprising number of Westerns, including The Homesman, starring Meryl Streep, Tommy Lee Jones, and Hilary Swank (and co-written and directed by Jones), and Deux Jours, Une Nuit, a “Belgian Western” starring Marion Cotillard. We won’t attempt to explain how or why the world’s top filmmakers became collectively inspired by Western stories, but we will say this: From a stylistic standpoint, it makes perfect sense. Consider the recent obsession with all things Americana, a subject our editor in chief detailed in our latest issue of Style.com/Print. And of course, there was the Chanel Metiers d’Arts show in Dallas last December, in which models stomped down a hay-strewn runway in leather fringe, big gallon hats, and Native American motifs. It was the show that sparked a thousand Instagrams and had even the most discerning editors rethinking cowboy boots. As usual, Chanel was ahead of something huge. We’re curious to see if these new films at Cannes encourage a similar surge of interest in old-school American culture.
When we first heard that Kate Moss and Johnny Depp would reunite for Sir Paul McCartney’s music video for the single “Queenie Eye,” we knew it was going to be something special. But the flick, which features McCartney jamming on the piano while wearing Birkenstocks, surprised us with a slew of star-studded cameos. Meryl Streep, Jude Law, Lily Cole, and even Tom Ford are just a few of the familiar names that rocked out to McCartney’s new hit. Our only question is—where was our invite?
Thomas Persson, editor in chief of Acne Paper, has got the ladies on his mind—leading ladies, to be exact. That’s why the theme of Issue 15, out tomorrow is “The Actresses.” “We have been a bit against the grain from most magazines; we have a different point of view and don’t focus on celebrity as much. We are more intrigued by theater, movies, drama, etc., so I thought that would be something to focus on,” offered Persson of the new issue, which features Isabelle Huppert masquerading as Greta Garbo on its Andreas Larsson-lensed cover (left). “But it is such a big topic,” he added, “so we narrowed it down to just the actresses that have intrigued us over the years.”
That list includes Meryl Streep, Isabelle Adjani, Gena Rowlands, Diane Keaton, Julia Roberts, Anouk Aimée, Julianne Moore, and Michelle Pfeiffer (among others), many of whom are presented in a thirty-page photo portfolio by Brigitte Lacombe that comprises little-before-seen snaps from 1988 to 1999 that she pulled from her archive (below). We couldn’t help but notice that many of the ladies are of a “certain age.” “Maturity doesn’t scare me,” explained Persson. “Just the opposite: It points to the quality and longevity of their careers, and it is re-affirming to see that these legends are still getting major roles. Anyway, I like things mature—doesn’t matter if it’s wine, cheese, furniture, or people. It speaks to character.” Continue Reading “Acne Paper‘s Leading Ladies” »