2 posts tagged "Michel Hazanavicius"
Balmain Gets Social; Ryan McGinley On His Exhibitions, Opening Tonight; Outtakes From Marilyn Monroe’s Last On-Set Photo Shoot, And More…
Balmain wants to be your friend. The French brand launched Facebook and Twitter accounts today in an effort to be less “closed to the consumer,” according to Balmain CEO Emmanuel Diemoz. The brand’s 25-year-old creative director, Olivier Rousteing, tells WWD, “It’s an experience. I will reply, and be the first to check it and see if there are a lot of ‘likes.’ ” [WWD]
What films top Emmanuelle Alt’s favorites list? The Paris Vogue‘ editor in chief recently revealed the 15 French films that made the cut exclusively on Vogue.fr—and if you hadn’t already guessed, Michel Hazanavicius’ The Artist made the list. [Vogue.fr]
CNNCTD+, the creative agency run by DJ Roman Grandinetti and Bibi Cornejo Borthwick (the daughter of designer Maria Cornejo), has commissioned 100 of its favorite people to record bits and pieces of their daily lives for a special NYC audio diary. Participants include the likes of Cindy Sherman, Santigold, and André Saraiva, who chose to recite French poetry on girlfriend Annabelle Dexter-Jones’ voicemail. Awwww. [Nowness]
Artist Ryan McGinley is set to open dual exhibitions, Animals and Grids, tonight at the two NYC Team Gallery locations. If it’s anything like his last opening (“3,000 people showed and the police shut it down,” he says), then it’s sure to be a rock star affair. During an interview with the team at Opening Ceremony, he admitted, “I don’t consider myself a rock star but I take advice from them. Mick Jagger once told me, ‘Anything worth doing is worth overdoing.’ ” Wise words. [OC Blog]
Vanity Fair‘s June issue will certainly not go unnoticed. The magazine features outtakes of Marilyn Monroe’s last on-set photo shoot with photographer Lawrence Schiller, who photographed the bombshell in the nude, and also reveals a strong rivalry between Monroe and the late Elizabeth Taylor. [The Hollywood Reporter]
“When we wrapped, we had no idea how things would turn out,” says costume designer Mark Bridges of The Artist, the nostalgic silent film (in theaters now) about Hollywood’s golden era by Michel Hazanavicius, starring Bérénice Bejo and Jean Dujardin. “We thought, it could be the greatest thing since sliced cheese, or it could go direct to video. There are no guarantees in this business.” (He would know, having costumed everything from Boogie Nights to Blow.) But after scoring five nominations for the Independent Spirit Awards, it looks like Bridges, Hazanavicius, and company have their answer.
The Jazz Age isn’t just enticing filmgoers at the moment; fashion audiences are eating it up, too. Coincidentally or not, the costumes Bridges created for Bejo echoed the twenties-inspired and Deco shapes on the Spring runways, at shows like Gucci, Marc Jacobs, and Etro. And though they’re currently hanging in Bejo’s closet in Paris, those costumes are also getting attention from museum curators, including those from London’s Victoria & Albert Museum, and will be included in FIDM’s annual Motion Picture Exhibition this spring. Here, Bridges speaks with Style.com about re-creating the spirit of an era in crepe de chine.
How did you prepare for the movie?
I have an extensive library—every birthday when I was a kid my parents would ask what movie or book I wanted so I have built up a big collection over the years. I watched a lot of Turner Classic Movies—like, 24/7. There are people who don’t like to use other films as research but I love it. I looked at old silent film stars and pulled candids and press images of them. It was important to look at that era and notice what changed or didn’t change during those times. Even in the thirties, they kept the same hat shapes from the twenties. It was great that we were filming in Hollywood because I was set up to walk into Western Costume Company and go to the twenties section and I could just see what speaks to me.
Did you look to specific silent film stars or certain silhouettes they were wearing?
Yes, Bérénice and I both felt that [her character of] Peppy could be based on a young Joan Crawford, who hadn’t gotten very mannered yet. We looked at a lot of her early films and the dress Peppy wears for her first dance has the same DNA of the fringed one Joan wears in Our Dancing Daughters. Continue Reading “The Artist‘s Artist” »