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August 20 2014

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20 posts tagged "Milk Studios"

Parsons: The First 18

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“I think what the students have in common is that they each have an individual voice,” said Shelley Fox, the director of the new MFA Fashion Design and Society course at Parsons School of Design. The course is the first of its kind in New York. And on Saturday, at Made Fashion Week at Milk Studios, its first 18 graduates (hailing from 13 countries) sent the fruits of their labor down the catwalk. Donna Karan, who was a strong supporter of the course and instrumental in its inception, turned up to cheer on the grads. “Although I was a student at Parsons, I found myself hiring a lot of people from Louise Wilson at Central Saint Martins in London and I said, ‘Wait, how come we don’t have a graduate program in New York?’ ” said Karan. Wilson herself crossed the pond to attend the show. She shared the front row with the likes of Fern Mallis, Julie Gilhart, and Bill Cunningham—not a bad turnout for a student production.

The show opened with looks by Lucia Cuba. With a background in social psychology, the Peruvian designer created a sartorial expression of activism, commenting on women’s issues and politics in Lima. The clothes combined 1950s silhouettes with prints of women’s crotches or pictures of a young Alberto Fujimori (a dictator who has been jailed for human rights abuses). Paula Cheng’s collection of webbed, multitextural silver and gray knits was another standout (pictured).

Students explored concepts of deconstruction and reconstruction (like show-closer Talia Shuvalov’s sweatshirts embellished with vintage tees that she took apart and rewove, or Jun Juyeon Hong’s impeccable wool suiting that featured unexpected lines, layers, and cutouts) and minimalism (like Beckett Fogg’s embossed leather and chiffon collection, or Noriko Kikuchi’s ethereal white looks based on emptiness) and showed no fear when it came to color. Liverpool native Carly Ellis was particularly courageous in her sporty, techno looks. Backstage, the purple-haired designer explained that she was inspired by vivid tourist pictures she snapped in New York as well as fragmented Skype images and the geometric painting rituals of South Africa’s Ndebele tribe. Sinéad Lawlor’s tailored button-photo print collection, which featured smart suiting combined with knitting techniques and lace, was another colorful offering. Each of the collections was conceptually rich and, at times, complicated, but many of the designs seemed not only wearable but sellable, too.

Photo: Courtesy of Parsons School of Design

The Richie Report

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Last month, we joined Nicole Richie for a private uptown dinner in New York and previewed her upcoming collection for Macy’s. However, we have signed papers saying we wouldn’t tell you much about it just yet. The next best thing? These exclusive images from the ad campaign shoot at Milk Studios in L.A., lensed by Camilla Akrans. “I worked extremely hard with Macy’s to create a collection that stayed true to my own aesthetic, so representing my designs in the advertising campaign was a welcome opportunity,” Richie tells Style.com. “I am thrilled to partner with such an iconic retailer for this collaboration, which was an exciting, new way to challenge my creativity.” Here, an exclusive first glimpse.

Photos: Camilla Akrans

Natural Evolution

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As sisters and design partners, Phoebe and Annette Stephens of Anndra Neen enjoy an especially symbiotic relationship based on their shared history growing up in Mexico City among an artistic family, a background which informed their decision to launch the brand in 2009. Since the beginning, the duo has focused on shapes “inspired by the imperfect geometry of nature” and a handcrafted aesthetic. The results are dramatic yet approachable pieces forged from mixed metals, with solid cuff bracelets encrusted with abstract renderings of sea creatures and cascading breastplates etched with wave formations.

During their latest presentation at Milk Studios, Phoebe explained this season’s evolution. “We’re still using a lot of texture, but we also have cleaner silhouettes with the geometric breastplates and the quilted clutch.” The pieces, displayed on sculpted formations evoking driftwood, achieved a careful balance of natural authenticity and a bold statement, much like how Annette describes the women of their rapidly expanding fan base. “She’s fashion-forward and has a strong personality, but is also open-minded. She truly dares to wear.”

Photo: Courtesy of Anndra Neen

Saturday Night At Milk Studios: Alejandro Ingelmo And Ostwald Helgason

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I would like to offer a big thanks to Milk Studios for making our lives easier during NYFW. I was able to see four presentations last night, all of which were on the same floor, one room next to the other (and, on such a chilly Saturday night, it was nice not to be running around the city). First stop: shoe designer Alejandro Ingelmo’s first “real” presentation, where his men’s fur-lined high-tops were the talk of night. The female editors in the room were calling for a women’s version of the shoe. Don’t worry, ladies, it’s coming soon.

After stops at Dean Quinn and Anndra Neen, the ultimate surprise of the night came from the London-based design duo Susanne Ostwald and Ingvar Helgason of Ostwald Helgason. Their latest collection (pictured above) was filled with pieces I want to wear now. The animal-print sweatshirts, ruffled miniskirts, cocktail dresses with interesting volume in the back, parkas, and printed coats would all be perfect pieces for the runway shows. This is definitely a brand to watch—it’s one of my favorite collections of the season so far and I am ready to add my name into the wait list for the clothes already.

Photo: Marina Larroude

Beamon’s Burlesque

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You can’t judge a book by its cover, but often you can judge a bash by the line at the door. At Erickson Beamon’s jewelry presentation at Milk Studios yesterday, 80 people were queued up outside the burlesque-in-Berlin-themed presentation, which drew on styles from the 1920′s and ’30s. But this was less a presentation than a party. The event was styled as a cabaret, complete with a live performance by the Citizens Band and bejeweled models sashaying across the room in drop-waist dresses. Zoë Kravitz, Penn Badgley, Lily Kwong, and Johnny Weir were a few of the many who had made it in to check out the show.

As the tempo increased, Citizens’ Sarah Sophie Flicker—dressed in a velvet corset, feather headdress, and little else—took to the stage, impressing the crowd with her acrobatic high kicks. “If there’s one person in the room that’s a bigger ham than me, it’s Sarah,” said Michelle Harper, who was decked out in one of Beamon’s most elaborate necklaces from last season. “I’m seriously in love with this piece; I want to wear it every day.” Monique Erickson, who is rarely photographed without her trademark crystal headdress, replied, “Well, I do! Honestly, I wear this thing everywhere, literally like the burger joint on the corner.” Around 10 p.m., the crowd shuttled out, bound for more performances at Milk by the likes of Lissy Trullie and Wu-Tang Clan.

Photo: Julian Mackler/BFAnyc.com