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April 24 2014

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32 posts tagged "Moschino"

Vanessa Friedman Joins the New York Times as Fashion Director and Critic

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Vanessa FriedmanFollowing the departure of Cathy Horyn and Suzy Menkes, Vanessa Friedman, formerly the fashion editor of London’s Financial Times, is joining the New York Times as fashion director and chief fashion critic. She will begin at her new post next month.

Speculation among editors at last month’s shows was that Friedman had been lobbying hard for the Times position, and some even felt that it was no accident that her Moschino takedown in the FT had a certain Horyn-like vigor. Friedman has served as the FT‘s fashion editor since 2002. Prior to her role there, she was a regular contributor to such publications as The New Yorker and Vogue, and was the founding fashion and features director for InStyle UK. No doubt, she’ll make a strong addition to the evolving NY Times fashion team.

Photo: Getty Images

Runway to Red Carpet: Rihanna (Also Other Stars) Steal the Front-Row Spotlight

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Miu Miu

When it came to star sightings, the front rows at the Fall ’14 shows gave the Oscars a run for its money. The celebrity set came out strong this fashion season, supporting the designers who dress them for so many of their red-carpet moments. Lupita Nyong’o, who brought home an Academy Award this past weekend, was spotted in the front rows of Miu Miu and Calvin Klein Collection, both of which helped her top best-dressed lists during her promo tour for 12 Years a Slave, as well as the awards season. At Miu Miu, she turned up in a burgundy jacket with an embellished collar by the label and a light pink miniskirt, while for Calvin Klein Collection, she donned a pale knit dress from Pre-Fall ’14. Jason Wu’s debut at Hugo Boss in New York also brought out a bevy of stars, including Gwyneth Paltrow, Reese Witherspoon, and Diane Kruger, who led the standing ovation at the show’s close.

Notables were also spotted in the front row of Burberry Prorsum‘s London show, a favorite among Hollywood’s elite. Naomie Harris looked on in a long, navy velvet devoré and a green gown. In Milan, Jeremy Scott’s first runway show for Moschino brought out celebs known for their playful fashion choices. Rita Ora and Katy Perry were among the front-row dwellers in looks from the Pre-Fall ’14 lineup.

Despite all of the big names who attended the Paris shows (including Jared Leto, Keira Knightley, and Kanye West), all eyes were on Rihanna. RiRi stole the spotlight, turning up at all of the biggest shows like Chanel, Dior, Givenchy, Miu Miu, Lanvin, and Stella McCartney, just to name a few. While it’s difficult to choose a highlight from her flawless arsenal of looks, we were particularly taken by the Melitta Baumeister, Hyein Seo, and Adam Selman mash-up she wore to Comme des Garçons; her gray peplum jacket and fur shrug at Lanvin; and the sexy LBD she paired with stockings and a cherry Pre-Fall ’14 mink coat at Dior. She was a street-style photographer’s dream from start to finish.

Here, more front-row highlights from the Fall ’14 shows.

Photo: Courtesy of Miu Miu

Rossella Jardini Joins the Missoni Family

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jardiniMoschino seems to be in the headlines more and more often these days. Following Jeremy Scott’s riotous debut collection in Milan last week (would you like fries with that?), WWD reports that the house’s former creative director Rossella Jardini has been tapped by Missoni. Jardini joins her friend Angela Missoni and will be acting as a “consultant” to the Italian house. “She is an experienced and extraordinary designer, expert in merchandising, photography, style, fabrics, and shapes,” Missoni said. She added that Jardini is “like family. I’ve known her for so long.” This will certainly be a dynamic duo to watch when the Spring shows come around.

Photo: IndigitalImages

Insta-Gratification: #MFW Edition

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In the age of Instagram, all it takes is a smartphone to achieve a photo finish, be it filtered or #nofilter-ed. That’s why Style.com’s social media editor, Rachel Walgrove, is rounding up our favorite snaps and bringing them into focus. For this very special edition of Insta-Gratification, she’ll be calling out the best shots from #MFW. See below for today’s picks.

Monday, February 24

Giorgio and his Armani army.

Collect them all.

Marni, through Linda Fargo’s lens.

Missoni’s pre-show clique.

The finale bow. Squared. Continue Reading “Insta-Gratification: #MFW Edition” »

The Morning After: Our EIC Recaps Yesterday’s Action

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JEREMY SCOTT Fall 2014 Fashion Show

In the end, perhaps fashion isn’t so complicated. It boils down to this: How do I find my signature and how do I develop it over time? Three things that people have said to me on this subject have stuck in my mind:

Carlyne Cerf de Dudzeele (stylist): “I get inspiration from Mr. Alaïa, Mr. Lagerfeld. They know, you know? They know. They are not like all these young designers who change every six months. I think this is strange, because when you have talent inside, you never really change.”

Azzedine Alaïa (designer): “It’s inconceivable to me that someone creative can have a new idea every two months. Because if I have one new idea in a year, I thank heaven.”

Riccardo Tisci (designer), speaking approvingly of Hedi Slimane’s tenure at Saint Laurent: “I think Hedi, he wrote his first chapter [i.e., at Dior Homme] in a capital of fashion, and then he took his time off, and then he started from the same page. It’s like when you go to bed and you’re reading a book: You do the little corner, and then the night after, you start from the same page. And the aesthetic that he does really belongs to him. For sure, it is something that doesn’t look like anybody else, and that’s what I like.”

These thoughts were thrown into particularly sharp relief during a busy day of shows in New York yesterday.

MICHAEL KORS
What’s more remarkable about Kors: the fact that he’s now worth a billion dollars or the fact that, after three decades in business, he isn’t resting on his laurels? With his last two collections, he has brought his vision of American luxury into razor-sharp focus.

JEREMY SCOTT
A very different designer from Kors, of course, but in his own way as American as apple pie or Pop Art. Scott has done what you do if you have your own signature: lived through a few seasons where he enjoyed the support of the faithful—and it’s some faithful; he draws the liveliest crowd in town (hey there, Jared Leto)—but didn’t have the full attention of the fashion press. Thanks to his recent appointment as creative director of Moschino, he’s firmly back in the media spotlight. He didn’t waste the opportunity, delivering a collection that riffed confidently on two great American pastimes: sex and sports.

HUGO BOSS
How do you define the signature of a commercial juggernaut, best known for its menswear, which is now making a serious push into womenswear? That’s Jason Wu’s brief at Hugo Boss. He’s started to do it with the collateral: an Inez and Vinoodh-shot campaign; Gwyneth Paltrow as the face of the fragrance. And his debut collection? As Nicole Phelps said in her review, “Wu’s challenge going forward will be to maintain the Boss polish while figuring out ways to loosen up and have a bit more fun.”

ANNA SUI
I would be remiss not to mention Sui in this recap. She is one of the treasures of the New York calendar. Here’s Tim Blanks on what made her latest collection such a decadent delight.

REED KRAKOFF
Krakoff has been giving this subject a great deal of thought lately. After a few collections that felt the anxiety of European influence, he is now focused on creating his version of American luxury. Read Nicole Phelps’ review here.

PROENZA SCHOULER
Jack McCollough and Lazaro Hernandez were part of a pack of young New York designers who broke through in the last decade. When they celebrated their tenth anniversary a couple of years ago, they decided to drill down on their label’s identity, starting with a powerful but understated new logo. Their aesthetic, now reliably their own, is rooted in the contemporary New York art world. It’s no coincidence that yesterday’s show took place at Gavin Brown’s Enterprise, a gallery in the West Village.

IT’S RALPH, THOUGH
As it happens, I’m writing this after seeing Ralph Lauren’s show on this snowy Thursday morning. Lauren showed looks from his Polo line alongside his top-end collection today, and the move invigorated him. These clothes were as clear and direct as a Hemingway sentence. If America didn’t exist, Ralph Lauren would have had to invent it.

Photo: Patrick McMullan Company