25 posts tagged "Moschino"
More so than in any other city, Milan designers and casting directors are known to favor established models over newcomers, but this week we witnessed a slew of fresh faces break through to the front of the pack. Many of the girls who started strong in New York and London
Another thing Milan was previously known for was overlooking minorities, so it was thrilling to see many of our favorite up-and-coming black models, including Firth, Binx Walton (top right), Cindy Bruna, Maria Borges (we never could’ve guessed that she would open Giorgio Armani), and Kai Newman making major strides this week. Newman, who hails from Kingston, Jamaica, positively wowed us at Gucci and Jil Sander. We can’t wait to see her go on to crush it in Paris.
Natalia Siodmiak (top left) is someone who has been making the rounds for several seasons but is suddenly at the top of everyone’s watch lists. After ending London on a high note with turns at Christopher Kane and Giles, the gap-toothed beauty cranked up the sex appeal at Gucci, Versace, and Emilio Pucci, and opened and closed Max Mara. It’s gratifying to see someone who’s been paying her dues finally have a moment. Speaking of moments, who could forget Moschino’s memorable roster of old-school supes, including Pat Cleveland, Alek Wek, Erin O’Connor, Jodie Kidd, and Diana Dondoe? Another runway high point was Liya Kebede and Malgosia Bela walking Emilio Pucci. And, naturally, there’s plenty in store for model-followers in Paris. Just today, iconic Snejana Onopka made a cameo appearance at Anthony Vaccarello, whipping the Fashion Spot forums into a frenzy.
Milanese runways are feeling the heat, as troves of Italy’s presenters this menswear season have rendered sunset-inspired motifs on their wares, from ombré fadeaways to photo-realistic Atlantic twilights.
Calvin Klein‘s Italo Zucchelli showed a brilliant jumper aflame in solar fuchsia—a depiction of the view from his Fire Island summer home (above, right). Zucchelli also looked to James Turrell’s light sculptures—a timely nod, considering the artist’s much-hyped summer installation at New York’s Guggenheim Museum. Moschino, too, lensed a vivid, filmic gloaming on a range of bathing suits.
Dame Vivienne Westwood sent her boys to a sort of pan-global beach town, lending a sun-kissed casualness to her agitprop beat. One periwinkle-turned-rose-petal top caught our eye in particular. But it was Fendi‘s blur on a simple silken T-shirt that won the ombré challenge, hazily recalling a scorching desert (above, left).
And then there’s Prada (above, center). Miuccia gamely explored the underbelly of paradises then and now—spurring thoughts of wartime Vietnam (helicopters on the soundtrack) and seedy Honolulu racketeers. A series of bombers—heat-pressed with dusk-time littoral snapshots—perfectly encapsulated Prada’s ominous tropical sundown.
It was Moschino’s first attempt at wooing the Shanghai fashion set down at South Bund’s artificial beach last night. A huge black tent was the backdrop for an evening of classic Moschino looks, including the brand’s Resort ’14 show, the men’s Spring ’14 collection, and a trip down memory lane to revisit the Moschino archives.
The show opened with Chinese supermodel Du Juan sporting a white coatdress with a front vertical flounce from the neck to the hem. Her ensemble was topped with a Chinese hat from Northern Song Dynasty, reserved for the traditional judges (above, left). Moschino was saying it loud and clear, “China, here I come.”
Actress Zhang Ziyi (above, center) sat front row as the show opened with some graphic, ladylike looks that had a trompe l’oeil effect. The color red was omnipresent throughout the collection, as were bouquets of vivid floral-print dresses coupled with gold platform sandals and heavy bangles. The men’s range was equally upbeat, boasting preppy wares, again with lots of red. An electrifying lightning-bolt print gave the tailoring a punch. The finale was packed with some of Moschino’s most memorable runway moments, like beaded matadors, sensual gypsies, heavy embellished eighties party dresses, gold metallic fringed coats, and chained bolero jackets. It was great to see all the pieces again, and to remember the legacy left behind by the late founder, Franco Moschino.
After the show, guests poured out on to the beach. Pink and red hearts filled the pool, and partygoers relaxed on the Balinese-style daybeds, which were swathed in long white curtains. The DJ pumped dance music while the champagne flowed and the fashion pack welcomed yet another house to their beloved city of the Orient, Shanghai.
Lindsay Ellingson’s line of silk-and-gold bracelets, Goldie Knots, is sweet and unassuming—a lot like the model herself, who has a girl-next-door appeal despite her high-profile career. She got her start by attending a scouting event on a whim in 2005. At the time, she was studying biology at the University of California at San Diego, and knew nothing about fashion. So when she was quickly picked up by an agency, flown to Paris, and instantly sent to meet with John Galliano, who wanted her to open the Christian Dior show (mind you, she had never heard of John Galliano or Christian Dior), she didn’t know what to expect. “My eyes were squinting so badly because I didn’t realize the lights were going to be so bright!” she says of her Dior debut.
A self-confessed science geek (in Valentino: The Last Emperor, the camera pans a room of models backstage in hair and makeup, and she can be spotted with her nose in a tome on Einstein), Ellingson, now twenty-eight, has been going nonstop since diving into modeling eight years ago. She’s walked for everyone from Michael Kors to Chanel, done Victoria Secret’s runway spectacle for five years running (yes, she’s worn those coveted Angel wings), shot campaigns for the underwear megabrand, as well as Tommy Hilfiger, Moschino, and MAC, and starred in editorials (and a few cover shoots) for Vogue, GQ, and Marie Claire.
A stranger to fashion no more, the model is now somewhat of a designer herself, turning out high-quality creations of knotted silk and 14-karat gold that she makes by hand. Having learned the craft from her mother, Ellingson started by making the bracelets for herself. However, the baubles quickly caught the attention of her friends, and a Victoria’s Secret stylist requested to use them on a few shoots. Thus, Goldie Knots was born. Most of her business has come from word of mouth, but her Web site is launching this spring, where the bracelets will be sold for $150 to $250. A lover of animals, Ellingson will be donating a portion of the proceeds to help out her furry friends. “So far, in just the very small amount of business I’ve done, I’ve donated about $2,000 to the Humane Society of the United States.” Talk about an Angel.