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7 posts tagged "Nan Goldin"

Bottega Veneta’s Got Art Smarts

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Bottega Veneta's Fall '13 Ads

For the past few years, Bottega Veneta designer Tomas Maier has taken an artistic approach to his campaigns, tapping multidisciplinary photographers such as Nan Goldin, Nick Knight, Annie Leibovitz, Jack Pierson, Peter Lindbergh, and more to bring a dynamic edge to his ads. Dubbed the Art of Collaboration, the project continues this season, with Maier commissioning New York-based artist Ralph Gibson to lens the Fall ’13 campaign. Best known for his eerie images with erotic undertones, Gibson turned out a series of moody snaps for the Italian house. His high-impact shots, which star Fall ’13 show-opener Raquel Zimmermann, debut above, exclusively on Style.com.

Photo: Ralph Gibson

Monsieur Vladimir Dit Merci

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He may be a fixture on the fashion-party-circuit, but Vladimir Restoin-Roitfeld continues to make a strong case for himself as an up-and-coming art world contender. Following a successful show with Sotheby’s last October, the Paris native previewed his most ambitious group exhibition to date this morning at developer Aby Rosen’s contemporary art mecca, 980 Madison Avenue. Dubbed Merci Mercy, the 35-artist show explores the power and vitality of the written word. “I was looking for a new concept to develop and discovered that many of the artists I like use text in a systematic way,” said Restoin-Roitfeld, looking every bit the power broker despite frigid climes and the before-noon preview. “It was a good opportunity to bridge the artists I love with those I’m less familiar with and contextualize them in a way that made sense.” Borrowing its title from a Louise Bourgeois inscription (left), the show features works from industry veterans Ed Ruscha and Nan Goldin) to Zeitgeist darlings (Tom Sachs and the late Dash Snow, whose work is pictured below). “We wanted to find pieces that were less expected or typical,” said co-curator and Bortolami Gallery director Christine Messineo, who was introduced to Restoin-Roitfeld by his sister Julia. “And we were especially interested in working with artists from our generation.” To wit, the pair paid studio visits to several younger artists including Rashid Johnson, Jason Loebs and, Lucien Smith, all of whom created original works for the show.

This March, Restoin-Roitfeld will curate a two-man exhibition with his longtime collaborator Nicolas Pol and Ashley Bickerton at Lehmann Maupin Gallery, but the roving dealer has no plans for a permanent gallery anytime soon. “I would like to settle down, but it’s a step-by step-process,” the 27-year-old told Style.com, though he’ll start by holding private salons at his new Upper East Side office. “I think it”s good to do things uptown. Young people should see what’s happening on this side of the city.”

Merci Mercy will run until February 17 at 980 Madison Avenue

Photo: Courtesy of Merci Mercy

Barneys Goes “Backstage” For Its Ads,
And Big For Its Renovations

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Barneys New York’s Spring ad campaign, the first under CEO Mark Lee’s tenure, breaks in The New York Times this Sunday. Dubbed “Backstage,” it was shot at the Spring fashion shows in New York, Milan, and Paris by the likes of Nan Goldin (who shot at the Balmain show, above), William Klein (who shot at the Lanvin show, below), and Juergen Teller. “We were seeing tons of black and white in the collections, and we thought, let’s build on that,” Lee said of the black-and-white imagery at a breakfast this morning. (The ads will also feature QR codes, which, when scanned by camera phones, will take users directly to the pictured looks on the stores Web site.) Also on the agenda at Fred’s: the changes he’s implemented since he started September 1 and his plans for the retailer’s future. The goal, said Lee, “is to ensure that Barneys remains the greatest specialty store in the world: special, surprising, different, dynamic. We’re never going to say, ‘It’s done.’ “

Sharp observers will have noticed that the awnings on Madison Avenue are now black to match the store’s iconic shopping bags. And speaking of windows, Barneys.com is getting a new microsite: “The Window” launches next week and will update daily with editorial content like designer interviews; Olivier Theyskens, Carven’s Guillaume Henry, and Frédéric Malle are among the talents up first. Eventually the site will get a complete redesign. There are changes in the works inside the store, as well. Prada clothes and handbags have left the building. (Gasping Miuccia-philes, take note: You’ll still be able to get the label’s women’s shoes and menswear.) The spaces that they occupied are currently being renovated for Azzedine Alaïa (it’ll be his biggest space in the U.S.) and Valextra, respectively. By November of this year, Lee said, the men’s Co-Op will move from the fifth floor to the eighth, and the men’s and women’s Co-Ops will be connected. Eventually, every floor that can be structurally connected will be. Lee was joined at Fred’s by his staff: chief merchant Daniella Vitale, creative director Dennis Freedman, and executive vice president and general merchandise manager Tom Kalendarian. Amanda Brooks, who was named women’s fashion director last week, starts Monday. Asked if the store would retain its “taste, luxury, humor” tagline, Lee said, “taste, yes; luxury, yes; humor? I prefer wit. Barneys was at its best when it was witty.” Continue Reading “Barneys Goes “Backstage” For Its Ads,
And Big For Its Renovations” »

A Magazine And Acne Paper Play Host In Paris

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The party people were out in force on Friday night in Paris’ Marais to celebrate the latest editions of two—get this—print magazines. The revolving-editor A Magazine chose Giambattista Valli to helm its new issue: his chosen theme, “real beauty,” and his cover, a portrait of River Phoenix by Michael Tighe (above right). Marina Abramovic, Nan Goldin, Chiara Clemente, Lee Radziwill, Peter Schlesinger, and Kenzo Takada all collaborated on the tenth issue, as did Sasha Pivovarova, who did a series of self-portraits. “This magazine is about what nourishes me; it’s another way to show my inspirations,” said Valli, who opened his exploration with a 1975 quote from Yves Saint Laurent: “What we imagine may be very beautiful but nothing replaces reality.” (To buy, visit www.bruil.info.)

Around the corner at the very private Maison de La Chasse, Maria Berenson and editor Thomas Persson (below right) co-hosted a fête for the new issue of Acne Paper, the Studio Issue, and Kristin Scott Thomas and Bruno Frisoni (below left), Nicola Formichetti, Lanvin’s Lucas Ossendrijver and Elie Top, and Catherine Baba all dropped by to mill in the hunting house’s drawing rooms. The mag includes visits to, or representations of, the studios of artists like Matisse, Pollock, and Hockney, as well as photographic portfolios by Helmut Lang and Eric Boman. A nude Leigh Bowery (shot by Bruce Bernard as he sat for a portrait with Lucien Freud) appears on the cover (above left), and hostess Berenson is inside, shot by Katerina Jebb in Jean Cocteau’s house in Milly-La-Forêt. “Marisa’s grandmother, Elsa Schiaparelli, was so close to Cocteau it was natural to shoot her in his old house,” Persson explained of the spread, “and Acne is based on the idea of a creative collective, so we focused on artists’ studios as the place where creativity happens.” (To buy, visit Acne, 10 Greene St., NYC, or www.acnestudios.com.)

Photos: Courtesy of A Magazine; Courtesy of Acne Paper

First Look: A MAGAZINE Curated By Giambattista Valli

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Some people dream of opening their own boutique. Some people dream about editing their own magazine. Giambattista Valli gets to do both: Valli (left) is the guest editor of issue No. 10 of A MAGAZINE, which will launch in tandem with the opening of his first store, in Paris this November. Following designers such as Yohji Yamamoto, Riccardo Tisci, and Jack McCollough and Lazaro Hernandez of Proenza Schouler onto the Belgian pub’s masthead, Valli has conceived his issue of A MAGAZINE as an extended essay on the topic “What is beauty?” Work by Chiara Clemente, Nan Goldin, Louise Bourgeois, Richard Avedon, and the late Corinne Day will help him answer that question. The print magazine launches in late November, but impatient Valli fans can get a look at the online edition on October 10. To tide them over in the meantime, Valli prepared a special “scrapbook” collage of inspiration images, seen here (below) for the first time.


Photos: Kate Barry (Valli portrait); Courtesy of A MAGAZINE