26 posts tagged "Natalie Portman"
The results are in. Today, The Hollywood Reporter released its third annual list of Hollywood’s 25 Most Powerful Stylists. The winners include big names we’ve been hearing a lot about of late—Kate Young, who’s been whipping up a buzz with her new Target collection (and who styles Michelle Williams, Rachel Weisz, and Natalie Portman), came in at number four. Elizabeth Stewart, who chronicled her experience styling Amanda Seyfried, Jessica Chastain, Julia Roberts, and Cody Horn for the Golden Globes for Style.com, came in at number five. And Rachel Zoe, who styled Anne Hathaway and Jennifer Lawrence in their much-talked-about Oscar gowns, slid in at number three. Petra Flannery, who styles Emma Stone, Zoe Saldana, and Megan Fox, was this year’s runner-up. And the big winner is (drumroll, please) Leslie Fremar, who styles discerning stars like Julianne Moore, Charlize Theron, and Jennifer Connelly. A surprise on the list was designer (and Mick Jagger’s girlfriend) L’Wren Scott, who came in at number sixteen for dressing Nicole Kidman.
It’s no secret that stylist Kate Young knows her way around a red carpet. In the past, Young’s vintage-leaning, high-glam moments have typically been reserved for bright-faced ingenues and megawatt stars such as Natalie Portman and Michelle Williams. But thanks to Target, that’s no longer the case. This Spring, Young debuts her first capsule collection for the retailer, joining the ranks of Jason Wu, Prabal Gurung, and Missoni, each of whom designed hysteria-inducing collections for Target in the past. Young is the first stylist to collaborate with the megashop. “I wanted to bring some of the magic that you see on the red carpet to real women,” Young told Style.com at a preview today. “The main focus was to create something affordable and accessible.”
To wit, Young translated her quintessential gamine chic into a streamlined array of thirty after-eight ensembles. Priced between $29.99 and $89.99, the wares ranged from flirty party frocks and sophisticated separates to evening clutches and costume jewelry. “I am always drawn to the drama of Old Hollywood,” Young said, citing a black-and-white floor-grazing gown as a favorite. Contemporary looks included an Alaïa-inspired dress made of tech jersey, a satin peplum cocktail number, and a tuxedo jumpsuit, which paid homage to Valentino and Saint Laurent. (“I can’t wait to wear it for day with a white button-down beneath,” she revealed.) There were also plenty of Young’s hallmarks: sweet shifts with Peter Pan collars, polka-dot bodysuits, and whimsical blossom prints.
With awards season in full swing, we might even see some of the looks sooner than the store drop date on April 14. “Maybe I’ll put my clients in one of the looks,” Young mused. “It’s not about the money. Wearing a designer collaboration for Target is something everybody does. If the design is good, that’s all that matters.”
One-company-town reputation aside, Los Angeles is the epicenter of a wide variety of artistic disciplines beyond film. Choreographer Benjamin Millepied (left)—at least as well known, if not better, in Hollywood-loving L.A. as the husband of Natalie Portman—aims to make one more at home with the launch of the L.A. Dance Project, a curatorial collective conceived by Millepied, composer Nico Muhly, art consultant Matthieu Humery, video producer Dimitri Chamblas, and producer Charles Fabius.
Following the sold-out premiere performance at Frank Gehry’s Walt Disney Concert Hall, Millepied emphasized the influence of the city on his new venture. “The identity of Los Angeles is going to be very important to me,” he said. “It’s a city so rich in artists and culture that I would really like the dance company to embrace that and carry it throughout.” The debut program included Millepied’s own Moving Parts, a performance of William Forsythe’s Quintett, and the first showing of Merce Cunningham’s Winterbranch in 50 years. In the audience: locals like Rodarte’s Kate and Laura Mulleavy, who designed the costumes for the performance, as well as fans Robert Pattinson, Rashida Jones, and Dita Von Teese.
Portman, for her part, wearing a gown from Raf Simons’ first collection for Dior Haute Couture and jewels from Van Cleef & Arpels, was just as enthusiastic as her husband about the future of dance in Los Angeles. “It is always amazing to have things expressed that can’t be expressed in other mediums, and it makes you feel things that words or sound can’t make you feel,” she said. “We didn’t have a dance company and now we do. It’s amazing that Ben is bringing it here.”
With just hours before the curtain rises at the David H. Koch theater for the New York City Ballet’s Spring Gala tonight, J. Mendel’s Gilles Mendel is busy making the finishing touches on the costumes he’s designed for mater in chief Peter Martins’ new work, titled Mes Oiseaux. “I have been running back and forth to Lincoln Center with my scissors for two days now,” he told Style.com before heading back to the theater today. “It’s like doing a haircut—just a little more on this side and on that side until it’s perfect. It’s so surreal, here I am standing on the stage at Lincoln Center having the dancers of the New York City ballet do pirouettes for me so we can see that everything looks just right.”
It’s not the French designer’s first spin in the dance world. Back in 2010 he created the costumes for NYCB’s performance of Melissa Barak’s original ballet, Call Me Ben, which also provided inspiration for his Spring 2011 collection. “I like my clothes to be very precise because in fashion you want to look at them up close,” he said. “But from that experience, I learned to let go and stand 20 feet away from the dancer—things have to look good from a distance on the stage.”
For his second act, the designer brought the same femininity that’s linked to the J. Mendel aesthetic using tulle, stretch georgette, and muslin. But, he warns, “I think people will be quite surprised—it’s very graphic. The ballet is about three women and their relationship with a man. Peter and I wanted to give to the public a moment of discovery, so you wouldn’t know immediately that one woman is good, one is bad.” He designed a series of mostly-black costumes for the number, which only show the dancer’s true colors—figuratively and literally—when they move. An exclusive sketch of one of Mendel’s costumes is above.
Mes Oiseaux will be performed tonight alongside the Balanchine classic Symphony in C, with costumes by Marc Happel, and the latest work (titled Two Hearts) by former NYCB principal dancer and husband to Natalie Portman, Benjamin Millepied, with costumes by Rodarte. And check back tomorrow in People & Parties for our full report on the gala, hosted by honorary chairman Natalie Portman.
Over the weekend, the likes of Gwyneth Paltrow, Reese Witherspoon, and Miranda Kerr turned out to Stella McCartney’s L.A. store for the debut of Sir Paul McCartney‘s new self-directed video, My Valentine. The black-and-white film, with cinematography by Oscar winner Wally Pfister, stars Johnny Depp and Natalie Portman (who also made an appearance in McCartney’s video for the song “Dance Tonight” in 2007). There are three very similar versions of the video, one with just Portman, one with just Depp, and one (below) with both of them. Here, watch My Valentine.