August 21 2014

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72 posts tagged "Nicholas Kirkwood"

Three Pairs of Manolos Instead of Six: Todd Hanshaw’s Vegas Shopping Stories


A month ago, Vegas mogul Steve Wynn opened Encore, his new $2.3 billion hotel and casino. Attached to the Wynn, which set a new standard for Vegas luxury when it opened in 2005, Encore is in many ways an attempt to turn it up yet another notch. Its 11 brand-new boutiques include an ultraluxe Chanel and the world’s first stand-alone Rock & Republic. We know: crazy, right? We asked Wynn Resorts fashion director Todd Hanshaw to explain himself. The former retail director for Genny Group and director of stores for Marc Jacobs did so, happily, and in the process told us about recession-proof Nicholas Kirkwoods (in crocodile, no less) and the spending habits of the rich and richer.

It’s Sunday! You’re working?
I’m in Encore right now. The Wynn has its own magazine and today we’re shooting it. We’re talking about fashion as art and we just finished a shot of the Botero statue in the middle of Botero, the restaurant.

Fashion and art. A decade ago, it would have been hard to imagine either in Vegas. How is the fashion scene different now and how does Wynn fit into it?
In our hotels there are people from all over the world. They know what’s going on and they have a very high taste level. I think the biggest problem here for a lot of people is stores talking down to them. There is a lot in the world beyond Cavalli and Dolce & Gabbana.

Still, though, you’re not exactly selling clothes you’d find on Madison Avenue.
This is a resort, and this is a vacation. We’re not a place where someone is shopping for the black suit they’re wearing Monday through Friday. We’ve really made our mark in the market for having things that are special. Nobody in Vegas is going to make money selling things people can have anywhere else in the world. Continue Reading “Three Pairs of Manolos Instead of Six: Todd Hanshaw’s Vegas Shopping Stories” »

Nicholas Kirkwood Feels For The Falling Model


Nicholas Kirkwood better have a sturdy mantel. A bit of plywood shelving just won’t hold up under all the awards the English shoe designer has been racking up. There’s the AltaRoma Vogue Italia Who’s on Next award he took home last year, and then the Swarovski Emerging Talent Award for accessories he won at the latest British Fashion Awards, and the Footwear News Designer of the Year award that brought him to New York earlier this month. Given that it’s only been three years, Kirkwood may want to consider investing in a trophy room. For his fans, meanwhile, Kirkwood’s heels are trophies unto themselves, or perhaps something like a Santiago Calatrava skyscraper for the foot: daringly cantilevered, awe-inspiringly high, and balanced, seemingly, by will alone. That architectural sensibility has earned him a following among his fellow designers; he regularly collaborates with Rodarte and Alberta Ferretti for their runways, and this year he joined Jonathan Saunders in the revamp of Pollini. The most intriguing Kirkwood news, however, may be the fact that for Fall 2009, this sworn enemy of all things grounded is working on his first pair of flats. In the meantime, Kirkwood talks to about kitten heels, boudoir shoes, and how all good stories must come to an end.

I understand that your interest in designing shoes grew out of an experience making hats. That’s a bit of a switch, from head to toe.
It’s funny to look back on, because this was really only a few years ago and yet the whole landscape of shoe design was different. I was working with Philip Treacy, and women would come into the shop looking to finish an outfit. They’d bring in clothes, and they’d bring in their shoes. At the time, it was just this sea of kitten heels and really girly, pretty things. It seemed like there was a space for something else.

Had you studied shoe design in school?
I went back and took classes at Cordwainers. Not in design, though—just in shoemaking. I wanted to learn the craft. Continue Reading “Nicholas Kirkwood Feels For The Falling Model” »