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August 27 2014

styledotcom Central Saint Martins debuts its second issue of 1 Granary: stylem.ag/1pgVHzh pic.twitter.com/SPvNPHlbXe

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40 posts tagged "Nick Knight"

Daphne Guinness Sings the Blues

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Artist, producer, muse—all words that describe Daphne Guinness. But soprano? Well, there’s a bolt from the blue. Last night, Guinness unveiled her first single (on vinyl, no less), “Fatal Flaw,” at Nick Knight’s SHOWstudio in London’s Belgravia neighborhood—a fitting setting for the reveal, as Knight actually filmed and live-streamed Guinness singing opera last year. (The shoot resulted in five short films that were played in the windows of the French department store Printemps.) Yesterday evening’s event also served as the opening of SHOWcabinet, an intensely personal display case within the SHOWstudio gallery (consider it like an old-time curiosity cabinet) where artists present objects that have mattered throughout their lives.

Guinness is the first to take a turn in Knight’s SHOWcabinet, and the pieces on view indeed tell the story of her life: an ornate armored glove that she created over the span of five years in collaboration with Shaun Leane, a beloved Gareth Pugh leather cage jacket, and some works from Percy Bysshe Shelley and Shakespeare—her constant companions over the years.

Here, in an exclusive interview, Guinness and Knight speak with Style.com about why she decided to bare her soul—and her vocal chords.

Daphne, who knew you were a singer, and a soprano no less. Did you have any formal training?
Daphne Guinness: I wasn’t trained at all—I just made the song up, by mistake actually. If anything, I probably trained myself by listening over the years. I have a four-and-a-half-, nearly five-octave range. I probably should have had extra lessons as a child, as I am certain my family heard my potential, but I didn’t. I was in the choir as a schoolgirl, but really, it is all self-taught.

Why music now?
DG: After children, I had a break in my top range, as my diaphragm dropped because it naturally stretched out. I couldn’t make that jump to singing smoothly. Holding a note is a very difficult thing—you have to use your whole body to achieve a perfect pitch. So my singing languished a bit, but it has always been there. I know it sounds ridiculous when I say I am not a fashion person, because of course I am, but music has a complete effect on me, and the time was ripe to reacquaint myself with it. I suppose I am known for being very visual, but I realized that, for me, it’s all about sound.

Nick Knight: What is interesting is that very few people know that music and sound are really a fundamental part of you. But I do think there is a lot of crossover in the senses, especially with sound and sight. For instance, when I am creating an image, I am actually subliminally looking for a tone or sound, which I don’t hear, but see. So when I get a great picture, in fact I am hearing this perfectly harmonious sound. It’s almost like I am tuning one of my pictures like an instrument. So there is a lot of swap-over between the senses. Unfortunately, we are so conditioned to use one sense for one thing, when actually it is a whole mixture of senses at play in an artistic process. Continue Reading “Daphne Guinness Sings the Blues” »

Ming Xi in 3-D

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Nick Knight—famed photographer, founder of SHOWstudio, and all-around digital fashion maverick—has always been ahead of the curve. So no one expected his Spring ’13 campaign for Chinese luxury retailer Lane Crawford to be a traditional photo spread. This season, Knight teamed up with stylist Katy England and enlisted model Ming Xi to star in digital images and films, which he created with 3-D scanning. “Three-D is a step toward the future of our visual language, which was why I started SHOWstudio,” Knight told Style.com. Knight has been fascinated with this particular method of image making (it’s also used for video games) for fifteen years and has, in the past, done 3-D scans of Lady Gaga, Kate Moss, and Naomi Campbell. The ads—which will appear online, in outdoor media, and in print this month—make Ming Xi look like some kind of fantastic high-fashion android. Watch her strut her digital stuff in Alexander McQueen (above) and Givenchy (below), exclusively on Style.com.

Continue Reading “Ming Xi in 3-D” »

Fashion’s Bodies, Real And Fake, Get Their Night At The Museum

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In French, mannequin is used to describe flesh-and-blood models; in English, it means the artificial dummies used to display clothes. Rarely do the two mannequins exist side by side—except in Kim Cattrall eighties hits—but they will in an upcoming exhibition at the Les Docks space of Paris’ Musée Galliera, Mannequin—Le corps de la mode (“Model: The Body of Fashion”). The exhibition traces the development of the model throughout time, much as the Costume Institute’s 2009 show, “The Model as Muse,” did, and includes both physical mannequins (in the English sense) and photographs by Horst P. Horst, Juergen Teller, Corinne Day, and Nick Knight—and some line-straddlers, like the photo by Guy Bourdin above. She’s alive!

Photo: Guy Bourdin / WWD

Nick Knight In Bloom

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For his latest exhibition, opening at SHOWstudio’s London gallery October 11 during the Frieze Art Fair, Nick Knight holed up in a herbarium and spent over three years studying flower specimens. Not your usual fashion photography project by the lensman known for his collaborations with designers like Alexander McQueen and John Galliano, that’s for sure. “Going through the 6.5 million specimens in the Natural History Museum was not only intense because it took my wife and I three and a half years, but it was also an extraordinary project because the act of capturing each of our most favorite discoveries was rigorous,” he tells Style.com of the project, entitled Flora. “In the end [we] edited it down to just 40 individual images.” (Originally, the shots were part of his now out-of-print book by the same name—he’s picked out 15 images from the acclaimed publication to be displayed for the first time at SHOWstudio’s headquarters in London’s Mayfair.) “Because we (understandably) weren’t allowed to remove any of the flora from the museum, we ended up converting an area the size of a broom cupboard in the 131-year-old building into a studio space,” he adds. In conjunction with the exhibition, Paddle8.com launches its online sale of the newly released portfolio of 15 archival prints today, along with a series of Instagram shots Knight did for Paddle8 documenting the creative process behind the flower series. Here, a look at a few of the prints, which showcase the diversity in botany, included in the sale.

Photos: Nick Knight

Designer Diary: Aganovich’s Postcard From The Venice Architecture Biennale

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Meet Nana Aganovich and Brooke Taylor, the duo behind on-the-rise Paris label Aganovich. They must have finished their Spring ’13 collection (showing in Paris on September 25) a little early, because they managed to escape to the 13th annual Venice Architecture Biennale (currently under way) and find time to send us back a few snaps from their trip. Read all about it, below.

“Nana and I just got back from this year’s Architecture Biennale, curated by British architect David Chipperfield, who (for a bit of fashion FYI) designed photographer Nick Knight’s house. Chipperfield named the exhibition Common Ground in an attempt to draw the focus away from ‘starchitecture’ and back to common resonance and purpose. Apart from the usual unsettling sensuality of the location, we were treated to a visual and intellectual feast, ranging from the poignant presentation of our beloved East London’s Hawksmoor churches chez Louis Vuitton to the morbidly ironic but effective Aircraft Carrier at the Israeli Pavilion. We topped it all off with a great satellite exhibition of relational aesthetics artist Rirkrit Tiravanija and an after-party staged by our friend Alex Possati, whose family owns the cultural hot spot Bauer Hotel. All the world’s architectural luminaries were present at the shindig, along with a few from the fashion set, in the form of Jefferson Hack, Juergen Teller (who is the official photographer for the exhibition), and our favorite entertainer of the evening, Christopher Taylor (the former rock star-turned-award-winning film composer). For the record, he’s also a genius raconteur. (When I looked in the mirror the next morning, I actually had a six-pack, he had been making us laugh so hard.)”

“[Brooke] Coming into Venice getting serious pimp cane mileage out of a recent knee injury.”

“Louis Vuitton’s Mohsen Mostafavi-curated discreet perfection of an exhibit: Hawksmoor’s Christ Church Spitalfields in resin.”
Continue Reading “Designer Diary: Aganovich’s Postcard From The Venice Architecture Biennale” »