70 posts tagged "Nicolas Ghesquiere"
Proof that Parisians love clothes? Witness the suited and booted guests at Vincent Darré and Inès de la Fressange’s cocktail celebrating Maison Darré’s one-year anniversary. Less is more might be the mantra of stateside summer dressing, but in Paris what you wear is not something to be taken lightly: Note de la Fressange’s velvet boots, Nicolas Ghesquière’s woolly sweater, Darré’s dark blazer, and coats and jackets for the ladies. No matter what the temperature, some people are just cool. What does French style mean to you?
Hadley Freeman is ready to welcome their return, are you?
To say that the eighties are back is almost as much of a cliché these days as palling up with Beth Ditto—and in no way is that meant as a negative comment on either Ditto or the aforementioned decade. But last week in Paris, the expressions of love for both reached a nigh-on hysterical level. In regards to Ditto, seeing as the fashion world is incapable of ogling enough of her, she stripped off to near-nothing at the Fendi party and stage-dived bang on top of Ellen von Unwerth. There was something symbolic in that moment. As for the eighties, forget about just going for bright colors and the occasional Madonna homage. This decade has been so well and thoroughly pillaged in the past few years (due in no small part to the number of designers with decidedly sepia-tinted memories of the era), that, as with Ditto, the decade is stripping itself down to a somewhat extreme extent. For next season, some of the more unlikely fashions of the eighties are being held up as trends to follow.
First, Michael Jackson. Just in time for his upcoming tour, Jackson is definitely having what is called a “moment.” Not even when “Bad” was at its baddest was dressing like Jackson really what I would call “fashionable.” Continue Reading “Free Speech: Hadley Freeman On Michael Jackson And Peaches ‘N Cream” »
Though the debate in the fashion world about the negative impact of copycats continues unabated, taking direct “inspiration” from another creator isn’t necessarily always held against a designer. The latter was the case at Fashion Rio (which is underway this week in Rio de Janeiro) for Coven, a knitwear-heavy label with a fiercely modern but street-friendly aesthetic. The first looks out of the gate—futuristic, body-con separates—owed an obvious debt to Nicolas Ghesquière. A group of Hervé Léger-esque bandage dresses were interspersed with a flurry of fluffy, crystal-encrusted sweaters (like the one pictured here), which seemed to pay homage to Sonia Rykiel. It might sound like an overload of references, but the reality was that Coven designer Liliane Rebehy Queiroz managed to own most of the ideas and inject them into her particular stylistic vocabulary. In emerging fashion markets, a common criticism can sometimes center on a lack of original creativity, but in the case of Coven, it doesn’t apply. Rebehy Queiroz is just finding a way to synthesize the influences that surround her into something unique, which, in my opinion, is a perfectly valid creative approach in contemporary times.
Don’t call the Galerie Renaissance, a vintage shop; owner Corrine Than-Trong prefers to consider herself an antique dealer. Whatever the terminology, her gallery on Paris’ Left Bank is a favorite address among couture connoisseurs for its trove of fashion show jewelry creations, accessories, and couture numbers sourced from private collections around the world. On Thursday evening, a number of clients packed into the tiny space to admire Les Strass du Vintage, a temporary exhibition of star pieces including a YSL couture suit, a Chanel haute couture dress dating back to Mademoiselle’s era, and a Lanvin cocktail dress. The star of the show, a long Balenciaga evening gown (pictured), was preemptively acquired by Nicolas Ghesquière for the house archives (for an undisclosed sum) and loaned for the exhibition. While everything here is for sale, Than-Trong doesn’t like to discuss prices, but one-off runway jewelry signed Thierry Mugler, Schiaparelli, or Christian Dior is comparatively accessible, with prices starting around 250 euros (about $364); dresses by Lanvin or Patou tend to reach into the lower four digits; and real-deal leopard jackets can run up to five (best not to travel through customs with those, however). Les Strass du Vintage will be up through October 30.
And if you’re in Paris this weekend and crave an extra shot of vintage shopping, the espace Pierre Cardin in the eighth is hosting Les Années Orange, a show devoted to “contemporary” vintage fashion, furniture, and accessories (dating from the sixties on)—all of which is for sale.