55 posts tagged "Nina Ricci"
After fourteen years in their cozy, pink Greene Street store, Kirna Zabête‘s Beth Buccini and Sarah Easley have packed up shop and moved to 477 Broome Street. “We’ve always had the same mission, to sell the most important designers of today and tomorrow, and we just didn’t have space for all of them,” said Easley. “And we were 26 years old when we first moved into that space,” added Buccini. “We’ve grown up, and our tastes have evolved.”
But they haven’t grown up too much—and thank goodness for that. Since it first opened in 1999, Kirna Zabête—its name is derived from the owners’ nicknames—has been known not only for offering a diverse selection of established brands (like Balenciaga, Lanvin, Givenchy, and the like) and hot up-and-comers (Anthony Vaccarello and Wes Gordon among them) but also for its quirky, playful sensibility. This carries over to the new 10,000-square-foot space, which, designed by Steven Gambrel, is what Easley describes as “glamorous Dr. Seuss, but chic.” Having opened on June 20, the Broome Street boutique, which boasts Dorothy Draper-esque black-and-white floors and bright fuchsia pillars, just received its finishing touches (like the six 5-foot-tall chandeliers) this week. As shoppers walk in, they’re confronted with the proprietresses’ favorite bit—a wall of clever phrases, like “Always be yourself, unless you can be a unicorn, then always be a unicorn,” in neon lights. “When you are buying really expensive clothes, you should feel good about it. You should be having a great time,” said Buccini. “So we did our warm, wacky wall of neon lights—the phrases are just funny things that register with us.” Also on their wordy wall is a phonetic spelling of the store’s name. Apparently, after almost a decade and a half of dressing tastemakers worldwide, the pronunciation still gets butchered on a daily basis. “We’ve heard it all,” said Buccini with a laugh. Continue Reading “Kirna Zabête Grows Up, and Out” »
Fashion loves a good comeback, and Catherine McNeil is having just that. The twenty-three-year-old Australian model is arguably looking better than ever. (Perhaps that has something to do with love; she’s been in a relationship with fellow tatted catwalker Miles Langford for the past year or so.) And casting directors seem to be taking notice, as Fall ’13 has undoubtedly been McNeil’s biggest season, in terms of runway work, since her debut—count ’em—six years ago, in 2007. Over the past few weeks, the strong, feline beauty has been walking back-to-back major shows in all four cities, and she’s been particularly successful in Paris. Just yesterday, McNeil bookended Nina Ricci and Barbara Bui, and also did turns at Lanvin and Balmain. Additionally, she hit up Dior today, as well as Dries Van Noten and Anthony Vaccarello earlier in the week. Other A-list appearances this month include Prada, Giorgio Armani (where she was the opener), Marc Jacobs, and Jason Wu. McNeil has enjoyed a resurgence in editorial work, too, recently covering the February issue of Vogue Turkey and turning up in the pages of V and Harper’s Bazaar. McNeil is like a confident supermodel in a sea of stringy teenagers, and that’s refreshing.
Nothing adds a royal touch quite like velvet, and we’ve noticed plenty of it in the recent pre-fall, Haute Couture, and even menswear collections. At Alexander McQueen, Sarah Burton whipped up an ecclesiastical draped robe in cardinal red, while Stella McCartney, Rochas’ Marco Zanini, and Peter Copping at Nina Ricci were among the designers who incorporated the fabric into eveningwear. Christopher Kane, for his part, took the material in a more casual direction with a cool biker jacket. Velvet is getting play in the real world, too. Jessica Alba turned up to the Dior Haute Couture show this week wearing a sumptuous black topcoat, while Joséphine de la Baume gave off a witchy vibe in a crushed-velvet number at the Amy Winehouse Foundation Ball.
CLICK FOR A SLIDESHOW of our favorite velvet looks.
In recent seasons, some of our favorite designers—like Proenza Schouler, 3.1 Phillip Lim, Nina Ricci, and Balmain—have played with denim. Their latest collections prove that the fabric can be used for much more than ordinary jeans. In fact, it’s often the unexpected denim pieces that add character to your wardrobe. From dresses to accessories, shop our picks from Isabel Marant, Louis Vuitton, Derek Lam, and more.
1. Derek Lam dress, $890, available at www.stylebop.com
2. Proenza Schouler vest, $395, available at www.saksfifthavenue.com
3. MiH jeans, $235, available at www.netaporter.com
4. Louis Vuitton scarf, $550, available at www.louisvuitton.com
5. Isabel Marant sneakers, $640, available at www.lagarconne.com
To view more looks, click here.
Front-row fashion-watchers tend to be in one season, out the next, but one woman is a fixture: Suzy Menkes. Anyone who’s been to a show has likely seen the International Herald Tribune‘s critic, her bangs flipped into that signature top-roll, typing away on her mini computer (long before any blogger picked up on the trend, it should be noted). She’s written over 1.7 million words for the Trib, where she’s served as fashion editor since 1988. She’s both a tough critic and a nurturing presence—or, to put it more bluntly, as Kate Moss did when speaking to the New Yorker, she’s “like a slightly mad auntie.” During the upcoming menswear shows at Pitti Uomo, Menkes will be awarded the Fiorino d’Oro, an honor given by the Municipality of Florence to individuals who have greatly contributed to social and cultural development. For anyone in need of a primer on Menkesism, a few key moments in her rise and illustrious career:
—Menkes attended her fist couture show—Nina Ricci—while living in Paris and studying dressmaking during her gap year between high school and university.
—While at university, Menkes would sneak into the Paris show venues at 5 a.m. and hide under the stage until she could creep out and watch the collections walk down the runway.
—In 1991, during a Michael Kors show in an apparently derelict loft, a piece of the ceiling fell on Ms. Menkes’ head. The mishap caused her to deem New York fashion week “second rate.” But there was a silver lining—the incident caused New York’s designers to show their future collections in a single, less dilapidated, location—Bryant Park.
—In the nineties, Menkes prompted what was, perhaps, one of fashion journalism’s earliest open letters when she declared that the classic quilted Chanel bag was “over.” The house took out a full-page ad in the Tribune in protest.
—In 2007, perturbed by Marc Jacobs’ infamously tardy Spring 2008 show (it began two hours late), and unimpressed with his collection, Menkes wrote a review titled “Marc Jacobs Disappoints With a Freak Show.” Naturally, a fashion feud ensued. Jacobs eventually attempted to make amends by leaving a Marc Jacobs T-shirt on Menkes’ seat at that season’s Vuitton show. The shirt featured a drawing of the designer and critic side by side, as well as a “love note.” The note she may have appreciated; the gift, maybe not. She famously refuses all gifts, saying, “I was brought up to believe a girl should never accept anything but flowers and chocolates.”
—In 2012, Menkes reached her latest pinnacle: animation. Disney artists created a cartoon Suzy to sit front-row for the festivities surrounding the Barneys New York and Disney holiday windows.