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July 10 2014

styledotcom Colleen Atwood's fantastical confections are coming to a store near you: stylem.ag/1qKWrvf pic.twitter.com/kivmFPG9tg

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2 posts tagged "Olsen Twins"

Here Comme-s Peter Cottontail

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The bunny ear trend has come full circle. Comme des Garçons’ Rei Kawakubo first led us down the proverbial rabbit hole back in 2007, when she showed black eared caps with her pink and purple fall collection. Next came the long wiry taffeta versions that Marc Jacobs sent down Louis Vuitton’s Fall runway in 2009. (Madonna wore them to the MET Ball—in sea foam—shortly thereafter.) The same year, Maison Michel released their lacy take on the trend, which was (and still is) worn by everyone from Lady Gaga to the Olsen twins to Lily Allen to Poppy Delevingne. Eugenia Kim was next, releasing her felt-eared cap—favored by Charlotte Dellal (technically, we think those were cat ears, but let’s not split hares.). And today, Comme des Garçons sent us back down the bunny trail with its Fall ’13 menswear collection, showing Stephen Jones-designed black leather baseball caps crowned with giant rabbit (and, it would appear, Mickey Mouse) ears. We’re all about (tasteful) novelty headgear, so when it comes to a bunny-topped Fall ’13, we say hop to it.

Photos: Yannis Valmos/ InDigitalTeam/GoRunway.com

Free Speech: Hadley Freeman On The Age Of The Surprisingly Good Celebrity Designer

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Celebrity fashion collection. In the none too distant past—just last year, some might say—this phrase conjured up cheap vests and bad jeans, probably knocked out by some factory in the Philippines and then adorned with the diamanteé signature of a bubble-headed famous-for-being-famous twentysomething and then sold to tabloid readers across the land at around the $75 mark—a price that is too expensive for what the product is, but expensive enough to scare away the teenagers. After all, went the thinking, serious fashion customers wouldn’t buy clothes with names like “Kim Kardashian” or “Jessica Simpson” on the back label. Therefore they should aim for the In Touch-reading demographic as opposed to the Vogue-ers. Proper fashion connoisseurs want proper clothes by proper designers who have been trained properly, not people who were last spotted at the end of a paparazzi lens leaving Starbucks. So the thinking went. But note that past tense. Nowadays, having a famous name—one more famous for wearing clothes than designing them, mind—is no longer seen as an impediment to becoming a high-end fashion designer. Against all odds, I think we can thank the Olsen twins for this. Balenciaga-wearing fashion pioneers they may be today, but few could have foreseen this turn of events when they were being balanced on John Stamos’ knee in Full House. Their two labels, The Row and Elizabeth and James, had the shocking temerity to be more about quality than transparent marketing, as their anonymous brand names and high prices suggested. Even more surprisingly, serious consumers seem to be buying them, meaning that they have already far outlived the usual six-month lifespan of most celebrity fashion labels. Continue Reading “Free Speech: Hadley Freeman On The Age Of The Surprisingly Good Celebrity Designer” »