23 posts tagged "Patrick Demarchelier"
Ralph, Oscar, Calvin, Karl—most of today’s top designers don’t even require a last name. But who’s next on the road to worldwide, decades-long fashion fame? Vanity Fair has a few ideas. For the publication’s September issue, VF‘s fashion market director, Michael Carl (who you probably know as @carlscrush on Twitter), rounded up the industry’s most-sought-after young designers to ask them how they got their big break, who their dream clients are, and about their least favorite trends. Jennifer Fisher hit it big when Rihanna wore her jewelry, and Jason Wu credits Michelle Obama for making him a household name. (He was quick to voice his opinions on acid-wash jeans, too.)
The designers also posed with their “muses” for a group shot photographed by Patrick Demarchelier. Joseph Altuzarra tapped Dree Hemingway, Tabitha Simmons brought Karen Elson, and Public School’s Max Osborne and Dao-Yi Chow enlisted Sebastian Stan. Watch Vanity Fair‘s full video hailing upcoming design talents, above.
Simone Rocha may not have taken home the LVMH Prize, but the 27-year-old designer is in greater demand than ever. This month she’s poised (like Christopher Kane before her) to launch a collaboration with J Brand, and in Love‘s latest issue, she sits down with Comme des Garçons International president (and husband to designer Rei Kawakubo) Adrian Joffe. Joffe has been a staunch supporter since Rocha debuted her first collection with Fashion East back in 2010, and he also happens to have known the designer since she was a child. In the Q&A, moderated by Love editor Jack Sunnucks, Rocha and Joffe talk cultural identity, her “abysmal” academic performance, and the six dearly departed Joffe-Kawakubo cats. Also of note? The possibility that a Simone Rocha scent may just be hitting Dover Street Market shelves in the future.
An exclusive excerpt as well as a Patrick Demarchelier-lensed, Katie Grand-styled portrait of Rocha (sporting her own design) debuts below. To read the full interview, pick up Love Issue 12, as covered by Christy Turlington (shot by Inez & Vinoodh, and pictured above), Adriana Lima, Kendall Jenner, and Amy Adams. It hits newsstands July 28.
When Love joins Simone Rocha and Adrian Joffe, the pair are debating the very important topic of pets: Adrian has just revealed that he and his wife, Rei Kawakubo, used to have six cats at home in Japan.
Adrian Joffe: We liked cats, but there’s none left—they’re all gone. So nothing at the moment. But with traveling and everything it’s sad to leave animals alone, isn’t it?
Simone Rocha: That’s exactly what happened to me. We ended up moving around so much. They really need company.
AJ: Being half Chinese, half Irish—does that influence your work, do you think? Do you feel Chinese or Irish? Or does it not matter?
SR: I think it does matter. They’re so different. But one thing that is very important in both Irish culture and Chinese culture is family. So both my mum and dad have really big families and really important relationships with all their family. I love being Irish and not looking Irish, and I love going to Hong Kong and knowing that my granny lives there and my aunts and uncles, and I can go out and they’ll all speak Cantonese and play mah-jongg.
AJ: I’m guessing, though, that you don’t like to be referred to as Simone Rocha, the half-Chinese, half-Irish designer. That limits you, doesn’t it?
SR: I’d rather just be a designer. But I am very proud. I don’t mind being called an Irish designer, because a lot of people call me a British designer. I can feel the whole Ireland kicking off when that happens!
AJ: Do you remember your first memory of liking fashion? Was there one thing that set your love of fashion in motion?
SR: It actually just felt totally natural being around fashion, being around clothes. I absolutely love the smell of plastic bags—you know, when everything’s being hung up and shipped out.
I decided to do fine art originally, because I thought fashion would be a cliché. But after a year in college I’d done sculpture, ceramics, print—and then the very last discipline was fashion. And then I was like, Oh no, this is it—this is how I can translate my creativity.
I was actually a terrible student. I was abysmal in my B.A. None of my teachers thought I cared. And I didn’t. But I was still producing work, and there was obviously something in it!
AJ: You were having fun, I hope!
SR: That was the problem! I was having far too much fun—far too interested in socializing. But then I got in on the M.A., and around two weeks into it… Well, I’d never cared so much about something in my whole life.
AJ: So now you’ve done three shops with Dover Street. Can we do your perfume, too?
SR: That would be fabulous! I’d love that. I already know what it will smell like. Something real, but something really special.
The Pirelli Calendar turns 50 in 2014. To celebrate, the tire company execs have decided not to create a new edition. Rather, they’re releasing a previously unpublished version, originally slated for 1986, shot in Tuscany and Monte Carlo by none other than the prolific Helmut Newton.
First, some backstory: The calendar has become a mainstay marketing tool for a company that would otherwise have no real link to the überglam sphere of fashion photography (think: Herb Ritts’ 1991 edit, photographed in the Bahamas with the likes of Cindy Crawford and Kate Moss, or Norman Parkinson’s 1985 datebook with Iman in Edinburgh).
It’s with some irony, then, that Newton’s commission was the first to feature direct Pirelli product placement. Prior to 1986, the only connection to the company’s goods was vague (tire tracks seen in Uwe Ommer’s 1984 calendar, for example). When tasked to feature Pirelli’s wheels front and center, Newton eagerly embraced the challenge. The images are chock-full of horsepower.
Pirelli didn’t stop there. The brand commissioned former Pirelli sharpshooters Peter Lindbergh and Patrick Demarchelier to snap a “celebratory” lineup of such models as Karolina Kurkova and Alek Wek, and organized a retrospective, which will be held in the company’s HangarBicocca venue in Milan. The latter will showcase the work of the thirty-plus photographers who have contributed to the calendar over the years.
The annual Pirelli calendar—famed for showcasing saucy shots of supermodels in the buff—celebrates fifty this year with a megawatt lineup, including Helena Christensen, Alessandra Ambrosio, Miranda Kerr, Alek Wek, Karolina Kurkova, and Isabeli Fontana. But judging by the series of tribute images —reportedly lensed not by the yet-to-be-revealed 2013 calendar photographer, but by Pirelli vets Patrick Demarchelier and Peter Lindbergh to build hype around the half-century milestone—the calendar’s stars are decidedly more dressed up than usual—well, by Pirelli standards, anyway. The catwalkers were snapped in black lingerie, as well as white shirts and their Skivvies. The full calendar, which has, in the past,been shot by the likes of Bruce Weber, Richard Avedon, Annie Leibovitz, Karl Lagerfeld, and Inez and Vinoodh (just to name a few), will be unveiled thisNovember—no word yet if the final images will be more, ahem, stripped-down.
At the young age of 26, Kyleigh Kuhn has brought about more positive change than most can hope to effect in a lifetime, and she’s using her modeling career as a platform to spread the word about her humanitarian works. Hailing from California, Kuhn has shot with top-tier photographers like Bruce Weber and Patrick Demarchelier—she even landed a coveted spot in this year’s Stephen McCurry-lensed Pirelli calendar. But when she’s not in front of the camera, Kuhn is busy following in the footsteps of her philanthropist mother, Heidi, who founded Roots of Peace, an organization dedicated to de-mining, replanting, and rebuilding war-torn countries. It all began in 2003, when Kyleigh launched the Roots of Peace Penny campaign. She asked fellow youngsters to donate their spare change, which was later used to construct a ten-room schoolhouse in Mir Bacha Kot, a small village in Afghanistan located near Kabul.
The model has returned to the Kyleigh Kuhn School (she told Style.com that she was “embarrassed but honored” that they named it after her) several times since it opened in 2007. And she brought photographer Ruvan Wijesooriya along to document its 250-plus students for her new book, Yearbook Afghanistan. “Whenever I’d come back from Afghanistan, I’d try to share stories about the characters I’d met, the beautiful landscape I’d seen, and the cultural experiences I’d had. But I often felt frustrated because most of the time, people would ask me about the country’s violent aspects instead of the things that excited and inspired me. This book was a way to do those parts justice,” Kuhn explained. While flipping through the glossy pages of boys and girls in grades one through nine, Kuhn said the publication helps “an American audience get a sense of the kids I’m interacting with, but also builds solidarity for the school. It boosts the students’ morale and helps them to reflect. The children get to see images of themselves and their peers—maybe for the first time in their lives.” Continue Reading “Model-Slash-Peacemaker: Kyleigh Kuhn” »