21 posts tagged "Patrick Demarchelier"
The Pirelli Calendar turns 50 in 2014. To celebrate, the tire company execs have decided not to create a new edition. Rather, they’re releasing a previously unpublished version, originally slated for 1986, shot in Tuscany and Monte Carlo by none other than the prolific Helmut Newton.
First, some backstory: The calendar has become a mainstay marketing tool for a company that would otherwise have no real link to the überglam sphere of fashion photography (think: Herb Ritts’ 1991 edit, photographed in the Bahamas with the likes of Cindy Crawford and Kate Moss, or Norman Parkinson’s 1985 datebook with Iman in Edinburgh).
It’s with some irony, then, that Newton’s commission was the first to feature direct Pirelli product placement. Prior to 1986, the only connection to the company’s goods was vague (tire tracks seen in Uwe Ommer’s 1984 calendar, for example). When tasked to feature Pirelli’s wheels front and center, Newton eagerly embraced the challenge. The images are chock-full of horsepower.
Pirelli didn’t stop there. The brand commissioned former Pirelli sharpshooters Peter Lindbergh and Patrick Demarchelier to snap a “celebratory” lineup of such models as Karolina Kurkova and Alek Wek, and organized a retrospective, which will be held in the company’s HangarBicocca venue in Milan. The latter will showcase the work of the thirty-plus photographers who have contributed to the calendar over the years.
The annual Pirelli calendar—famed for showcasing saucy shots of supermodels in the buff—celebrates fifty this year with a megawatt lineup, including Helena Christensen, Alessandra Ambrosio, Miranda Kerr, Alek Wek, Karolina Kurkova, and Isabeli Fontana. But judging by the series of tribute images —reportedly lensed not by the yet-to-be-revealed 2013 calendar photographer, but by Pirelli vets Patrick Demarchelier and Peter Lindbergh to build hype around the half-century milestone—the calendar’s stars are decidedly more dressed up than usual—well, by Pirelli standards, anyway. The catwalkers were snapped in black lingerie, as well as white shirts and their Skivvies. The full calendar, which has, in the past,been shot by the likes of Bruce Weber, Richard Avedon, Annie Leibovitz, Karl Lagerfeld, and Inez and Vinoodh (just to name a few), will be unveiled thisNovember—no word yet if the final images will be more, ahem, stripped-down.
At the young age of 26, Kyleigh Kuhn has brought about more positive change than most can hope to effect in a lifetime, and she’s using her modeling career as a platform to spread the word about her humanitarian works. Hailing from California, Kuhn has shot with top-tier photographers like Bruce Weber and Patrick Demarchelier—she even landed a coveted spot in this year’s Stephen McCurry-lensed Pirelli calendar. But when she’s not in front of the camera, Kuhn is busy following in the footsteps of her philanthropist mother, Heidi, who founded Roots of Peace, an organization dedicated to de-mining, replanting, and rebuilding war-torn countries. It all began in 2003, when Kyleigh launched the Roots of Peace Penny campaign. She asked fellow youngsters to donate their spare change, which was later used to construct a ten-room schoolhouse in Mir Bacha Kot, a small village in Afghanistan located near Kabul.
The model has returned to the Kyleigh Kuhn School (she told Style.com that she was “embarrassed but honored” that they named it after her) several times since it opened in 2007. And she brought photographer Ruvan Wijesooriya along to document its 250-plus students for her new book, Yearbook Afghanistan. “Whenever I’d come back from Afghanistan, I’d try to share stories about the characters I’d met, the beautiful landscape I’d seen, and the cultural experiences I’d had. But I often felt frustrated because most of the time, people would ask me about the country’s violent aspects instead of the things that excited and inspired me. This book was a way to do those parts justice,” Kuhn explained. While flipping through the glossy pages of boys and girls in grades one through nine, Kuhn said the publication helps “an American audience get a sense of the kids I’m interacting with, but also builds solidarity for the school. It boosts the students’ morale and helps them to reflect. The children get to see images of themselves and their peers—maybe for the first time in their lives.” Continue Reading “Model-Slash-Peacemaker: Kyleigh Kuhn” »
The Spring 2013 issue of Du Jour, the online and print magazine that caters to Gilt Groupe‘s top spenders, has an unlikely cover girl. Out today online and the first week of March in print, the new issue features Kim Kardashian, who, shot by Bruce Weber, appears in her first pregnancy photo shoot. Weber lensed two covers: The first, which debuts above, shows Kardashian dressed up like a Tahitian princess (although, with a floral Du Jour crown hovering about her head, she looks uncannily like a Madonna), while the second depicts her, sans makeup, emerging from a pool. The pared-down photographs were taken at Weber’s Miami home. “We had come off this moment where we launched with Christy Turlington and were lucky enough to have Nicole Kidman on the second cover, with Patrick Demarchelier shooting, and we wanted to try something a little bit different,” says Nicole Vecchiarelli, who serves as the magazine’s co-editor in chief, along with Keith Pollock.
Now one might not think a reality-TV star would appeal to the magazine’s high-net-worth readers, but Vecchiarelli believes Kardashian will capture their interest. “We realized that everyone has an opinion about her. Our idea was that any audience would be able to appreciate seeing someone who they may view in a certain way reshape her image. It was an artistic endeavor, and I think there’s a lot for our audience to really delve in to, whether they’re personally into her or not.” Vecchiarelli adds that the interview with Kardashian, written by Du Jour‘s editor at large Alyssa Giacobbe, reveals that as she approaches motherhood, the reality queen is rethinking her approach to privacy and how she connects with her fans. What’s more is that Weber chose do draw visual comparisons to Kardashian and Elizabeth Taylor (there are even a few images of Kardashian leafing through books about the actress). “Could she ever be an Elizabeth Taylor or Marilyn Monroe personality of her generation? If she [were to become that] it would be because she’s continued down the road that she did with Bruce—opening herself up to different ideas and pairing herself with different kinds of people.”
Vanity is the theme behind the fourth issue of Dasha Zhukova’s acclaimed Garage magazine. Perhaps not the most surprising subject for a fashion glossy, but the editor’s approach to the concept is definitely original. Garage‘s cover and corresponding spread were shot by Patrick Demarchelier and feature a gaggle of models provocatively posed in looks by Balenciaga, Saint Laurent, McQueen, and Dolce & Gabbana. What’s the twist? Each girl is accessorized with a Cindy Sherman mask created via ThatsMyFace.com. “Cindy Sherman’s work raises such important and challenging questions about the representation of women, both in media and society. There was no better likeness to illustrate issues of identity and facelessness in the fashion industry,” says Zhukova. The artist gave Garage her blessing to create the masks, all of which are based on Untitled #461 (the work was shown in Sherman’s recent MoMA exhibition). However, it would seem Sherman hasn’t yet seen the new issue, which, in addition to the fantastically creepy editorial, includes conversations between Urs Fischer and Neville Wakefield and Boris Mikhailov and Juergen Teller, as well as Aimee Mullins paper dolls and contributions from Theaster Gates, Michael Craig-Martin, and more. “I hope she likes it!” says Zhukova. We suppose we’ll have to wait until the magazine hits newsstands, on February 9, to find out. Unless, of course, she sees the spread’s exclusive debut here, on Style.com.