4 posts tagged "Patrizio Bertelli"
Miuccia Prada has long been a member of fashion’s ruling class, and not just because of her brilliant eye. The Prada company brings in a jaw-dropping 3.6 billion euros annually. Her husband and joint CEO, Patrizio Bertelli, has been a driving force in the brand’s success since the late ’70s and is responsible for adding women’s ready-to-wear, maintaining a sense of “utopian” calm, and knowing what’s going to sell. Bertelli took New York magazine inside Prada’s fabled Bergamo 21 corporate headquarters in Milan, where he explained everything from their intricate shoemaking process to why Italians are “avant-garde” about their food. Take a look at a few of our favorite shots, below. To read the full story, click here.
At 8 a.m. on Sunday morning, the Camera Nazionale della Moda Italiana held a press conference at which attendance had been all but mandated weeks in advance. The early, un-Italian hour was no doubt meant to indicate the seriousness of the occasion, as was a lineup of speakers that included Patrizio Bertelli, Diego Della Valle, and Gildo Zegna, all of whom have joined the organization’s new board. Essentially, these captains of one of Italy’s most important and cherished industries have banded together to reinvigorate Milan’s increasingly hidebound fashion weeks. “I’ve heard the word boring,” Zegna acknowledged, though he insisted that wasn’t the case. The speeches were heavy on sweeping statements and light on concrete details, which provoked the assembly of sleep-deprived journalists into a volley of probing questions. Bertelli had earlier compared his fellow board members to “senators of fashion,” and he might have been thinking, Et tu, Suzy? as the International New York Times‘ Suzy Menkes led a round of interrogation into everything from Milan’s inhospitality to young designers to its perceived shortcomings on the digital front. Bertelli is no pushover, and he gave as good as he got. When a French journalist asked why we were only hearing from old men (Angela Missoni was a mostly silent presence on the board today), the Prada CEO told him he’d be a dangerous old man himself if he didn’t change his attitude, and then unexpectedly pointed out that Italy was the first country to abolish slavery, in the 1300s. By the end, one attendee was muttering, “Business as usual,” but if the first step to recovery is admitting you have a problem, then today’s announcement should be welcomed as a positive development. Certainly there is enough firepower and entrepreneurial know-how on this new board to solve world peace, let alone bring new energy to a fashion week. Zegna stressed that the process would be a dialogue and said suggestions would be encouraged. In that spirit, here are seven modest proposals for improving Milan fashion week.
1. Lure young, international designers to Milan.
Menkes wondered how Milan would be replacing Burberry and Alexander McQueen, two brands that have recently decamped back to their native London. But the city’s relatively uncrowded schedule could be one of its biggest assets. Given how ridiculously packed the New York and, increasingly, London and Paris schedules have become, you would think any number of hot young brands could be persuaded to believe that they’d have a better chance of standing out in Milan. If access to Italy’s unparalleled production expertise were thrown in as part of the deal, who could resist?
2. Take the show on the road.
The British Fashion Council and, to some extent, the U.S.-based CFDA have done a good job of promoting their designers abroad. As part of the London Showrooms events, a dozen young U.K. talents have even careened around Hong Kong together on a bus. While there are barely enough young Milan-based designers to fill a Smart car let alone a minibus, and its more established designers are already well known internationally, it shouldn’t be too hard to come up with the right kind of touring exhibition. Picture a mix of up-and-comers such as Umit Benan, Andrea Pompilio, and Fausto Puglisi; some cult brands like MP Massimo Piombo and Aspesi; and a couple of designer offshoots like Versace’s Versus line and Lapo Elkann’s highly covetable new made-to-measure collaboration with Gucci—all introduced by a charming, high-profile figure (yes, we’re talking to you, Lapo). That would go some way to showing the rest of the world the extent of Italy’s ambitions. Continue Reading “Seven Suggestions For Improving Milan Fashion Week” »
Just don’t call it a retrospective. That was the message at the Prada store in Soho today, as a new book documenting the world of Prada was unveiled to members of the press. Formally launched at an event earlier this week at the Prada store in Milan, PRADA was conceived and edited by Miuccia Prada and Patrizio Bertelli in collaboration with designers Michael Rock and Sung Joong Kim of New York City design firm 2×4. Rock, who was on hand for the event this morning, explained that the book’s 708 pages can be broken up into two separate investigations, Inside and Outside. The Inside sections of the book trace Prada’s history, document the design and production process, and catalog the product Prada has introduced in the years since Miuccia Prada took over the company’s helm. (There are 3,885 thumbnail photos of the “looks” at Prada runway shows since 1987; bring your own magnifying glass.) The Outside section of PRADA, meanwhile, covers Prada’s various engagements with the worlds of commerce and culture, including stills from videos such as Trembled Blossoms, documentation of projects such as the Prada Transformer in South Korea and Double Club in London, photos of Prada on the red carpet and on the street, and even descriptions by eBay sellers of the Prada objets they are putting up for auction. The book also gives much love, naturally, to Rem Koolhaas, revealing the ruminations on the meaning of “luxury” that led to the launch of the Prada “epicenter” stores. Mediating the Inside and Outside sections is a chronology of Prada campaigns—images from every womenswear and menswear campaign from 1987 to the present. Prada COO Sebastian Suhl, offering remarks on the book this morning, said that the book’s focus on Prada’s accomplishments over the past 30 years does not make the book a retrospective, or a summing up; rather, he said, when you look at all that’s been done, “you see how much can be done.” “This book,” Suhl underscored, “is about the future.” At present, PRADA is available at Prada stores worldwide and via www.prada.com.