26 posts tagged "Peter Dundas"
Beyoncé′s Mrs. Carter Show tour kicked off in Belgrade this week, and in addition to Pucci’s Peter Dundas, Dsquared²’s Dean and Dan Caten, and Alon Livne, Bey favorite David Koma created some saucy, custom onstage ensembles for the star and her backup dancers. “We looked at musical instruments as art objects, and the print is a French horn,” said the designer during a chat at the London Showrooms yesterday. The costumes, which were influenced by Koma’s vinyl-record-inspired Fall 2013 collection, feature gold and black printed silk jersey bodices and slick, laser-cut patent leather peplums. “She usually goes for something body conscious and different,” said Koma, who’s worked with the singer since 2009. “And she likes to look strong and sensual at the same time. I mean, come on, she’s Beyoncé!” Take a peek at Koma’s sketches (above) and inspiration board (below), exclusively on Style.com.
According to the Mayan calendar, tomorrow, December 21, is doomsday. While most of us here at Style.com don’t quite buy into the whole apocalypse now theory, we did put some deep thought into what we’d wear for our final day on Earth. The general consensus among our staffers: If we’ve got to go, we’re going to go out with a bang. Market director Marina Larroudé says she’d like to be one of Peter Dundas’ carefree party girls for one last night in an Emilio Pucci minidress from Spring ’11. Others went for more avant-garde closing statements, like Rick Owens leathers straight out of Mad Max or the crystal-encrusted face masks from the Maison Martin Margiela Couture show in July. Leave it to the boys to think practically. Deputy editor Matthew Schneier selected a weatherproof Louis Vuitton ensemble complete with a utility backpack for survival essentials, while Tim Blanks opted for an Alexander McQueen gas mask (and its matching pink boiler suit).
CLICK FOR A SLIDESHOW of our editors’ apocalyptic pics.
“I’m kind of in love with it.” Emilio Pucci’s Peter Dundas was in New York yesterday, prepping the label’s new flagship at 855 Madison Avenue for its first shoppers, and he couldn’t hide his enthusiasm. The corner store, up the block from Tom Ford and across the street from Céline, was designed by the French architect Joseph Dirand, a man whose aesthetic is so in tune with Dundas’ own, he says, “I want him to do my flat.” But first things first: There’s a store in Shanghai to open at the end of this month, and others in the works, plus overhauls of the company’s 50 existing stores. “This is the first time the Pucci girl has a home,” Dundas explains. “It corresponds with the show, the showroom, the collection; it’s a reflection of the woman, and that is brand new.”
The boutique mimics Dundas’ successful approach to rebranding the heritage label—by playing with and breaking the rules. As with the clothes, there are reminders of Emilio’s trademark swirling and geometric prints, but they are modern interpretations, subtly done. Evoking the house’s famous Florentine palazzo, the terrazzo floor was laid in a graphic Pucci pattern that’s also echoed in the labyrinthine layout of the store’s rooms. Cabinets are made from unpolished purple-veined Breccia di Medici marble. “I think we depleted the stock for the moment,” Dundas joked. The marble’s colors informed the shop: the lilac couch that sits atop an aubergine silk carpet, the walls that are painted rich shades of cream and gray, and the changing rooms lined in pink velvet. The feminine, boudoir-ish feel is intentional, says Dundas. “I wanted it to feel like a place my girls would like to hang out.” His muse Amber Valletta is hanging out in the store windows, or at least larger-than-life-size artist’s renditions of her eye and lips are. The window display is more whimsical than Dundas’ Pucci is perhaps known for. Inside, though, the clothes give off serious heat. Just like Dundas and his girls like it.
After several seasons of stacking contrasting hues one atop another, designers are simplfying things for Fall with monochromatic looks in a Crayola box assortment of shades. Working with a uniform palette plays up subtle differences in texture and fabric. Alexander Wang, for example, hit on this season’s must-have color with a head-to-toe burgundy outfit that mixed slick quilted patent with distressed leather and nappy suede, while Olivier Rousteing and Peter Dundas brought velvet and fur into the picture, respectively, at Balmain and Emilio Pucci. As for the tonal trend’s street cred, most New Yorkers (and Paris Vogue editors, for that matter) are already well versed in the advantages of wearing head-to-toe black. But more adventurous dressers are embracing vibrant tones. See: Hanne Gaby Odiele (who else?) in her mint Acne cable-knit sweater and cropped pants, and another stylish gal who matched her bright red coat to her fiery tresses—or perhaps dyed her hair for the occasion.
CLICK FOR A SLIDESHOW, and let us know if you’ll be dressing in one color from top to toe.
The filing deadline for 2011 tax returns is right around the corner on April 17, and we don’t know about you, but the Style.com team has already been plotting how we’re going to spend our refunds. Being the shrewd shoppers they are, executive editor Nicole Phelps and market director Marina Larroude have selected timeless Fall looks like the evening tuxedo from Peter Dundas at Emilio Pucci and Altuzarra‘s updated peacoat, both of which are totally (or at least arguably) reasonable when you break down their price-per-wear ratio. For several other staffers here, a government reimbursement is the perfect opportunity to splurge on items they wouldn’t typically consider. Fashion news editor Matthew Schneier has his eye on one of the “brooches for bros” from Kim Jones’ latest Louis Vuitton menswear lineup, and editorial coordinator Jessica Minkoff is coveting a decadent, embellished Balmain biker jacket—that one might set her back several year’s worth of returns, but hey, a girl can dream, particularly when it’s at the expense of Uncle Sam.
CLICK FOR A SLIDESHOW, and let us know how you’ll be spending your tax refund.