50 posts tagged "Peter Pilotto"
Fashion folk are a curious bunch, and we’ve found that they tend to collect equally curious things. In our “Take Five” feature, we get the lowdown on our favorite industry personalities’ most treasured trinkets.
There won’t be enough sun-filled English days in this lifetime for Tracy Sedino to wear each pair of vintage shades in the Linda Farrow archive. “Oh, my god, I must have thousands,” she said last week at a dinner in New York. Sedino was behind the revival of the Linda Farrow brand, whose namesake designer worked with houses such as Yves Saint Laurent and Emilio Pucci to create glasses in the seventies and eighties. Farrow closed her business to start a family in the late eighties, and her crates of luxurious lenses were stored away in a London warehouse.
Over a decade later, Sedino—then a student at the London College of Fashion—began dating (and has since married) Farrow’s son, Simon Jablon. “His father had some warehouses,” Sedino recalled. “And he asked Simon to get rid of all the stock, because they were getting turned into residential properties. So I went with him, and we found original Pucci and YSL sunglasses piled three-floors high.” Obviously, their discovery couldn’t go to waste, so she and Jablon used it as a jumping-off point and rebooted the house of Linda Farrow. They sold some of the vintage styles but, more notably, began partnering with young talents to turn out glamorous—and often outrageous—designs. (Remember those Jeremy Scott Minnie Mouse shades? That was their doing). Today, the husband-and-wife team continues the company in Farrow’s spirit and makes glasses for everyone from Dries Van Noten, 3.1 Phillip Lim, and Suno to Alexander Wang, Peter Pilotto, and The Row. “We thought there was a massive gap in the market,” said Sedino of her and Jablon’s decision to relaunch Linda Farrow. “You have these big luxury houses that sign licensing deals, but other designers, like Dries, will never do that, because they value their brands too much. We wanted to reinforce what Simon’s mother did in the seventies by working with designers to create eyewear as a fashion accessory, rather than a licensed product.”
Sedino and Jablon celebrated their company’s (and their relationship’s) tenth anniversary this year. And to mark the milestone, the duo have not only offered up a ten-year capsule collection but also opened a pop-up shop in collaboration with BOFFO, right here in NYC. The store, which is located at the Chelsea SuperPier, and open through December 24, boasts a bevy of Linda Farrow’s most covetable products. As for that archive of vintage sunnies, Sedino told us that it’s a constant point of reference. “We don’t want our collections to be too vintage, so we take inspiration from the vintage styles, and incorporate new technology and materials,” she said. Here, Sedino talks us through her five favorite pairs of old-school Linda Farrow frames.
1. “These are acetate Linda Farrow glasses from the eighties. They’re my holiday pair. I love them because the idea and design are fun, and they’re quite comfortable on my face. Ironically, it’s hard for me to find sunglasses that fit—for Asians, it’s difficult to find pairs that sit on the nose bridge. I’ve been wearing these for the last two years, and I’m particularly inspired their shape, because they’re almost like a big chunky Wayfarer. You can really wear them whenever.”
2. “These are Yves Saint Laurent glasses from the early seventies. They’re kind of a round Jackie O style. They’re handmade in acetate, with metal arms. This pair is a one-off, so we don’t have stock anymore. They’re one of my favorite styles, because they’re the perfect size. But I don’t really wear them, because I’m afraid of losing them.”
3. “These are Linda Farrow glasses from the eighties, and they were kind of inspired by Lolita. Whenever stylists call in for Lolita-style frames, we send them these. I wear them all the time in the summer.”
4. “These are amazing. This is another YSL pair from the seventies. They’re not one-of-a-kind—we still have a few—but not many. The lenses are polarized, and because of the orange, they’re my autumn glasses.”
5. “This is the most iconic Linda Farrow style. I love how the sides are beveled. We’ve actually launched a fine-jewelry collection of 18-karat-gold-and-diamond sunglasses, and this is one of the styles we used.”
Brazilian born, London-based designer Barbara Casasola has been chosen as Pitti W’s Fall ’14 guest designer. The 29-year old talent, who showed on the official London Fashion Week calendar for the first time in September, will present her collection in Florence at the Italian fair this coming January. Previous guest designers have included Damir Doma, Maison Kitsuné, and Peter Pilotto.
Hot on the heels of releasing its much-touted collaboration with Phillip Lim, Target has announced today that it’s crossing the pond for its next team-up, tapping print-meisters Peter Pilotto and Christopher De Vos (the designers behind British label Peter Pilotto) to design a limited-edition Spring ’14 range. The label, which sent its main Spring ’14 collection down the catwalk at London fashion week today (left), will turn out Target wares that ring in under $60. This collaboration also marks the first time Target has partnered with Net-a-porter, who will sell a selection of the Peter Pilotto x Target pieces on its website. Will this lineup—set to hit stores in February—inspire the same frenzy as Lim’s Fall offering? Stay tuned…
Catherine Teatum and Rob Jones—the London-based designers behind ready-to-wear label Teatum Jones—respect their moms so much, they’ve built their entire Spring ’14 collection around them. “The story was all about hard-working women who are in a continuous work mode—a woman who rarely rests. She is not a ball-breaker, nor does she need to be praised for her hard graft—she just rolls up her sleeves and gets on with it,” said Teatum during an preview of the collection.
For those not familiar with the Teatum Jones aesthetic, the design duo’s signature has always been eclectic prints, which are meticulously thought out, researched, studied and drawn up by hand. For example, the three-year-old brand’s Spring “tea towel” print was inspired by one of Teatum’s childhood memories. “I have a vivid recollection of my mom cooking and cleaning for us, and she always had a tea towel thrown over her shoulder, which to me represented the ‘just get on with it’ attitude,” Teatum explained. “We used that tea towel detail as a bit of a theme.” The motif is woven into the shoulder detail of a gown and appears on a biker jacket. The collection includes an unexpected floral print, too—unexpected because it features a trompe l’oeil rendering of a wrinkled hand peeking out among the roses.
The two have become textile pioneers, as well. “We really wanted to push the limits of fabrics and what we can do with them. We basically invented this woven jacquard, then laminated it,” said Jones of a series of skirts and tops that felt almost crunchy. “The [people at the] mill in Italy, where we created this fabric, were so excited with it, they have asked us if they could purchase some. That’s gotta be a good sign,” he added. Certainly it is, but that’s not the only sign that the two are posed for a breakout year: Their label is one of the top two sellers on Liberty’s international floor, and won this year’s Centre for Fashion Enterprise New Fashion Ventures award, joining the ranks of previous victors like Erdem, Peter Pilotto, and Mary Katrantzou. Needless to say, the up-and-comers’ future is looking bright.
Have an exclusive first look at the label’s Spring ’14 collection, above, and keep an eye out for the full lineup when it debuts on Sunday at London fashion week.