Style.com

August 22 2014

styledotcom Saint Laurent's new global flagship will have a hidden VIP entrance: stylem.ag/1wfXPer pic.twitter.com/4MsHhJy5ev

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2 posts tagged "Peter Saville"

Ushering in a New Era of The Fashion Book

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The Fashion Book

Fifteen years ago, Phaidon published The Fashion Book. As its title suggests, the book quickly became the definitive resource for the fashion curious and industry mainstay alike—an A-to-Z guide to the field’s central influencers, with pages devoted to everyone from Vivienne Westwood and Helmut Newton to Oscar Wilde. Last night at Topshop in Soho, Phaidon celebrated the release of an updated version of The Fashion Book. The tome features seventy-two fresh entries (Style.com among them), and boasts pages devoted to individuals such as Nicolas Ghesquière, Tilda Swinton, and others.

The fete’s main event was a panel discussion moderated by Parsons the New School for Design’s dean, Simon Collins. It included Vera Wang, Iris Apfel, and our very own Dirk Standen. The group focused on what it means to be iconic (“Being an icon implies a very distinct point of view, which is rather rare today,” said Apfel), the figures who inspire them (“It’s people who never really sold out, someone like Peter Saville,” said Standen), and, in reference to Rick Owens’ recent statement-making show, what it means for an icon to change and evolve. On that topic, Wang offered, “Mr. Lagerfeld said to me once, ‘Vera, if you really can’t change and you can’t go with the times and you can’t realize how the world is becoming a different place, then it’s time for you to leave.’ So it’s somewhere between that fine line of adapting every decade and sticking to what you believe in and furthering your craft.” It was an honest and up-front dialogue about the connotations of holding influence in the industry today—a fitting prelude to The Fashion Book of the millennial era.

The Fashion Book New Edition, $59.95, will be available from Phaidon beginning October 14.

Photo: Courtesy of Phaidon Press

Here, There Is Some Black In The Union Jack

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“John Galliano has really tiny feet—almost childlike,” observed a guest at the opening of SHOWstudio Shop’s Blackwhite exhibition in London Friday night. She was inspecting a pair of well-worn ballet slippers owned by the Dior designer, along with a collection of other Galliano artifacts, assembled in a shoebox by Lady Amanda Harlech—one of the few people in the world, we imagine, who has access to this sort of thing—and dusted with a thick coating of white baby powder (pictured, above). Childlike? Well, as they say, if the shoe fits. “They were from when he was a child,” explained shop curator Carrie Scott. “I am guessing his feet have grown since then.”

The Galliano box was one of many pieces on sale at Nick Knight’s event, where every piece was on sale, and, true to the title, black and white. (The only spots of color were the red check marks on a vintage contact sheet of Cecil Beaton’s—a roll of shots of Audrey Hepburn in full My Fair Lady regalia.) Also on offer: Irving Penn’s iconic portrait of Lisa Fonssagrives in a harlequin-print cape; a few Chanel couture headpieces by Kamo; a Knight shot of Kate Moss; Michael Howells’ black and white Union Jack (pictured, top), which was used for the 25th anniversary of London fashion week in September 2009; and a disturbing white bondage table created by artist Peter Saville, complete with painful-looking prongs and harnesses. Its title? Fashion.

Blackwhite runs through June 19 at SHOWstudio.com Shop, 1-9 Bruton Pl., London, www.shop.showstudio.com.

Photos: Courtesy of SHOWStudio.com