31 posts tagged "Phoebe Philo"
Back in November, we broke the news of LVMH’s new 300,000-euro LVMH Prize for Young Designers. According to WWD, 1,211 talents applied, and today the short list of thirty semifinalists, who will go on to present their collections to an esteemed panel of experts during Paris fashion week, were announced. CG by Chris Gelinas, Tim Coppens, Suno by Erin Beatty and Max Osterweis, Shayne Oliver’s Hood by Air, and Creatures of the Wind by Shane Gabier and Christopher Peters are among the New York-based brands that made the cut. Notable international names include London’s Craig Green, Simone Rocha, Thomas Tait, Meadham Kirchhoff (designed by Edward Meadham and Benjamin Kirchhoff), and Marques’Almeida (designed by Marta Marques and Paulo Almeida); Paris’ Jacquemus (by Simon Porte Jacquemus) and Atto (by Julien Dossena); Rome’s Stella Jean; and more.
Following the Paris presentations, judges will select ten hopefuls from the group of thirty, and these finalists will continue on to compete for the big prize. The decision, which will be made by a group including Nicolas Ghesquière, Marc Jacobs, Karl Lagerfeld, Humberto Leon, Carol Lim, Phoebe Philo, Raf Simons, and Riccardo Tisci, will be announced in May.
Exclusive: LVMH Reveals the Forty Heavy Hitters on Its LVMH Prize for Young Fashion Designers Experts Panel-------
Back in November, we broke the news that LVMH was launching its new 300,000-euro LVMH Prize for Young Designers. After applications close on February 2, an LVMH team will select thirty promising talents from the long list of hopefuls. And during Paris fashion week, those up-and-comers will present their collections to an esteemed panel of forty industry insiders. Today, we can reveal the heavy hitters who will be sitting in the judges’ seats, and boy, if the fact that 300K is on the line doesn’t give the contestants butterflies, the international powerhouses set to survey their work just might. Central Saint Martins’ Louise Wilson, stylist Olivier Rizzo, Net-a-Porter’s Natalie Massenet, stylist Camilla Nickerson, Colette’s Sarah Andelman, Dover Street Market’s Adrian Joffe, and editor Katie Grand are just some of the experts in the group. Of course, we can’t leave out Style.com’s own Tim Blanks and Jo-Ann Furniss, who will be joining their peers in narrowing down the pool from thirty to ten designers. As for the ultimate winner, we’ll have to hold our breath until May, when a group including Nicolas Ghesquière, Marc Jacobs, Karl Lagerfeld, Humberto Leon, Carol Lim, Phoebe Philo, Raf Simons, and Riccardo Tisci, as well as Delphine Arnault, Jean-Paul Claverie, and Pierre-Yves Roussel decide who wins the grand prize. But considering the knowledge and taste levels the members of LVMH’s panel boast, it’s going to be worth the wait. Take a look at the full list of judges, below. As for the ultimate winner, we’ll have to hold our breath…
LVMH’s Panel of Experts
Imran Amed, founder and editor of Business of Fashion (London)
Sarah Andelman, creative director of Colette (Paris)
Fabien Baron, art director, founder of Baron & Baron (New York)
Tim Blanks, editor at large, Style.com (London)
Mariacarla Boscono, supermodel and muse (Rome)
Angelica Cheung, editor in chief of Vogue China (Beijing)
Alexandre de Betak, founder of Bureau Betak (Paris)
Godfrey Deeny, editor at large, fashion, Le Figaro (Paris)
Patrick Demarchelier, photographer (New York)
Babeth Djian, editor in chief of Numéro (Paris)
Linda Fargo, senior vice president of Bergdorf Goodman (New York)
Jo-Ann Furniss, writer, editor, and creative director (London)
Chantal Gaemperlé, LVMH group executive vice president for human resources and synergies (Paris)
Stephen Gan, founder of Fashion Media Group LLC (New York)
Julie Gilhart, consultant (New York)
Katie Grand, editor in chief of Love magazine (London)
Jefferson Hack, co-founder and editorial director of Dazed Group (London)
Laure Hériard Dubreuil, co-founder and chief executive of The Webster (Miami)
Adrian Joffe, chief executive officer of Dover Street Market International (London)
Sylvia Jorif, journalist at Elle magazine (Paris)
Hirofumi Kurino, creative Director of United Arrows (Tokyo)
Linda Loppa, director of Polimoda (Florence)
Natalie Massenet, founder and executive chairman of Net-a-Porter (London)
Pat McGrath, makeup artist (New York)
Marigay McKee, president of Saks Fifth Avenue (New York)
Sarah Mower, contributing editor, American Vogue (London)
Camilla Nickerson, stylist (New York)
Lilian Pacce, fashion editor and writer (São Paulo)
Jean-Jacques Picart, fashion and luxury consultant (Paris)
Gaia Repossi, creative director of Repossi (Paris)
Olivier Rizzo, stylist (Antwerp)
Carine Roitfeld, Founder of CR Fashion Book (Paris)
Olivier Saillard, director of the Galliera Museum (Paris)
Marie-Amelie Sauvé, stylist (Paris)
Carla Sozzani, founder of 10 Corso Como (Milan)
Charlotte Stockdale, stylist (London)
Tomoki Sukezane, stylist (Tokyo)
Natalia Vodianova, supermodel and philanthropist (Paris)
Louise Wilson, course director of the Fashion M.A. at Central Saint Martins College of Art and Design (London)
Dasha Zhukova, editor in chief of Garage magazine and founder of Garage Museum of Contemporary Art (Moscow)
Céline’s Phoebe Philo is wrapping up the year on a definitive high note. Today, it was announced that the British designer is on the Queen’s New Year’s Honors list, and has been awarded an OBE (Officer of the Order of the British Empire) for her services to fashion. Philo joins the likes of Alexander McQueen’s Sarah Burton, Stella McCartney, and Dame Vivienne Westwood in the esteemed OBE club. Makeup artist Pat McGrath, too, got a nod today, receiving an MBE (Member of the Order of the British Empire). No doubt, these ladies have earned an extra glass of champagne at midnight.
This morning, the British Fashion Council announced the nominees for the 2013 British Fashion Awards, to be held in London on December 2. The race for this year’s emerging talent awards will be especially exciting—while 2012 saw the comparatively long-established Jonathan Saunders and J.W. Anderson take the honors in the up-and-coming men’s and womenswear categories, respectively, 2013′s nominees include Marques’Almeida, Thomas Tait, Simone Rocha, Craig Green (left), Christopher Shannon, and Agi & Sam—the veritable new-new in London’s fashion pool. Green, in particular, has seen his star skyrocket this year, after peddling his unconventional take on menswear since his graduation from Central Saint Martins in 2012.
New in 2013: an International prize, for which Prada, Marc Jacobs, and Dior (Raf Simons) are named, and a Best Campaign award, the contenders for which have not yet been revealed. It’s sure to be a close race between Cara Delevingne, Edie Campbell, and Sam Rollinson for Model of the Year. Same goes for the womenswear designer of the year honor, for which Christopher Kane, Céline’s Phoebe Philo, and Alexander McQueen’s Sarah Burton have been named. For a full rundown of the 2013 nominees, visit the BFC’s Web site.
Pleating, in various iterations, unfurled as a keynote trend this season. Alexander Wang, for example, offered boxy swatches on miniskirts in New York. Also crimped in Manhattan: Victoria Beckham‘s peekaboo accordion creases. And, in Paris, Phoebe Philo caused a stir with loads of narrow corrugations at Céline. Yet where these designers skewed toward traditional folding, a trio of labels proposed a fancier twist on the technique for Spring ’14 via intricate pleats that mimicked ruffles.
At Delpozo, creative director Josep Font’s barley-yellow trousers, which boasted an arc of frilled pin-tucks, were a standout in his soft, painterly collection. In Paris, Dries Van Noten opened his show with a quiet white frock, the seams of which were embellished with whorls of gilded fabric. Bottega Veneta’s Tomas Maier, too, employed creased ruffles in his Spring ’14 lineup. One dress in particular—a gray-green number vertically veined in bow-like folds—was particularly striking. “I wanted to add texture and dimension in an unusual way,” Maier told Style.com. “The monochrome color, combined with the movement of the pleats, creates this effect.” To construct the garment, Maier and his team blended cotton with a vegetable fiber called ramie, which possesses malleable characteristics akin to copper. The result was a tactile sartorial sculpture.