153 posts tagged "Prada"
Rainbows have long been a source of optimistic marvel, and their distinct ROYGBIV color wheel often makes its way into fashion (remember Alexander McQueen’s multi-tonal butterfly-print maxi worn by Sarah Jessica Parker in Sex and the City 2?), though perhaps not as frequently as we’ve witnessed thus far on the Spring ’14 runways.
Mara Hoffman worked a conic iteration onto a white sheer caftan in New York. Its vividness was nicely balanced by the piece’s black lines, rendered in similar triangular shapes. In London, Ashish Gupta employed his de facto trademark—sequins—on shredded denim in an eye-catching ombr— application that went from violet to sun-kissed gold. Arcing south to Milan, Peter Dundas showed another sequined option for the rainbow warrior at Pucci: a body-con, long-sleeve mini. It radiated with indigo at the collar and hem, and scarlet at its torso. And then, of course, there’s Prada, which employed a Crayola-dyed rainbow along the trim of a fur coat—such a literal take on the motif could only be finessed by Ms. Miuccia herself.
There’s no shortage of deejays on the fashion scene, with your Misshapes and your Harleys and your Alexas and what have you. But Mimi Xu—who goes by the name of Misty Rabbit when she’s on the decks—has a particularly impressive knack for blending unexpected musical genres (think Berlin’s ambient electro mixed with classical jazz fading into a cool spin of disco-funk) into cohesive and oh-so-catchy sets. She’s an eager bunny, and knows just how to get the party going for the likes of Miu Miu, Prada, Fendi, Acne Studios, and too many others to name. This season, the Shanghai- and Copenhagen-raised but London-based sound designer is as busy as ever. She mixed the soundtracks for Yigal Azrouël, Catherine Malandrino, Tome, and Ostwald Helgason in New York, developed runway music for Topshop, Julien Macdonald, and Emilia Wickstead in London, and dropped a special Fall/Winter mix for Mytheresa.com just last week. Next up? A hotly anticipated party for Moncler’s Pharrell Williams collaboration in Paris this evening, and a personal design project, which will undoubtedly become the requisite accessory for music-loving cool girls come holiday season. Here, Xu talks to Style.com about her Mytheresa.com mix, the difference between playing parties and runways, and her favorite new artists.
You’ve done a lot of shows this season. How does deejaying a fashion show differ from deejaying a party?
Deejaying is about a spontaneous, fun, and playful way of sharing music. It’s about getting the party going. When you do a soundtrack, it’s very nerdy and unglamorous—you’re behind the scenes, you’re really working with the designer, and you’re creating something with the designer to really reflect his collection. It’s not about what I like. Of course, it’s about my influences and my take on music. But I’m there to showcase the collection. I love doing both, but they’re very different. Show soundtracks take a lot longer. It’s a much more technical process—it’s much more creative, and it’s more intellectual. And with soundtracks, everything’s set in stone previously. On the day of the catwalk, you don’t have to do anything besides cuing the show. But when you deejay, things never go to plan. Anything can happen on the dance floor. I can fill up the stage—who knows?
What have designers been asking you to play this season?
There are no specific trends this season. Each designer had their own inspirations. Musically, I went from Mississippi blues to Brazilian seventies experimental Tropicalia movement to psychedelic rave to classical theatrical to French electro. It’s a big range, so you need to be very erudite in your music knowledge. Designers need that.
What are you going to play for the Moncler-and-Pharrell Williams party?
I’ve been thinking today that we’re gonna do something quite hip-hop-y. But I don’t know! You can’t play Pharrell Williams tracks. I’d be embarrassed to play someone’s track when they’re in the room. So I’m not sure yet…. Obviously, I’m gonna have a lot of R&B and hip-hop, but it’s gonna go into disco and a few electronica-sounding tracks, too. I need to get people dancing, so I’ll see tonight how it will go. Continue Reading “Misty Rabbit Talks Spinning Fashion’s Soundtracks” »
More so than in any other city, Milan designers and casting directors are known to favor established models over newcomers, but this week we witnessed a slew of fresh faces break through to the front of the pack. Many of the girls who started strong in New York and London
Another thing Milan was previously known for was overlooking minorities, so it was thrilling to see many of our favorite up-and-coming black models, including Firth, Binx Walton (top right), Cindy Bruna, Maria Borges (we never could’ve guessed that she would open Giorgio Armani), and Kai Newman making major strides this week. Newman, who hails from Kingston, Jamaica, positively wowed us at Gucci and Jil Sander. We can’t wait to see her go on to crush it in Paris.
Natalia Siodmiak (top left) is someone who has been making the rounds for several seasons but is suddenly at the top of everyone’s watch lists. After ending London on a high note with turns at Christopher Kane and Giles, the gap-toothed beauty cranked up the sex appeal at Gucci, Versace, and Emilio Pucci, and opened and closed Max Mara. It’s gratifying to see someone who’s been paying her dues finally have a moment. Speaking of moments, who could forget Moschino’s memorable roster of old-school supes, including Pat Cleveland, Alek Wek, Erin O’Connor, Jodie Kidd, and Diana Dondoe? Another runway high point was Liya Kebede and Malgosia Bela walking Emilio Pucci. And, naturally, there’s plenty in store for model-followers in Paris. Just today, iconic Snejana Onopka made a cameo appearance at Anthony Vaccarello, whipping the Fashion Spot forums into a frenzy.
Mexico City is rapidly emerging as a—if not the—hotbed for emerging art, fashion, and design. It boasts one of the globe’s highest concentrations of museums, features cutting-edge architecture (check out Museo Soumaya, a hull-like structure plated in honeycomb blocks designed by the firm FR-EE), and just yesterday, received attention in a front-page New York Times article about its increasing attractiveness for expatriate artists and entrepreneurs. It seems the metropolis has appealed to designers, too, as traces of Mexico City popped up on a host of Spring ’14 runways.
While such labels as Rodebjer and Rebecca Minkoff pulled inspiration from Mexico, the biggest splash belonged to Prada (as big splashes often do). Signora Miuccia commissioned a panel of muralists to paint her set with giant faces, which were replicated on dresses, skirts, and coats. Prada reported that political art out of Mexico—particularly the work of Diego Rivera—served as a strong source of inspiration, and the collection’s first look featured a print by Mexican street artist Stinkfish.
At House of Holland, Henry Holland paid homage to Baz Luhrmann’s 1996 hit Romeo + Juliet, much of which was filmed in Mexico City. Splendid hues and religious motifs weren’t compromised, thanks to prints—which nodded to Mexico’s deep Catholic roots—by L.A.-based tattoo artist Alex Garcia.
Considering that Annette and Phoebe Stephens—the duo behind New York-based jewelry line Anndra Neen—were raised in Mexico City, it is perhaps not surprising that notes from their childhood emerged in their latest offering. Spring ’14′s sculptural shields, triangular necklaces, and woven metal wares were reportedly inspired by Ron Fricke’s 1992 globe-trotting documentary Baraka. The designers, who produce the line in Mexico City’s Zona Rosa neighborhood, embraced not just Mexican artisanship but Namibian and MENA crafts as well. To top it off, the Stephens sisters showed their new range alongside their personal collection of Rivera works—the exact artist that led Ms. Prada, thousands of miles away in Milan, to her own effort.