August 21 2014

styledotcom A new competition that pairs designers with mentors and muses: @annecpersson

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8 posts tagged "PS1"

M to M, A to Z


Yesterday at MoMa PS1′s Sunday Sessions panel, Michael Amzalag and Mathias Augustyniak—the grown-up enfants terribles behind the graphic-design partnership M/M Paris—discussed M to M of M/M (Paris), their first retrospective book. Glenn O’Brien—an M/M collaborator—moderated the conversation. “So who’s Mert and who’s Marcus?” was his opening inquiry. (A “fashion joke,” as the writer put it.) The pair laughed it off good-naturedly.

“We were approached ten years ago,” Amzalag told “The physical work on the book took three years, but then there were two of going through the archives, and five of finding the right route.” The decade of due diligence paid off. M to M marks the pair’s twentieth anniversary in business, and it’s a fitting testament to their erudite style. The 528-page monograph is chock-full of Amzalag and Augustyniak’s greatest hits—from hand-drawn overlays on Balenciaga and Stella McCartney campaigns of yesteryear, to their groundbreaking catalog work for Inez van Lamsweerde and Vinoodh Matadin, to iProduct apps for Björk. The tome proudly reflects M/M’s keystone role in the forever-hybridizing fields of design, fashion, art, and music. And though they didn’t design it themselves (“We inverted the process—someone came to us with the solution—that was a beautiful moment,” said Augustyniak), the book’s juggled alphabetizing and pagination—it starts on page 311, at the letter M, naturally—pays homage to the pair’s distinct, irreverent intellect.

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Proenza Schouler: Dynamic Duo


Proenza Schouler designers Jack McCollough and Lazaro Hernandez kicked off today’s WWD CEO Summit, participating in an engaging discussion moderated by Bridget Foley. (Karl Lagerfeld wrapped the summit this afternoon. Check back for more on that later.) The interview centered around a number of topics, namely their ascension as one of the most sought-after labels in fashion, as well as their surprisingly successful turn in the accessories business with the breakout of their PS 1 bag. “We didn’t want to put out a bag until we felt like we had something to say,” said McCollough. “It was the height of the It bag moment and at that time, all of the It bags were covered in buckles and hardware and logos, and we wanted to do the antithesis of that in a way, something more stripped down, incognito, easy-wearing. Something that could stand the test of time.”

The pair discussed the reasons behind their meteoric rise, one being that Barneys purchased every look from the collection they made in 2002 during their senior year at Parsons. “It was very much a mixture of timing and talent,” said McCollough. “It was a time when all of the different generations in fashion were shifting. The Calvin Kleins and the Donna Karans, they were the designers of these mega-established brands, and it opened up a gap where people were ready for some new blood in the game.” Foley recalled going up to their apartment to see that first collection before placing it on the cover of WWD. She offered an anecdote about getting off on the wrong floor and finding two men in bed.

The conversation also explored the concept of successful creative partnerships, and how these designers are able to combine their ideas and inspirations season after season. “No one ever works in a vacuum, and we’re no different,” said Hernandez. “When one of us wants black and the other wants white, we do gray.” They also spoke of the benefits of technology, both in terms of intricate patternmaking, and how the “randomness of the Internet” has served as a theme for their runway collections. “Twitter, Facebook, blogs—together all of these images create the feeling of contemporary culture,” said Hernandez. When asked if he ever tweets on behalf of the brand, he laughed. “I think you have to be in your twenties to do that.”

Photo: John Aquino

Visit Ralph Lauren’s Paris, DVF’s Bahamas, Or Elton John’s L.A.—For Japan


The CFDA is the latest group rallying its ranks to benefit Japan. Beginning today, its Fashion & Friends for Japan online auction goes live on, where the offerings are one of a kind—to say the least.

Diane von Furstenberg has offered up a week’s stay at her private home in the Bahamas. More of an urban traveler? Take Paris at Ralph’s: two business-class tickets to the City of Light, two nights at the Bristol, dinner for two at Ralph’s, and a €1,000 shopping spree at Lauren’s Saint-Germain flagship (left). Domestic flyer? Try Elton John’s impenetrable Oscar party—with a friend.

Fashion designers being fashion designers, of course, there are plenty of opportunities to shop and style, too. Proenza Schouler’s Jack McCollough and Lazaro Hernandez will help you personalize your own PS1. Rachel Zoe will take you to lunch for a style consultation. And if plastic best becomes you, good news: Mattel will create a Barbie doll in your own likeness. Doll, you could be big!

The auction runs today through April 28 at


Exclusive: The Patent PS1 Video


Earlier this month, we announced the debut of the patent leather PS1 from Proenza Schouler, the first time the now classic bag has been done in patent. And because no launch these days is complete without an accompanying video, here’s the clip. Model Danielle Zinaich—a nineties mainstay who took time off to have two kids before returning to the runways recently—wears a custom patent Proenza look as she tromps around Annandale-on-Hudson, New York, in search of her PS1. (The grainy texture is thanks to the camera used—a vintage Camcorder.) Check out the exclusive video below.

The patent leather PS1 is available at the end of November exclusively at

Meet The P—For Patent—S1


Since its introduction back in 2008, Proenza Schouler’s new-classic PS1 bag has come in about as many colors and fabrications as you can imagine. One notable one was missing, though: patent. That all changes later this month, when Jack McCollough and Lazaro Hernandez release a black patent version in three sizes (a pochette, a medium, and a large), exclusively on Using a new system Proenza Schouler developed, layers of transparent lacquer are “painted” on the skin, rather than the traditional method of layering plastic on top of the surface of the leather. The result is softer, more subtle, and more liquid-looking than the competition. To get a sense of it, you need to see it in action—which is why, very soon, we’ll be debuting a short film the duo has commissioned starring a model, a custom patent-leather version of a Fall ’10 look, and the new patent bags. Stay tuned.

Photo: Courtesy of Proenza Schouler