11 posts tagged "Pucci"
Beyoncé had Pucci, Dsquared², and David Koma. Rihanna had Givenchy, Raf Simons, and Lanvin. Now, Miley Cyrus—the girl who’s bulldozed her way into the headlines by wearing next-to-nothing nearly all the time—is joining the designer costume club. The provocative pop princess is set to twerk onstage in custom duds from Marc Jacobs, Jeremy Scott, The Blonds, and iconic Cher costume designer Bob Mackie during her forthcoming Bangerz tour. While the wardrobe choices aren’t particularly surprising (Cyrus just fronted Marc Jacobs’ Spring ’14 campaign, and, as you can see from the above Instagram, is a documented Jeremy Scott fan), we’re still anxious to see what kinds of coverings—or lack thereof—this impressive string of designers comes up with.
Sara Nicole Rossetto is proof that you don’t need to be famous or have an expensive wardrobe to become a street-style star. The 20-year-old Italian communications student was snapped by Tommy Ton during the Spring ’14 shows in Milan wearing a crisp white button-up, gold Zara skirt, and Miu Miu shoes. Her image earned the most votes—she beat out paparazzi fixtures including Jennifer Lawrence, Rihanna, Giovanna Battaglia, and more—in Style.com’s 2013 Look of the Year poll. Of course, Rossetto’s model-good looks helped. Playing volleyball on the national level, her tall, thin physique recently landed her a spot on IMG’s local “development” board. While her dream is to work in fashion advertising, Rossetto wants to do more runway and editorial first, and loves dressing up for street-style photographers. Here, Style.com talks to Rossetto about her personal style, modeling career, and winning Look of the Year.
Congratulations on winning our Look of the Year poll.
I’m really happy about it! Everybody else was so famous, and I’m a nobody compared with them. I didn’t hear about the poll because I was vacationing in Switzerland for New Year’s and didn’t have any Wi-Fi, so it was a terrific surprise to learn that I’d won.
I have to admit that I didn’t know who you were before researching this picture. You do some modeling?
I am a model, but nobody knows me yet—I’m still “development.” Last year I started doing some modeling in Milan. I’ve always played volleyball and am quite tall and thin, so everybody told me I should try to do something in fashion, which has always been my passion. After high school, I sent some photos to IMG and they told me that I could go and visit them, and I actually signed with them! I’ve done a little runway and would love to go to London and New York. The thing is that I’m really Mediterranean-looking, and in Italy and Milan, that’s not so wonderful because they like blond hair and blues eyes, and I look Sicilian or Arab…
What are you studying at university?
I’m studying media and advertising. My ambition is to do a course in fashion communications, and then hopefully work in fashion advertising. They told me that it’s a hard industry, but I think I can manage that, and maybe modeling will help.
So you go to shows during Milan fashion week?
I really love going to the shows. A couple months before, I look for tickets. My dad used to do loads for shows, so he helped, and I’ve had the opportunity to see Emilio Pucci, Max Mara, Dolce & Gabbana…my favorite show last season was Pucci.
Who are some of your favorite designers? And how would you describe your personal style?
I love Miuccia Prada and the Valentino designers because of their elegance. Personally, I like to be quite simple when I get dressed up, and Valentino is sober but always elegant. Pucci isn’t quite my style because I’m quite sporty, but Peter Dundas knows how to make a woman look sexy, and the colors are amazing for the summer.
Do you dress differently for fashion week?
While I love fashion, I’m not trying to show off when I get dressed for university, so I usually keep it sporty in white T-shirts and jeans. During fashion week, I work on preparing my outfits and wear the clothes I like the most then—I’m already thinking about what I’ll wear next month. What I wouldn’t wear on a normal day I can wear to the shows. I love street-style photographers because they make me feel so important when they ask me, “Can I take your photo?” I’m not the kind of person who would say, “No.” But I don’t actually spend too much on what I wear. I mix Zara—my absolute favorite—with nice accessories.
Who are some of your style icons?
I like the simplicity of Audrey Hepburn and think Ulyana Sergeenko is so elegant—I love her couture line. The Russians are popular, and I like Elena Perminova as well because she’s tall like me, and Karlie Kloss, too.
Moschino, which celebrated its thirtieth anniversary in Milan last month, has hired Jeremy Scott to be its new creative director. The 39-year-old L.A.-based designer replaces Rossella Jardini, who has headed up the label since 1994, when the house founder, Franco Moschino, died. Scott will make his runway debut at Moschino’s Fall 2014 show in February next year. In an e-mail, Aeffe chairman Massimo Ferretti said, “I am enthusiastic about this significant change, as our goal is to inject new energy into our Group in keeping with the changes already in place with other Aeffe brands such as Philosophy, Emanuel Ungaro, Pollini, and Cédric Charlier.” Scott will continue to design his own label, which he launched in 1997. With a rebellious streak at least a mile wide—at one of his early shows, he tossed coins printed with his face at the audience—Scott is a savvy match for Moschino, a label known for its irony and irreverence. “It’s the closing of one chapter and the beginning of a new one,” he said via phone this morning. Here, the Missouri farm boy who Karl Lagerfeld once took under wing discusses his plans for Moschino as he ushers it into its fourth decade.
There are so many synergies between you and the Moschino brand. How did you feel when you were approached?
I was really excited. For me, one of the key elements of Moschino is humor. It’s one of the few houses that has humor, and it’s the same thing for me. Another one of the bonding elements is their written messages that express thoughts and twist ideas. We share an obsession with poking fun at fashion. Whimsy, also.
Were you a Moschino fan before this offer came through?
I was. The ironic thing is, during my last year of college, when I was at Pratt, I interned for the Moschino press office, for Michelle Stein here in New York. Yeah, it’s kind of a fairy-tale story. I was the intern, and now I’m running the company.
You once said you turned down job offers from Pucci, Versace, Paco Rabanne, and Chloé. Why did you say yes to this one?
It’s two things. At the beginning of my career, I felt it was really important to establish my own name. I feel like my own brand, my own DNA, is created and solid now, and I’ve built a global fan base. I don’t have that fear I used to have of the possibility of me getting lost in someone else’s house. On the one hand, I’m different now; the other has to do with the brand. It’s hand in glove. When I heard it, it was like, “Oh my God, yeah, of course.” This is so natural for me; I can take this so many different ways.
When did Moschino come to you?
I was contacted in July. It was very effortless, actually. I feel like they were pretty fixated on the idea and certain about me being the right person. I’ll continue to do my own line, as well as my Adidas collaboration. I’ve been working very vigorously to be ahead of my normal procrastinated self in anticipation of having a larger workload.
Have you been spending time in Italy?
Not yet. Other than meeting them in July, I’ve gone to Milan maybe two or three times. I’m not very familiar with the city, so that in itself will be an adventure for me. I literally don’t even know where to get toothpaste.
I’m going to be there the entire month of November—to understand how they work and to meet my design team, which is already in place. But I’m a very modern boy. I work a lot through the Internet. That’s one of the reasons I moved from Paris to Los Angeles in the first place, actually. Nothing was being made in Paris except the things in my own studio. I could be anywhere. Now that’s even more the case with iPhones and gadgets. But at the same time, I want to see the archives, to learn the house, and to be physically there, as well. We’ll see. Whatever it’s going to take for it to feel right, that’s all I’m concerned about. I want to do a good job.
How does it feel to be headed back to Europe?
I started my career in Paris, so it feels like home. I’m excited about learning more about Milan, Milan life, and Italian style. I’ve only been to Rome once, when Karl [Lagerfeld] brought me. The proximity of everything—I mean, Italy is the size of California, I can spend the weekends sightseeing. I’ve never been to Venice…I’ve always wanted to go, and now I have the perfect opportunity.
On the other hand, California, where you currently work, seems to be having a moment. Does it feel like there’s something going on there?
I am the pioneer, I got here first. I even remember Tom [Ford] saying to me, “I can’t believe you’re moving there, I wish I could do it.” I love it here. I feel inspired, it’s a wonderful way of creating for me—it just feels really good. I don’t really think about how [it's having a moment], but I realize it through other people’s eyes. All the stories about [the new boutique] Just One Eye, all the attention they’re getting. Other people are focusing here. The only thing I can think of that’s different now than when I first moved here is that there’s a younger generation that’s come up, that has become part of the look of the city. There’s been so much more enthusiasm about fashion and style from this new generation of kids. Continue Reading “Jeremy Scott: The New Man At Moschino” »
Rainbows have long been a source of optimistic marvel, and their distinct ROYGBIV color wheel often makes its way into fashion (remember Alexander McQueen’s multi-tonal butterfly-print maxi worn by Sarah Jessica Parker in Sex and the City 2?), though perhaps not as frequently as we’ve witnessed thus far on the Spring ’14 runways.
Mara Hoffman worked a conic iteration onto a white sheer caftan in New York. Its vividness was nicely balanced by the piece’s black lines, rendered in similar triangular shapes. In London, Ashish Gupta employed his de facto trademark—sequins—on shredded denim in an eye-catching ombr— application that went from violet to sun-kissed gold. Arcing south to Milan, Peter Dundas showed another sequined option for the rainbow warrior at Pucci: a body-con, long-sleeve mini. It radiated with indigo at the collar and hem, and scarlet at its torso. And then, of course, there’s Prada, which employed a Crayola-dyed rainbow along the trim of a fur coat—such a literal take on the motif could only be finessed by Ms. Miuccia herself.