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September 1 2014

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50 posts tagged "Reed Krakoff"

Shop the Look: Heat Seekers

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Heat Seekers

After losing track of the subzero temperatures and snow accumulation, all anyone can talk about is escaping to a far-flung, 90-degree locale. Prepare for some serious Instagram envy. Luckily, stores are beginning to stock all of our favorite Spring ’14 goods, including a vast array of vacation-ready botanical prints. Splashy florals and ultra-saturated hues will no doubt snap you out of the winter blues. And rest assured: These wares will look just as good for a night out in the city as they will in some warm weather getaway. Shop our favorite tropical prints by Reed Krakoff, Peter Pilotto, Illesteva, and more, below.

1. Illesteva Leonard round-frame acetate mirrored sunglasses, $180, available at net-a-porter.com

2. Reed Krakoff Atlantique mini flora-print leather tote, $1,690, available at net-a-porter.com

3. NARS lipstick in Heat Wave, $26, available at sephora.com

4. J.Crew Falsetto printed leather pumps in brilliant purple, $278, available at jcrew.com

5. Peter Pilotto Kristen printed textured cotton-blend dress, $2,055, available at net-a-porter.com

Photo: Courtesy Photo 

The Morning After: Our EIC Recaps Yesterday’s Action

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JEREMY SCOTT Fall 2014 Fashion Show

In the end, perhaps fashion isn’t so complicated. It boils down to this: How do I find my signature and how do I develop it over time? Three things that people have said to me on this subject have stuck in my mind:

Carlyne Cerf de Dudzeele (stylist): “I get inspiration from Mr. Alaïa, Mr. Lagerfeld. They know, you know? They know. They are not like all these young designers who change every six months. I think this is strange, because when you have talent inside, you never really change.”

Azzedine Alaïa (designer): “It’s inconceivable to me that someone creative can have a new idea every two months. Because if I have one new idea in a year, I thank heaven.”

Riccardo Tisci (designer), speaking approvingly of Hedi Slimane’s tenure at Saint Laurent: “I think Hedi, he wrote his first chapter [i.e., at Dior Homme] in a capital of fashion, and then he took his time off, and then he started from the same page. It’s like when you go to bed and you’re reading a book: You do the little corner, and then the night after, you start from the same page. And the aesthetic that he does really belongs to him. For sure, it is something that doesn’t look like anybody else, and that’s what I like.”

These thoughts were thrown into particularly sharp relief during a busy day of shows in New York yesterday.

MICHAEL KORS
What’s more remarkable about Kors: the fact that he’s now worth a billion dollars or the fact that, after three decades in business, he isn’t resting on his laurels? With his last two collections, he has brought his vision of American luxury into razor-sharp focus.

JEREMY SCOTT
A very different designer from Kors, of course, but in his own way as American as apple pie or Pop Art. Scott has done what you do if you have your own signature: lived through a few seasons where he enjoyed the support of the faithful—and it’s some faithful; he draws the liveliest crowd in town (hey there, Jared Leto)—but didn’t have the full attention of the fashion press. Thanks to his recent appointment as creative director of Moschino, he’s firmly back in the media spotlight. He didn’t waste the opportunity, delivering a collection that riffed confidently on two great American pastimes: sex and sports.

HUGO BOSS
How do you define the signature of a commercial juggernaut, best known for its menswear, which is now making a serious push into womenswear? That’s Jason Wu’s brief at Hugo Boss. He’s started to do it with the collateral: an Inez and Vinoodh-shot campaign; Gwyneth Paltrow as the face of the fragrance. And his debut collection? As Nicole Phelps said in her review, “Wu’s challenge going forward will be to maintain the Boss polish while figuring out ways to loosen up and have a bit more fun.”

ANNA SUI
I would be remiss not to mention Sui in this recap. She is one of the treasures of the New York calendar. Here’s Tim Blanks on what made her latest collection such a decadent delight.

REED KRAKOFF
Krakoff has been giving this subject a great deal of thought lately. After a few collections that felt the anxiety of European influence, he is now focused on creating his version of American luxury. Read Nicole Phelps’ review here.

PROENZA SCHOULER
Jack McCollough and Lazaro Hernandez were part of a pack of young New York designers who broke through in the last decade. When they celebrated their tenth anniversary a couple of years ago, they decided to drill down on their label’s identity, starting with a powerful but understated new logo. Their aesthetic, now reliably their own, is rooted in the contemporary New York art world. It’s no coincidence that yesterday’s show took place at Gavin Brown’s Enterprise, a gallery in the West Village.

IT’S RALPH, THOUGH
As it happens, I’m writing this after seeing Ralph Lauren’s show on this snowy Thursday morning. Lauren showed looks from his Polo line alongside his top-end collection today, and the move invigorated him. These clothes were as clear and direct as a Hemingway sentence. If America didn’t exist, Ralph Lauren would have had to invent it.

Photo: Patrick McMullan Company 

Public School Takes the CFDA/Vogue Fashion Fund’s Top Honor

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Dao-yi Chow, Maxwell Osborne

Tonight in New York, industry insiders and supporters such as Julianne Moore, Christina Ricci, and Diane von Furstenberg gathered at Spring Studios for the CFDA/Vogue Fashion Fund’s annual gala. Earlier this year, the decade-old initiative, which provides financial support and mentorship for emerging fashion talents, selected ten semi-finalists for its 2013 prize. And this evening, following a speech by Tom Ford, on-the-rise menswear label Public School, designed by Dao-Yi Chow and Maxwell Osborne, took the top honor. “We’ve been having such a great year, we were happy just to be here with you,” said the designers during their acceptance speech—and they weren’t kidding about the great year bit. The pair also took the 2013 Swarovski Award for Menswear at the CFDAs in June. “To say we’re tremendously humbled is an understatement,” added the winners, who were chosen by a committee that included Reed Krakoff, David Neville, Marcus Wainwright, Anna Wintour, and Jenna Lyons, among others.

The runners up, too, expressed their excitement. “Being in this room and on this stage [with Tom Ford and Julianne Moore], I want to stay here forever,” said second runner up, jewelry designer Mark Alary. Juan Carlos Obando, who was named as the first runner up, offered some heartfelt words of gratitude. “The word thank you is very small. I found a word that is really true. It’s I love you, to all the judges.”

Photo: Carly Otness/BFAnyc.com

Even Kimye Will Come Out for a Good Cause

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Gelila Puck, Franca Sozzani, Kanye West, Kim Kardashian

Last night in L.A., some of the biggest names in fashion, music, film, and food came together at the inaugural gala and auction for Wolfgang and Gelila Puck’s Dream for Future Africa Foundation. Gelila, who was born in Ethiopia, founded the organization in 2010 in order to help the children of Africa. Indeed, it’s a good cause—one that drew everyone from Karolina Kurkova, Angela Lindvall, and Dita Von Teese to Quincy Jones, Smokey Robinson, and Reed Krakoff. “Tonight as I was getting ready, standing in my closet, this white gown called out to me,” the hostess said of her Deco dress. “I chose to wear white to represent our organic spirit in honor of our mission.”

As guests including Ali Larter, Maria Sharapova, Devon Aoki, and Rachel Zoe mingled, a newly engaged Kanye West and Kim Kardashian arrived just in time to greet the evening’s honoree, Vogue Italia editor in chief Franca Sozzani. “I doubt Franca knows this, but my first modeling job was with Vogue Italia,” said Amber Valletta while introducing Sozzani to the crowd. She later added that the editor changed the course of her career. Taking the stage to accept her accolade, Sozzani coined the night’s catchphrase: “Giving back is the new luxury.”

Photo: Getty Images

Claire Courtin-Clarins Changes Faces

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Claire Courtin-Clarins and Lauren Bush Lauren“I am so nervous!” confessed Claire Courtin-Clarins at last night’s soirée celebrating her first-ever art exhibition. Dressed in a rosy Thierry Mugler number, the beauty heiress battled jitters in an effort to raise money for Lauren Bush Lauren’s FEED Foundation.

The philanthropic opening drew the rest of Courtin-Clarins’ clan as well as Julia Restoin-Roitfeld, Lily Kwong, Giovanna Battaglia, and Reed Krakoff, among other guests, and attendees were able to silently bid on Courtin-Clarins’ paintings. Titled Faces of Change, the show featured collage portraits of world leaders and human rights activists ranging from Rosa Parks to Angelina Jolie to Bill Gates.

Hung in Chelsea’s airy Haven’s Kitchen, the minimalist portraits were noticeably lacking—in facial detail, that is. To say that Courtin-Clarins should choose to depict each do-gooder sans visage is ironic, given Courtin-Clarin’s relationship to the 59-year-old French beauty brand that bears her name. “I wanted to show more of what makes these people unique, and it could also be you,” she explained.

The silent auction ends online at charitybuzz.com on October 22, and as of now, someone named “Happypapa” (who’s naturally assumed to be Courtin-Clarins’ actual papa, Christian Courtin-Clarins) is the leading bidder on the Nelson Mandela and Mahatma Gandhi portraits. Said the artist, “I told my father that he can’t monopolize the sale!”

Photo:Benjamin Lozovsky/BFAnyc.com