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July 23 2014

styledotcom The @FiftyShades director went inside Coco Chanel's apartment. There were no whips, though. stylem.ag/1yYYWNl pic.twitter.com/N1lKWfgMgm

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3 posts tagged "Richard Kern"

Two’s Company

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“I didn’t think I’d ever have a store,” Sophomore’s Chrissie Miller says. “I thought, crazy people shop and I didn’t want to be involved in that. But I did it in L.A. and I loved it—that lifestyle, being there and talking to people about the clothes. As soon as I got back, it’s all I was thinking about.” So when a small shop space opened on Ludlow Street, Miller (above right) and friend and fellow designer Lindsey Thornburg (above left) pounced. Just one month after signing on the space, their new collaborative store, 143 (named after the building number, though Miller notes it’s also pager code for “I love you”), the first permanent retail space for either designer, is set to open this Friday.


143 will be divided between the Sophomore collection, which Miller designs with Madeleine von Froomer, and Thornburg’s cape-heavy namesake collection. (Both designers have also moved their studios to the building as well.) But it will also feature new and vintage pieces from a network of friends and the likeminded, including clothes, books, art, and jewelry. “The neighborhood is super vintage-heavy; I think people go [here] looking for vintage,” Miller says. “So I found the best vintage dealers I could, rather than go to New Jersey and try to buy a bunch of stuff myself.” She’s been following the Texas-based dealers Sisters of the Black Moon on eBay for years, for example, and L.A.’s Filthmart, at whose now-shuttered New York store she worked years ago, is supplying vintage menswear.

Shen Beauty will curate an assortment of beauty products, and Miller’s boyfriend, actor and artist Leo Fitzpatrick, will organize art and art books from the likes of Nate Lowman, Bruce Weber, Richard Kern, and Cass Bird. “Leo is obsessed with art books, and we don’t like keeping them in the house after we’re done with them,” Miller says. Retail, the broom of the system! By the same token, shoppers can expect to find Sophomore and Thornburg samples and one-offs on the racks.

143 opens Friday, November 18, at 143 Ludlow St., NYC.

Photo: Aaron Stern

Good Or Bad, They’re Bringing Sexy Back

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Nobody forgets their first time. But not everybody feels compelled to recall it in print. Credit where credit’s due, then, to the contributors to the latest issue of Dossier, Skye Parrott and Katherine Krause’s glossy biannual, which rounded up a cast of characters—from Alexis Bittar and Cynthia Rowley to Miranda July and arty nouveau-pornographer Richard Kern—to muse, in pictures and text, on their first forays in the bedroom. (One brave soul even conducted a phone interview with his deflowerer, who estimated that they’d last spoken their junior year of college.) Was anything too raw to see the light of day? “We have a policy of printing everything we like,” Parrott said with a laugh at the packed launch party last night, which drew Rogan Gregory, Monique Péan, Timo Weiland, and Suno’s Max Osterweis to the New Museum.

Cobbled together in updated-zine style—with help from Buero’s Alex Wiederin, the magazine’s recently appointed creative consultant, who co-founded Another Magazine and revamped Ten and Vogue Hommes International—it’s a testament of sorts to letting it all hang out. And letting it all hang out is exactly what Andrej Pejic does in an editorial shot by Collier Schorr (who, Parrott says, is planning to use some of the images in an upcoming show). The androgynous beauty, shot in various states of undress, is in good company among the magazine’s cover girls. The previous issues have featured Freja Beha Erichsen and Daria Werbowy, and while the three aren’t the strangest of bedfellows, Pejic is definitely a departure of sorts. “We had Freja and Daria,” Parrott said of the decision. “As far as models go, how could you go bigger than that?” As any of the issue’s contributors could tell you, there’s a first time for everything.

Photo: Courtesy of Dossier

Blasblog: The Camera Phone, Now A Legit Artistic Medium

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With camera phone technology getting increasingly sophisticated (did you know some of those suckers can do high-def video now?), this was bound to happen: an art show composed entirely of snaps taken on cells. Such was the gist of a party at the Stephan Weiss Studio on Wednesday night to celebrate Exilim’s new phone, where giant slideshows of the work several New York art types—Cass Bird, Justin Giunta, Richard Kern, Danielle Levitt, Chrissie Miller (see her self-portrait above), and Christian Weber—took on these new phones were projected on the walls. For the artists themselves, it turned out to be a fun experience. Bird, a professional photographer, found herself dabbling in food styling, like when she propped an order of French fries into a sunset, and shooting pics of skateboarders on the street. “I guess you don’t realize how many photographable things surround you,” she said in the VIP section of the party. The technological progress of camera phones was a hot topic of conversation, especially since the crowd spanned chic teenagers, like Taylor Momsen and Zoë Kravitz, to a more mature audience, like Mick Rock and Ann Dexter-Jones. “I can remember when there weren’t even digital cameras,” smiled Dexter-Jones. “Actually, I can remember the time before cell phones.” One good thing—or bad, depending on who you’re asking—about this sort of picture is how intimate they can be. In a few of snaps that Sophomore designer Chrissie Miller took of Lindsay Lohan, Mandy Moore, and the Virgins’ Donald Cumming for her portfolio, they look just like regular folk. “Everyone keeps asking me who the vivacious redhead is in these pictures,” Miller joked. “And I say, ‘Only the most photographed woman in the world: Lindsay Lohan.’ “