86 posts tagged "Rihanna"
On Saturday, after a two-day closure, Dover Street Market New York, Rei Kawakubo’s seven-floor multibrand fashion wonderland open since last December, celebrated its inaugural “new beginning,” with just-arrived Fall ’14 merchandise and fresh shop-in-shops. Melitta Baumeister, whose career was catapulted when Rihanna wore her oversize black biker jacket in Paris back in March, and Hood by Air’s Shayne Oliver are two new additions to the store’s fourth-floor DSM Showroom, which is devoted to emerging designers. They join a roster that includes Craig Green, Jacquemus, Phoebe English, KTZ, 1205, Gosha Rubchinskiy, Proper Gang, Shaun Samson, and Sibling. We checked in with the new recruits and a quartet of the floor’s returning talents to talk about Kawakubo’s lasting influence, their new installations, and the “beautiful chaos” that is DSM.
“The Comme des Garçons campaign collaboration with Cindy Sherman in 1994 stopped me in my tracks. I remember being completely blown away,” Baumeister recalls. “So I’m very happy to be with a group of creators [now] that have a mutual understanding on fashion, to be part of a showroom that believes in the importance of creating new experiences of how fashion can be consumed, in a world of beautiful chaos. To be in an environment where the brand is understood will no doubt give [me] the confidence to go further with bigger dreams.”
HOOD BY AIR (SHAYNE OLIVER)
“Going to the Comme des Garçons flagship for the first time here in New York changed my life, and molded my thought process on creating a fashion brand that is meant for you, and only you,” Oliver remembers. “The shopping experience at Dover Street Market is [likewise] unique and special. I think it really works well with the HBA concept and vibe. We want to make people feel immersed in our world, in the whole experience of the brand. [Our shop-in-shop] is a conversation with our customers outside of the traditional realm of fashion.”
“All the Dover Street Market stores have a totally stand-alone and unique way of working. The amazing and forever-changing interiors make for a dynamic and exciting space and experience,” Green says. “The main idea behind our new Fall ’14 space was to put the highly detailed, hand-painted pieces against the raw quality of untreated wooden structures. We used large hand-painted fabric rugs as hangings to demonstrate what the garments themselves have been cut from.
“DSMNY is different to other stores as it’s not really just a store, it’s a destination and an environmental experience, which heightens, celebrates, and elevates the incredible stock they hold,” English says. “In many ways it’s also a mecca for young creatives justifying and contextualizing the work they’re making; [that's what] the London store was for me when I was studying at Central Saint Martins. We wanted this space to [feel] unexpected, sort of like a surprise or a bit of drama injected into a retail environment. The raw naturalism of the collapsed cliff face against the clothes hanging on the suspended rails—something beautiful and refined in a broken space. I [also] wanted it to represent the dialogue of material, which informs each collection. I worked with art director Philip Cooper. It was about balancing the ethos of how I work creatively with the reality of shopping.”
“The opportunity to completely change the space seasonally allows us to truly represent the season’s ideas and concepts,” Roach says. “Our Fall ’14 space remains minimal with the introduction of new square metal fixtures. We’ve introduced stand-alone, industrial two-arm rails to highlight the collection’s fabrication and construction, which remain fundamental. I would like people to touch and try on the clothes.”
SIBLING (SID BRYAN, JOE BATES, COZETTE MCCREERY)
“DSMNY feels like being in an interactive art space but without any of the pretense,” the Sibling trio says. “It’s been fantastic to see how artists and creatives interpret the Sibling vision each time. We loved collaborating with Uncommon Projects [on the leopard shelving and screen unit], Richard Woods [using the catwalk recolored version of his iconic wood print as wallpaper], and now with artist James Davison. We saw James’ work recently via the journalist Charlie Porter. He’d uploaded a video of James’ window display with moving parts and amazing color. It also felt like he’d had fun doing it. All of which is very much what Sibling is about, so we didn’t think twice about working with him and sent him catwalk pictures and a very relaxed brief. Relaxed because we always like collaborative works to come more from the artist.”
When it comes to fashion, the red carpet can often be filled with the same old, same old. But now and again, some bold celebrities shake things up with experimental, next-level looks. Here’s what’s feeling fresh this week.
We’re halfway through steamy July, and this week, A-listers were looking for ways to stay cool on the red carpet. Luckily, the Resort ’15 collections (which won’t hit stores until November but have been popping up on celebs since their Spring debut) offer some crafty cutouts. We noticed a few stars beating the heat with dresses boasting built-in air-conditioning, if you will. Kate Hudson and Allison Williams tried the trend at a screening of Wish I Was Here on Monday in New York. Hudson was statuesque in a black Michael Kors Resort ’15 column with a sequin bustier, and Williams chose a ladylike Altuzarra Resort ’15 sheath. On Wednesday, Nicola Peltz stepped out in an ebony ensemble with a keyhole cutout from Balmain’s Fall ’14 runway. She paired a gold-embellished crop top with a banded leather skirt for the Rio de Janeiro premiere of Transformers: Age of Extinction.
Elsewhere, two of our favorite redheads got on board with one of Spring’s hottest hair trends, turning up on the red carpet with freshly chopped bangs. Jessica Chastain’s fiery fringe perfectly complemented her navy lamé Mary Katrantzou Fall ’14 gown, and Emma Stone sported hers with a flowy purple Dolce & Gabbana Fall ’14 look.
Last, but certainly not least, RiRi, ever the daredevil, surprised fans by turning up in an Alexander Wang LBD and a gold Givenchy-esque septum ring at an event in Rio de Janeiro after Sunday’s final World Cup match. We have to hand it to her, just when we think we’ve (quite literally) seen it all, she manages to surprise once again. Here, a roundup of this week’s red-carpet highlights.
Today on Style.com, Amy Sedaris, author, comedienne, former Strangers With Candy star, and bona fide rabbit expert advises readers on how to care for their fashion bunnies. But when I spoke with Sedaris in her cozy Greenwich Village apartment, she had some fashion tales to share, too. For instance, last year, at her good friend Adam Selman’s debut presentation, Sedaris made an onstage cameo as a photographer (left), directing models as they posed in their silk shorts and swimsuits on set. “The other photographers thought I was a real photographer,” laughed Sedaris, who met Selman while the pair was working on a Dolly Parton video. “So they were mean to me—you know, pushy, bossy, aggressive. One photographer asked me what I was shooting for, and I was like, ‘Oh, there’s no film in this camera.’ Cuckoo!”
Selman, who made Sedaris’ late rabbit Dusty a custom awning to sleep under, designs a number of the actress’s dresses. “He’s great, and he’ll help me pick out shoes,” she noted. While her custom Selman wares are decidedly more demure than that infamous fishnet-and-crystal number Rihanna worked at the CFDA Awards, Sedaris insists that she wouldn’t shy away from a similar ensemble. “I’d do it for a laugh,” she chuckled. “I’d just wear it out every day. To the gym even. Everywhere.”
That would be a bold move (and one we’d fully support). But Sedaris admits that the other night, while preparing for an evening out on the town, she was at a loss for what to wear. “Adam was here, and I was being restless, so I Googled how you’re supposed to dress when you’re over 50. And it was, like, stuff I would never wear in a million years! Not ever!” So how does Sedaris, who at this particular moment was donning some Junya Watanabe-esque patchwork jeans and a white T-shirt, describe her personal style? “I usually dress like a scarecrow,” she deadpanned. Well, Ms. Sedaris, if that’s the case, it’s working for you.
EXCLUSIVE: Olivier Rousteing, Along With Jourdan Dunn, Binx Walton, Cara Delevingne, and More, Push the New “Balmain Reality” in the Brand’s Fall Ads-------
How does Olivier Rousteing top last season’s Rihanna-fronted Balmain campaign? With not one, but six faces. The brand’s new imagery for Fall, lensed by Mario Sorrenti and art-directed and styled by Katie Grand, features Binx Walton, Cara Delevingne, Jourdan Dunn, Ysaunny Brito, Issa Lish, and Kayla Scott. Sporting Rousteing’s safari-inspired Fall fare, his stars nicely embody the heady, hard-edged sensuality he sent down the catwalk in February.
What made the Love editor in chief and über-stylist a natural choice? “She can break all the rules, and that’s what I really, really love from her,” Rousteing told Style.com of Grand. “It was really a strong decision for me and for Balmain, because we never had a campaign with so many girls and expressing this kind of vision. Katie understood from the beginning, and she translated that with the casting and with the looks that we shot.” The designer’s only quibble about his Brit friend and collaborator? “She has the strongest accent ever! As a French boy, you have a hard time understand[ing] an American, so when you have a strong accent from England, it’s like, sometimes I tell Katie, ‘I’m sorry, I don’t understand.’ Sometimes [she talks] and I’m just quiet an entire minute, she’ll look at me and say, ‘You don’t understand, right?’ And I’m like, ‘No.’”
Rousteing was a longtime admirer of Sorrenti, too, noting that he appreciated the photographer’s particular vision of femininity. One need only glance at, say, Sorrenti’s iconic ads for Calvin Klein Obsession or his 2012 Pirelli calendar to grasp the languid sensuality that makes him a logical choice for Balmain. It’s Sorrenti’s talent for the enigmatic, however, that’s most evident here; there’s not much skin from a lensman who’s built his name on nudes. The ads themselves serve as an allegory for Rousteing’s evolving take on sex appeal. “My first show was a lot of leg, a lot of skin, and that was my vision: body-conscious dresses. But my [latest] is all about being covered up from head to toe, and that’s my new vision of sexiness,” Rousteing said. “I still think a girl can be sexy in an oversize khaki jacket or a parka, [or] black tights and a long, midi-cut skirt. I’m growing up at the same time my collections are growing.”
Perhaps most notable, though, are the ads’ message of diversity—one that Rousteing has to some become a de facto poster boy for. “I’m French, I’m black, and I’m proud to be at Balmain, but this is a message of freedom and globalism,” he said backstage in February. Both on his catwalks and in his campaigns, the designer has been active in promoting diversity by casting girls of color and of varied backgrounds. The Fall images boast models from the Dominican Republic, Great Britain, Mexico, and the U.S. As a young designer, Rousteing’s awareness is something that’s come to him with time. “My first collection was all about making clothes, and it was really, really important for me to work on the tailor[ing] and on the clothes, but I realized that day after day and step by step, I’m not only doing clothes,” he offered. “I think fashion is all about a vision that you can give to people; it’s [about] expressing that passion. We need to show how diversity is important.” The new campaign, then, is another step in that vision. As Rousteing himself tells it, “I think it’s showing a new reality—the Balmain reality.”
Beyoncé really does run the world—at least according to Forbes. Queen Bey took the No. 1 spot on the magazine’s annual Celebrity 100 list, earning a reported $115 million in 2014. Who else made the top 10? LeBron James (#2), Oprah (who topped the list last year, but dropped to #4), Rihanna (#8), and Katy Perry (#9). Beyoncé’s husband, Jay Z, came in at No. 6, earning less than half of Beyoncé’s salary—though his $60 million doesn’t exactly seem paltry. The news arrives just in time for Bey and Jay’s Diesel-fueled On the Run tour.
Of the top twenty-five earners, Forbes notes that thirteen are musicians. The likes of Dr. Dre, Bruno Mars, Miley Cyrus, and Taylor Swift have greatly increased their earning potential in recent years due to strong social media presences. #$$$.