113 posts tagged "Rodarte"
The Spring ’14 collections are under way in New York, and will be followed by the shows in London, Milan, and Paris. Before their new clothes hit the runway, we’ve asked some of the most anticipated names to offer a sneak peek. Per usual, it’s a busy time for all—designers and fashion followers alike—so we’re continuing our split-second previews: tweet-length previews at 140 characters or less. Our entire selection of Spring ’14 previews is available here.
WHO: Rodarte, designed by Kate and Laura Mulleavy
WHERE: New York
WHEN: Tuesday, September 10
WHAT: “Spring ’14 is inspired by asphalt.”— Kate and Laura Mulleavy. The designers sent us a Spring ’14 inspiration photo by Alec Soth, above.
Elijah Wood has been reunited with a cast of fairies, unicorns, and sword-fighting villains—but he hasn’t revived Frodo Baggins. Rather, the actor plays the regal, mysterious role of Trevor in Rodarte’s latest film, This Must Be the Only Fantasy. For their third collaboration with director Todd Cole, Kate and Laura Mulleavy—both of whom are longtime sci-fi fans—tapped Sidney Williams and Guinevere Van Seenus to star in an out-of-this-world epic while donning Rodarte’s Spring ’13 looks. “Our Spring collection was inspired by fantasy and role-playing games, and the film brings to life these ideas,” said the Mulleavy sisters, adding that they always envisioned their pal Wood as the male lead.
“I never think of these films as fashion films,” offered Cole of the project, which was shot in L.A. “I think of Kate and Laura’s clothes as more of a starting point, and then I can create a world for them to exist in.” The full twelve-minute flick will premiere this week on The Creators Project. Catch the trailer’s exclusive debut below, and keep your eye on Rodarte’s Twitter, Facebook, Instagram, et al. for more sneak peeks at the movie.
Writer, filmmaker, and performance artist Miranda July has never shied away from inviting the public into her world. Childhood injuries, sexual proclivities, insecurities about aging—no detail or eccentricity is off limits. Oftentimes, July encourages the audience to take part in the (over?)-exposure. For instance, her seven-year Web project, “Learning to Love You More,” culminated with more than 8,000 people submitting responses to online assignments like: “Take a picture of your parents kissing.”
In fact, much of July’s work hinges on interrogating the outer limits of breaking down the boundaries between “me” and “you,” and what it means to be close to someone in the Internet era. Her latest work, “We Think Alone,” adds a new angle to the intimacy project. Here, she invites such friends as Lena Dunham and Sheila Heti, as well as newfound acquaintances Kareem Abdul-Jabbar and Lee Smolin, among others, to contribute a series of their personal e-mails to be read—without context—by whoever would like to receive them each week.
“I made a list of 20 different kinds of e-mails— an e-mail about money, an angry e-mail, one to your mom. Then I sent the list to 10 different notable people whom I admire,” explained July of her process. “I was quite nervous—just asking people to do it seemed sort of presumptuous—but the first person to send hers to me, the artist Catherine Opie, sent all 20 at once and filled me with confidence. It was a lot more nuanced than I had imagined.” Continue Reading “You’ve Got Mail From Miranda July” »
In May of 2012, the L.A. Philharmonic launched its Mozart/Da Ponte project—a three-year-long commitment to staging the pair’s trio of eighteenth-century operatic masterpieces: Don Giovanni, The Marriage of Figaro, and Cosi Fan Tutte. Last year, the institution partnered with California natives Kate and Laura Mulleavy of Rodarte and architect Frank Gehry to create the Don Giovanni costumes and set, respectively. This year, for its The Marriage of Figaro production, the L.A. Phil sourced talents from across the pond, tapping Azzedine Alaïa for costumes and Pritzker Prize-winning architect Jean Nouvel for the set. Under the helm of conductor Gustavo Dudamel and director Christopher Alden, Alaïa (who’s also preparing for a solo exhibition of his work at Paris’ Musée Galliera this fall) has created rich wares for the opera’s female and male cast, marking the first time in our memory that he’s tried his hand at menswear. The designer stuck to his signature knit silhouettes for the onstage looks, infusing them with a hint of metallic and bead detailing to catch the spotlight. Alaïa’s original sketches for the leads—Count and Countess Almaviva, played by Christopher Maltman and Dorothea Röschmann—debut exclusively above.
The Marriage of Figaro: May 17, 19, 23, 25, Walt Disney Concert Hall, 111 S. Grand Avenue, Los Angeles, CA 90012. For tickets, visit www.laphil.com.