115 posts tagged "Rodarte"
Writer, filmmaker, and performance artist Miranda July has never shied away from inviting the public into her world. Childhood injuries, sexual proclivities, insecurities about aging—no detail or eccentricity is off limits. Oftentimes, July encourages the audience to take part in the (over?)-exposure. For instance, her seven-year Web project, “Learning to Love You More,” culminated with more than 8,000 people submitting responses to online assignments like: “Take a picture of your parents kissing.”
In fact, much of July’s work hinges on interrogating the outer limits of breaking down the boundaries between “me” and “you,” and what it means to be close to someone in the Internet era. Her latest work, “We Think Alone,” adds a new angle to the intimacy project. Here, she invites such friends as Lena Dunham and Sheila Heti, as well as newfound acquaintances Kareem Abdul-Jabbar and Lee Smolin, among others, to contribute a series of their personal e-mails to be read—without context—by whoever would like to receive them each week.
“I made a list of 20 different kinds of e-mails— an e-mail about money, an angry e-mail, one to your mom. Then I sent the list to 10 different notable people whom I admire,” explained July of her process. “I was quite nervous—just asking people to do it seemed sort of presumptuous—but the first person to send hers to me, the artist Catherine Opie, sent all 20 at once and filled me with confidence. It was a lot more nuanced than I had imagined.” Continue Reading “You’ve Got Mail From Miranda July” »
In May of 2012, the L.A. Philharmonic launched its Mozart/Da Ponte project—a three-year-long commitment to staging the pair’s trio of eighteenth-century operatic masterpieces: Don Giovanni, The Marriage of Figaro, and Cosi Fan Tutte. Last year, the institution partnered with California natives Kate and Laura Mulleavy of Rodarte and architect Frank Gehry to create the Don Giovanni costumes and set, respectively. This year, for its The Marriage of Figaro production, the L.A. Phil sourced talents from across the pond, tapping Azzedine Alaïa for costumes and Pritzker Prize-winning architect Jean Nouvel for the set. Under the helm of conductor Gustavo Dudamel and director Christopher Alden, Alaïa (who’s also preparing for a solo exhibition of his work at Paris’ Musée Galliera this fall) has created rich wares for the opera’s female and male cast, marking the first time in our memory that he’s tried his hand at menswear. The designer stuck to his signature knit silhouettes for the onstage looks, infusing them with a hint of metallic and bead detailing to catch the spotlight. Alaïa’s original sketches for the leads—Count and Countess Almaviva, played by Christopher Maltman and Dorothea Röschmann—debut exclusively above.
The Marriage of Figaro: May 17, 19, 23, 25, Walt Disney Concert Hall, 111 S. Grand Avenue, Los Angeles, CA 90012. For tickets, visit www.laphil.com.
The Rodarte sisters are probably feeling pretty proud about now. After only eight years on the scene, Kate and Laura Mulleavy have officially been deemed industry legends by The School of the Art Institute of Chicago, which, WWD reports, will honor the Rodarte designers with its Legend of Fashion award on May 3. Previous recipients include Ikram Goldman and Cynthia Rowley.
Despite last night’s spontaneous blizzard, designers and fashion fixtures headed to Finale NYC to fête the launch of eBay and the CFDA’s 2013 You Can’t Fake Fashion tote collection. Marking the pair’s third collaborative effort to fight counterfeits and support authentic design, the new range features 90 one-of-a-kind canvas tote bags that have been customized by designers like Prabal Gurung (above, center), Pamela Love, Band of Outsiders’ Scott Sternberg (above, right), and Rodarte’s Kate and Laura Mulleavy (above, left). The designer-embellished bags are available for purchase via eBay auction through March 25 for a starting price of $100. The initiative is also offering a new standard tote for a “buy it now” price of $50. Proceeds will go toward combating fakes.
“As artists, we work so hard to create something, and then it gets knocked off,” said Rebecca Minkoff. “This is a great platform to ensure authenticity.” Carly Cushnie of Cushnie et Ochs concurs, and suggested that there’s security in knowing her and her design partner Michelle Ochs’ work is protected. “The CFDA has a voice that brings everyone together to preserve design integrity,” she said.
In addition to the likes of CFDA CEO Steven Kolb, Jeffrey Costello, Robert Tagliapietra, and Rebecca Taylor, Ruffian’s Brian Wolk and Claude Morais turned up to rally for the cause. And, according to Morais, they have a particularly special relationship with eBay. “We’re always using the site as a reference point. Right now it’s all about the 1920s and the hunt for the perfect embroidered dress.” We’re sensing a Jazz Age vibe for the team’s Spring ’14.
With the London shows wrapping today, and editors and models jetting off to Milan, it’s time to reflect on the catwalking highlights from the past two weeks. More so than any in recent memory, this season has been dominated by fresh faces. Nearly every new girl on our top-ten list from Spring, like Marine Deleeuw, Irina Kravchenko, Manon Leloup, and Esther Heesch, had majorly successful sophomore outings. But the Fall shows have brought in an additional crop of noteworthy rookies in demand.
Let’s begin with the handful of former Balenciaga exclusives, whose takeoffs were all but inevitable. Sam Rollinson (above, top left), who starred in a Burberry ad back in 2010 and was handpicked by Nicolas Ghesquière last season, had a strong NYFW. (She opened Reed Krakoff and walked Jason Wu, Alexander Wang, Altuzarra, Proenza Schouler, and Narciso Rodriguez, among others.) With a hometown advantage, the British brunette—whose cheekbones could cut glass—kept it up across the pond, scoring spots at Christopher Kane, Jonathan Saunders, and Giles. Two other Balenciaga favorites—Kremi Otashliyska and Chiharu Okunugi (above, lower right)—are also becoming runway regulars. The former hit catwalks at 3.1 Phillip Lim, Altuzarra, Proenza Schouler, and Marc Jacobs, while the Japanese stunner took turns at Rag & Bone, Rodarte, and Marc Jacobs in New York, and Erdem and Giles in London.
Opening the Alexander Wang show is usually a surefire way to go straight to the top, but this season, the second girl out—Tess Hellfeuer (above, top right)—is getting all the buzz. The model finished New York by closing Marc Jacobs, then emerged as a clear favorite of Michelle Lee in London, where she opened Jonathan Saunders and walked in Christopher Kane. Mijo Mihaljcic has also been making all the right appearances in London. Her tomboy appeal landed her spots at Burberry Prorsum, Jonathan Saunders, and Richard Nicoll. Continue Reading “Modelizing Fall ’13 Thus Far” »