4 posts tagged "Rolling Stones"
Only for Hedi Slimane is it par for the course to dress a Rolling Stone. The designer—who opened the doors to Saint Laurent’s swanky new Avenue Montaigne flagship today—has created Keith Richards’ onstage duds for the Stones’ 50 Years and Counting tour. Considering the designer’s musical ties (most recently, he created Daft Punk’s helmeted Coachella costumes, his pals include Sky Ferreira and Alison Mosshart, and, of course, his latest ad campaigns feature the likes of Beck, Courtney Love, and Marilyn Manson), and the fact that he dressed the Stones while at Dior Homme, Slimane was, perhaps, the obvious choice for Richards (front man Mick Jagger, however, turned to girlfriend L’Wren Scott for his looks). The rocker’s ensemble will consist of silk scarves, T-shirts, a vest, and a café racer jacket. The latter—aptly named the Keith jacket—will be available for a mere $4,850 as part of the forthcoming Saint Laurent Stage Wear by Hedi Slimane collection, which will hit stores in June. Not surprisingly, Saint Laurent reports that Slimane has more sartorial stage projects in the pipeline.
Just One Eye is not your typical e-tailer. For starters, their brick-and-mortar flagship stands in the mazelike Hollywood compound where Howard Hughes used to live, work, and seduce movie stars. But really, it’s their product selection that makes them so extraordinary. Where else could you find a Warhol-signed Rolling Stones necktie tee, some Carlo Bugatti chairs, and a range of antique fine jewelry alongside looks from Rodarte, Proenza Schouler, Olympia Le-Tan, and Maiyet? Since opening the store last spring, co-founder Paola Russo (formerly of Maxfield) has focused on mixing fashion and art. And we mean big-time art. Ed Ruscha has been collaborating in various ways since the shop’s launch. Work by Murakami, among others, hangs on the walls at headquarters. And today, the shop is launching the first in an ongoing series of artist/designer collaborations, debuting a limited-edition range of Damien Hirst-decorated backpacks from The Row.
According to Russo, Just One Eye’s interest in commissioning these projects comes from the store’s mandate to create “specialness.” “Our vision,” she explains, “is to make and sell things that will last. We don’t want to be involved with mass-produced fads,” she says. “Real luxury is something that is timeless and exceptional.” Naturally, true luxury comes with a hair-raising price tag. Or, in the case of the backpacks, which ring in at a cool $55,000, a gasp-worthy one. But it helps to know that some of that cash will go to a good cause. A portion of the proceeds from the bags will be donated to UNICEF; ditto Just One Eye’s next, more cost-democratic collaboration, which will see Nate Lowman teaming up with Converse. “He’s painting 25 pairs,” says Russo. “So the question for the people who buy these shoes will be, you know, do you wear them, or keep them as art?” A question many of us have posed about our shoes. But not typically of our sneakers.
Visit Just One Eye at justoneeye.com.
Spotted: The Louis Vuitton X Kusama Collection On The Dance Floor, And More Of The Day’s Top Stories
See spots—and see spots move—courtesy of lensman-of-the-moment Angelo Pennetta, who teamed up with Love‘s Katie Grand for a video take on the new Louis Vuitton x Yayoi Kusama collection. (Also included: turbans. It’s a thing!) [Love]
On Friday (the 13th—spooky!), Proenza Schouler is set to open its first bricks-and-mortar store. Make that concrete. The David Adjaye-designed, two-level space includes what co-designer Lazaro Hernandez calls “a room made out of sidewalk,” and exposed beams, pipes, and concrete are used throughout. “We wanted it to be the antithesis of a high-gloss Madison Avenue store,” Jack McCollough says. [WWD]
Today on The Coveteur: Entering the closet (the fully digitized closet) of an old friend—one who’s saving herself for Luke Perry. [The Coveteur]
The Rolling Stones gather no moss—a couple gray hairs, maybe. Fifty years ago today in London, the Stones played their first gig, and a half-century later, they’re still (in slightly altered form) at it. And between Vuitton campaigns (Keith Richards) and L’Wren Scott shows (Mick), they’ve even got plans to record new material in London this year. [Rolling Stone]
Unbelievably, Keith Richards—style icon, rock god, Rolling Stone—has made it to the wizened age of 66 (short only, one imagines, a third 6 for proper demonic classification). Long enough, even, to put out his autobiography ($29.99, in stores and online today) and call it Life. (As David Remnick gleefully notes in his review of the book in The New Yorker, New Musical Express put Richards on its annual list of “rock stars most likely to die” in 1972, and kept him on for a full decade thereafter.)
Life is well worth the cover price for its backstage peek at the Stones’ discography and its members’ impressive catalog of conquests, but it’s a solid reminder, too, of just what a style-setter Richards has always been. He was a natty, sweater-and-slacks type in the sixties, and a boho to end all bohos in the seventies. (Steven Tyler doesn’t hold the patent on fluttering scarves.) And glancing back through the kohl-eyed sartorial history, we noticed something. Keef is one of leopard print’s most committed early adopters; he’s been wearing it since newer fans like Riccardo Tisci and company were in short pants. Above, in concert throughout the seventies and eighties, Richards rocked spots with aplomb. Makes sense, really. He’s one of the original wild men.