2 posts tagged "Ryan McGinely"
“I’ve been keeping it very secret,” explained fashion photographer and filmmaker Steven Sebring of his latest project, Revolution, which debuted at New York’s 69th Regiment Armory last night. “Just testing the Rig and seeing what it can do—there isn’t anything else like it.” The “Rig” is Sebring’s name for the new massive “geodome” he created—a silver sphere lined with a hundred cameras on wheels. It took three years of personally funded development to complete the apparatus, which is designed to capture the so-called fourth dimension (or the “truly true,” as the artist defines it), and record its subjects’ every move—from every angle—as it spins.
Model Coco Rocha is the star of Sebring’s vision (although longtime friend and onetime subject Patti Smith, as well as a tai-chi master from his building, also make appearances), and is shown dancing, leaping, and shifting in a series of videos, photographs, and sculptural works. “This is the first art exhibition I’ve ever been a part of,” offered Rocha. “I put my Irish dancing shoes on and came into Steven’s studio again and again. And it had nothing to do with editorial, nothing to do with making money or a campaign.” Continue Reading “Steven Sebring, Now in 4-D” »
Istanbul’s “Sense Of Opportunity And Possibility” Draws A Crowd—Including Dunst, Swinton, Ackermann, And Love
Istanbul’s population unofficially tops 16 million. This past weekend, it felt like every single one of them owned a car—or at least was driving one. Guests at Istancool—the second Istanbul International Festival of Culture, to give it its full title—became intimately acquainted with the world through a minibus window as they negotiated the route from the Edition Hotel (seven stars! and a Snow Room!) to the various venues around the city. It was a useful education. Istanbul sits at a huge crossroads, geographically (obviously) but also conceptually. Michael Stipe, there for a presentation of his Collapse Into Now film project, went so far as to compare Istanbul’s “sense of opportunity and possibility” to the feeling New York has always given him. The project—a work in progress—has been corralling filmmakers to produce short pieces to accompany songs on the latest R.E.M. album. Liberatum offered a first view of a fast, furious, and funny film James Franco has made for “That Someone Is You,” which was the kind of coup that is critical to the festival’s success, according to Jefferson Hack, who hosted the Stipe event. (His magazine Another was the festival’s media collaborator.)
A different kind of coup was the presence of Kirsten Dunst and Tilda Swinton, both just off the plane from Cannes, where Dunst won Best Actress for Lars von Trier’s Melancholia. At 29, she has already spent more than two decades onscreen and experienced as many character-building extremes as show business can hurl at a young woman. (Lest we forgot, the heavily accented English translator of her Turkish introduction sonorously intoned, “We know her as the lover of the spiderman.”) Nevertheless, Dunst was gratifyingly, girlishly floored by her Cannes award. And she looked appropriately radiant in her Chanel couture at Istancool’s gala dinner. Continue Reading “Istanbul’s “Sense Of Opportunity And Possibility” Draws A Crowd—Including Dunst, Swinton, Ackermann, And Love” »