50 posts tagged "Saint Laurent"
Baby, what’s your sign? Even if you aren’t an astrology junkie, we can all agree that star-and-moon motifs have a universal appeal this season. Maybe it began with the fuzzy Saint Laurent cardigan from Fall ’13, which turned up on off-duty models and actresses alike, or perhaps it was Gravity, the blockbuster film set in the stunning Milky Way Galaxy. Slip on a pair of star-studded heels for a ladylike take on the trend, or opt for a glint-y clutch for a night on the town. However, if you’re into horoscopes, you can always just wear a zodiac charm and let destiny take care of the rest. Shop our favorite cosmos-inspired pieces by Khai Khai, Jimmy Choo, and more, below.
1. Khai Khai diamond moon and star earrings in 18-karat rose gold, $1,225, available at bloomingdales.com.
2. Chinti and Parker moon intarsia cashmere sweater, $327, available at
3. Jimmy Choo The Candy printed acrylic clutch, $995, available at net-a-porter.com.
4. Kate Spade New York Lela pump, $328, available at piperlime.com.
5. Brooke Gregson Aquarius 14-karat-gold diamond necklace, $2,970, available at net-a-porter.com.
With Thanksgiving just around the corner, it’s time to start thinking about what you’ll be giving (and, of course, requesting) this holiday season. If you need some inspiration, take a peek at our holiday shopping guide, which is packed with goodies for everyone from your rocker pals to sporty snow bunnies to uptown gals (and don’t miss our corresponding grungy tale of holiday thievery). Need a few more suggestions? Over the next few days, we’ll be divulging what our editors are planning to gift, and hoping to get. Have a look at our first picks, below.
NICOLE PHELPS, EXECUTIVE EDITOR
To Get: I’d love a one-month unlimited class package to Physique 57. With a 5-year-old at home, making time to work out is the biggest luxury there is.
To Give: I received a pair of Hatch‘s navy cashmere joggers as a gift about a year ago. They instantly became my at-home uniform; I wore them just about every night last winter. I know my mom and sister will be thrilled to receive pairs of their own. Hatch founder Ariane Goldman has opened a temporary shop at 25 Howard Street here in New York through Thanksgiving weekend, so it’ll be easy for me to go snap them up.
KATHARINE K. ZARRELLA, ASSOCIATE NEWS EDITOR
To Get: All I really want for Christmas is a ticket to London so I can go and explore the Isabella Blow: Fashion Galore! exhibition at Somerset House. But seeing as it’s highly unlikely that I’ll be hopping the pond in the near future, I’d be equally pleased to receive this pair of Fendi booties. I wear my Fall ’10 Yves Saint Laurent mohawk pumps pretty aggressively, so it would be nice to have another footwear option that’s similarly coiffed.
To Give: I think everyone should own a vintage silk kimono. Every single person. They’re incredibly comfortable and wildly glamorous for lounging around the apartment. A few of my friends have been pining after my latest acquisition—a black, red, and gold embroidered kimono that was once owned by the 1934 Miss Japan—so I will be gifting them equally spectacular robes. My favorite kimono scavenging spots are obscure antique shops on the Upper West Side and Joe Sundlie’s vintage store in Chelsea. But this forties number from 1stdibs.com would do nicely.
RACHEL WALGROVE, SOCIAL MEDIA EDITOR
To Get: I’ve been eyeing LPD’s sportswear for a while. I love how it pairs team spirit with the cultlike following found in fashion. This Team Ghesquière tee is definitely on my list.
To Give: Anyone who follows me on Instagram knows that my family is obsessed with dachshunds—though I like to blame this mostly on my sister. These Jonathan Adler bookends would be the perfect complement to her impressive book collection.
ERICA BLUMENTHAL, CONTRIBUTING MARKET EDITOR
To Get: I don’t think you need a reason for why I want these python Gianvito Rossi pumps.
To Give: I plan to buy several copies of Morrissey’s Autobiography as soon as it hits U.S. stores on December 3. Most of my friends are dying to read it, so why not give them what they want?
“It’s been sort of like a Carven World Tour these days,” laughed Carven‘s creative director, Guillaume Henry, while sitting in the lobby of the Mercer hotel. His description wasn’t hyperbolic in the least. In the last month, Carven has opened two boutiques in Shanghai, its first flagship in London, and now the house is preparing to debut a stateside outpost, in New York. Located at 83 Mercer Street, in Soho (with stores like Chloé, Saint Laurent, and Proenza Schouler just around the corner), the 1,636-square-foot space was designed in collaboration with architect Eric Chevallier. “I didn’t want it to be too impressive, though,” explained Henry. “I prefer places that feel comfortable, familiar, and approachable.” He plans to achieve said ambience by combining luxurious elements—like a black leather bench and marble details—with more industrial ones. “I love the idea of mixing opposites—day and night, sophisticated and casual, sexy and shy. I love two extreme worlds connected.”
The New York flagship will mark Carven’s sixteenth freestanding boutique (though the designer hints that a third Paris shop, outside the Marais, as well as another location in Manhattan, could be on the way). Carven’s investment in new international digs is a testament to Henry’s success at the brand, which, founded in 1943 by a now 104-year-old Carmen de Tommaso, was revived in 2009. Throughout the past five years, Henry has brought the sleeping heritage house back to life with his crisp, clean sense of modernity and his youthful approach to design. Last night, Henry sat down with Style.com (next to a newlywed couple in a bridal gown and a morning suit, oddly enough) to talk Carven’s history, imagined muses, and why real life is the most incredible inspiration.
You’ve been at Carven for five years. What have you learned?
I’m learning new things every single day. It’s completely crazy. We started with a white page, and now the book is starting to fill up. What I love about Carven is, it’s about pleasure, and a challenge, but at the same time the clothes talk to real people. Carven is part dream, part reality. We do a catwalk each season, and we tell the story of a woman, or a man. But then when the show is finished, they’re not my clothes anymore. They’re everyone’s clothes. And I love that they’re going to tell their own story. People are going to bring our clothes into their daily lives, and that’s something I adore.
What does it take to successfully revive a heritage house? Many have tried and failed, but you seem to have a pretty good grip on it.
I’ve been lucky. Carven is an old brand, but I’ve been there for the rebirth. You know, what Mme Carven [Carmen de Tommaso] did in the fifties was good in the fifties, but you have to think about why the brand worked back then. It worked because it was connected to its client. And Mme Carven was dressing cool young girls at that time, so our goal was to dress cool young people. Young is not only a question of age for me—it’s a question of attitude. It’s a question of having a fresh mind.
Do you ever feel beholden to Carven’s history, or to what Carmen de Tommaso would want?
Not really. It’s a very approachable company, and a very approachable brand. Mrs. Carven was a grand couturier, as we call them, but she didn’t reinvent concepts. She was a designer, for sure, but she was really making clothes, and I do believe in that. I’ve met her a few times, and she’s 104 years old, but she’s super young! I think when she decided to sell the brand, she took a stance and separated herself from it. But I always ask myself if she would understand what I’m designing. I’m sure she wouldn’t have done the same things—but would she respect the DNA of the brand? That’s the main thing for me.
What has been your biggest challenge at Carven thus far?
Getting Carven on Mercer Street. Five years ago, when I’d call retailers and say, “OK, we are Carven,” they would hang up the phone. And now, we’re on Mercer Street, which is like, “OK, we did it!” It’s been a fantastic challenge for us, because it was a dream. It wasn’t a question of success or anything like that. I have no idea what success means. Especially in this industry—you never know. But Carven, for me, is fresh. And for people, it’s a new brand. It’s an international brand. It’s not a question of history anymore. And that’s very satisfying. Continue Reading “Guillaume Henry Takes Carven ‘Round The World” »
The trailer for the upcoming Pierre Bergé-approved Yves Saint Laurent biopic, starring Pierre Niney as the designer, has hit YouTube (below). Because the flick—aptly titled Yves Saint Laurent and hitting theaters next year—had Bergé’s blessing, its creators had full access to the house’s enviable archives, and they swathed the cast in vintage looks. However, another non-Bergé-approved film, dubbed Saint Laurent, will be released at the same time. And while it may not have an archive worth of YSL, it does have model (slash actress) of the moment Léa Seydoux playing Loulou de la Falaise. Which secret weapon will prove most riveting? Only time (and audiences) will tell.
While the red-carpet circuit began with a slow start over the weekend, the premieres and parties kicked into overdrive as the week continued. Thor: The Dark World‘s leading lady, Natalie Portman, was a vision in white at the film’s Berlin premiere on Sunday, walking the red carpet in a strapless Christian Dior haute couture gown with a full skirt accented with a black ribbon around the waist. On Tuesday evening, Diane Kruger also opted for a haute couture number, choosing a black sequined cocktail dress embroidered with florals from Chanel’s Haute Couture Spring ’13 runway at the brand’s Little Black Jacket event in Brazil.
As the premiere circuit continued into the week, Hailee Steinfeld donned a Saint Laurent ensemble straight from the Spring ’14 runway, pairing a white one-shoulder top covered in sequined red lips with tailored black pants at the Hollywood premiere of her film, Ender’s Game. The same evening, Kate Bosworth chose a black Christopher Kane gown accented with crystal flowers at the neckline and waist from the Spring ’14 collection for the New York premiere of her flick Big Sur. And Naomi Watts took to the red carpet at the New York premiere of Diana, in which she plays the title role, in a blue-and-white floor-grazing dress that was ruched at the waist below a keyhole cutout from Michael Kors’ Spring ’14 runway.