50 posts tagged "Saint Laurent"
The concept of blurred gender lines isn’t anything new. But it’s been at the front of our minds over the last few months, after seeing gaggles of girls dressed like boys (Saskia de Brauw in Saint Laurent’s Spring menswear campaign, Tamy Glauser, Jenny Shimizu, and Ashleigh Good on Givenchy’s Fall ’13 men’s runway) and boys dressed like girls (thank you, J.W. Anderson and Meadham Kirchhoff ). The art world seems to be pondering the topic, too. Evidence? Last night’s opening of Ladies & Gents—an exhibition at Salomon Contemporary that aims to cheekily explore our perception of the sexes. Featuring sixteen works, like Kiki Smith’s Daisy Chain (a long metal chain with a woman’s head and feet, made in 1992), Deborah Kass’ Four Barbras, Six Red Barbras, Four Barbras (a 1993 Barbra Streisand-centric silk-screen series), and Judith Hudson’s Bribe (an irreverent 2009 watercolor of a topless, pearl-adorned woman), the show lightheartedly juxtaposes masculinity and femininity, and sometimes fuses both. Take, for instance, E.V. Day’s work Spidey / Striptease (2012). Known for deconstructing fashion items (like a Chanel jacket, an Hervé Léger bandage dress, and pink panties) and stringing them up into complicated webs, Day presented a piece that combined a shredded Spider-Man costume, fishnets, and red stiletto heels. “I love Spider-Man, because his web looks just like a fishnet stocking,” said Day. “And that brought me to the realization that there’s a feminine idea about him,” she added.
Nir Hod—who showed Genius, a new painting that depicts a jaded, judgmental child wearing what looks like Elizabethan clothes while he smokes a cigarette—insisted that his work is about pure beauty. “That’s beyond gender. If you asked me if this was a boy or a girl, I couldn’t even tell you.” Continue Reading “Ladies & Gents, Unsexed” »
David Bowie’s new video, “The Stars (Are Out Tonight)”, has generated much buzz among the fashion set—and understandably so, considering the singer looks pretty slick in his Pringle sweaters, McQueen trench, and Saint Laurent jacket. But today it was announced that the rock star is embarking on a new style-centric venture: a series of collaborations with Paul Smith, the first of which is the official T-shirt for Bowie’s upcoming album, The Next Day (above). Looks like Justin Timberlake and Tom Ford (who announced their partnership in January) might have some competition.
Paul Smith’s The Next Day T-shirt will be available at paulsmith.co.uk from March 7.
Out of the mystic comes “The Stars (Are Out Tonight),” a new Bowie video. This one is a lot less oblique than the video that artist Tony Oursler made for “Where Are We Now?,” the first single from Bowie’s startling comeback album, and that’s mostly because director Floria Sigismondi’s natural genius with a twisted narrative (case in point: Marilyn Manson’s “The Beautiful People” promo) gels so well with what one imagines is Bowie’s own predilection for the cinematically perverse. “The Stars” sumptuously elevates the man and the myth to new heights.
This particular offering toys with the androgyny, the bravado, the decadence, the desire that turns an ordinary human being into a raving fan. It also has a strong contemporary-fashion quotient, appropriate given that Bowie was, in a way that the upcoming exhibition at the Victoria & Albert Museum will surely clarify, always inclined to the fashion experiment—from the early days of his Kansai jumpsuits to McQueen frock coats and Hedi Slimane suits.
Stylist Jerry Stafford was responsible for dressing the cast of five for the two-day shoot in L.A.: models Saskia de Brauw, Andrej Pejic, and Iselin Steiro, plus Bowie himself and his co-star Tilda Swinton, with whom Stafford has worked for fifteen years. Stafford is, like me, a child of Bowie, but he says there was no time on the set for fandom. “Everyone understood they were part of something special.” There was one moment when Stafford presented Bowie with a long coat, explaining to him it was by a designer named Rick Owens. “More Rick Wakeman than Rick Owens,” was the response, Wakeman being the wizard-coat-wearing keyboard king of Brit prog rock. “He played piano on ‘Life on Mars?,’ ” chimed in Stafford, the sole moment when he let himself indulge his know-every-last-detail trainspotter obsession. “And, indeed, on the whole of Hunky Dory,” Bowie said with a knowing smile. Continue Reading “Inside David Bowie’s “The Stars (Are Out Tonight)”” »
The sleet, snow, rain, and freezing temps we’ve endured these past few days make for some uninspired wardrobe options. Short of a tropical getaway, our favorite February pick-me-up is winter white. Layer a cozy cream sweater with ivory jeans and beige boots for a look that’s fresh and weather-appropriate. Shop our picks from Boy by Band of Outsiders, Vince, Saint Laurent, and more, below.
1. Boy by Band of Outsiders sweater, $545, available at www.lagarconne.com
2. Saint Laurent bag, $2,350, available at www.net-a-porter.com
3. R13 jeans, $325, available at www.lagarconne.com
4. Rag & Bone scarf, $65, available at www.rag-bone.com
5. Vince boot, $295, available at www.vince.com
To view more looks, click here.
Vanity is the theme behind the fourth issue of Dasha Zhukova’s acclaimed Garage magazine. Perhaps not the most surprising subject for a fashion glossy, but the editor’s approach to the concept is definitely original. Garage‘s cover and corresponding spread were shot by Patrick Demarchelier and feature a gaggle of models provocatively posed in looks by Balenciaga, Saint Laurent, McQueen, and Dolce & Gabbana. What’s the twist? Each girl is accessorized with a Cindy Sherman mask created via ThatsMyFace.com. “Cindy Sherman’s work raises such important and challenging questions about the representation of women, both in media and society. There was no better likeness to illustrate issues of identity and facelessness in the fashion industry,” says Zhukova. The artist gave Garage her blessing to create the masks, all of which are based on Untitled #461 (the work was shown in Sherman’s recent MoMA exhibition). However, it would seem Sherman hasn’t yet seen the new issue, which, in addition to the fantastically creepy editorial, includes conversations between Urs Fischer and Neville Wakefield and Boris Mikhailov and Juergen Teller, as well as Aimee Mullins paper dolls and contributions from Theaster Gates, Michael Craig-Martin, and more. “I hope she likes it!” says Zhukova. We suppose we’ll have to wait until the magazine hits newsstands, on February 9, to find out. Unless, of course, she sees the spread’s exclusive debut here, on Style.com.