72 posts tagged "Saint Laurent"
Pucker up, kiddos. Smooches abounded on the Spring ’14 runways, making their mark everywhere from Peter Jensen, where frocks and tops were covered with photo-realistic lips, to Jean-Charles de Castelbajac, who crafted a pair of sunglasses with gilded gobs for lenses. The gap-toothed pink and purple pouts that appeared on a series of looks at Giles Deacon were rumored to be an ode to stylist Katie Grand’s grin. Meanwhile, Saint Laurent‘s Hedi Slimane doused an 80s-tinged ruffle top and short black wrap dress with an allover rouge lip print. Inspired by Yves Saint Laurent’s 1971 Vichy Chic collection, the smackers were a somewhat surprising embrace of the house’s history. Tucker’s Gaby Basora employed the motif, too. The New York-based designer collaborated with Solange Azagury-Partridge—best known for her “Hot Lips” baubles—on rosebud blouses and dresses strewn with fuchsia kissers.
If mouthy accessories are more your taste, look no further than Yaz Bukey’s Spring ’14 range. The designer served up a patent cherry bouche bag—as well as a pair of lipstick-shaped earrings for touch-ups. And even on the street, showgoers were donning mouth-embellished duds. Tommy Ton snapped one femme in Paris wearing surreal black driving gloves fit for Dali—the wrists sealed with two bright red kisses.
Though most of us now consider leopard print a “neutral,” it still manages to pack a punch season after season. This fall, our jungle cat motif is of the snow leopard variety. Whether stamped on preppy loafers or scattered across flippy skirts, these black and white spots feel fresh, graphic, and even a little wild. Shop our favorite snow leopard pieces by Maje, Saint Laurent, and more, below.
1. Stella McCartney leopard-print acetate sunglasses, $158, available at matchesfashion.com.
2. Maje Dindi leopard-print cotton shirt, $260, available at net-a-porter.com.
3. MSGM leopard-print A-line skirt, $398, available at matchesfashion.com.
4. Tod’s calf-hair slipper-style loafers, $656, available at mytheresa.com.
5. Saint Laurent Betty medium chain bag, $1,990, available at net-a-porter.com.
Somewhere between psychedelic, street, and old-school grunge lies High Priestess, a collaborative limited-edition capsule from Lindsey Thornburg (a bohemian New York designer known for her sumptuous cloaks) and streetwear label Obesity and Speed’s Lyz Olko. “We’ve known each other a really really long time,” said Olko about her partner in sartorial crime, adding that it dawned upon them to collaborate while sitting around a bonfire at a friend’s wedding in Santa Barbara earlier this year. “We have really similar aesthetics and this was the perfect merging of our styles. I guess she’s a little more ‘witchy’ and I’m a little more ‘urban street,’ but together, it really works.”
The resulting range comprises hand-shredded denim shorts and jackets, destroyed T-shirts and tanks, printed “Don’t Exist” tops that have been dipped in water so the lettering runs (one of Olko’s favorites), and a raw silk bomber jacket with “High Priestess” embroidered across the back. “We just thought it made sense,” explained Olko when asked about the title. “It’s definitely kind of trippy, but at the same time, it’s super feminine and regal.”
And who better to represent this gritty queen than Starred’s front woman (and Hedi Slimane muse-cum-campaign face) Liza Thorn? “Her voice is like a saint’s, and she’s hypnotic in a way—her personality and her music really suit the capsule, and she’s super seventies hippie rock ‘n’ roll,” said Olko, who met the musician a while back through her pal, the Misshapes’ Greg Krelenstein. “Since we were already friends, I called her up and told her that she’d be perfect for this collaboration and she was like, ‘I’m so down,’” recalled Olko. “And then she said, ‘Actually, randomly, I just shot this Saint Laurent thing for Hedi [Slimane], too.’ And I was like whoa, that’s crazy! That’s a big deal. That’s like, huge.”
The girls didn’t let it go to their heads, though. According to Olko, the shoot, which was lensed by her old friend Jason Nocito, was laid-back, and largely styled by Thorn. “Nothing was pre-planned. We all just hung out in the dressing room and it worked out beautifully,” said Olko. The images debut exclusively here. As for the collection (priced between $70 and $395 and hitting stores like OAK, bonadrag.com, and American Two Shot, as well as obesityandspeed.com and lindseythornburg.com, the first week of September), Olko offered, “This is one of my favorite things that I’ve done so far. And I hope people get that there’s a story behind everything that we made. It’s not just a T-shirt. It’s more than that.”
“I was looking to speak to the street,” said Brooklyn-based artist Roman Grandinetti of the point of direction for his new murals. Currently on display on Kenmare Street and Ludlow Street, the works were commissioned by Vice and the Gap for Gap’s Art of Blue project—the visual street component of Gap’s just-launched denim-heavy Back to Blue campaign. “The concept of the wall is about different tones of blue being thrown together—it’s not so directed, kind of like how downtown is,” explained Grandinetti, who grew up in New York, moonlights as a deejay, and is a largely self-trained. “On top of that design, I injected how downtown is becoming a tad more organized and a little more fine-tuned with numbers. Saint Laurent is now downtown. Balenciaga is now downtown. The newcomers are kind of making it streamlined,” he added.
The two murals—which Grandinetti will complete today using a paint-filled fire extinguisher—are an ode to today’s downtown New York. The walls are splashed with chaotically strewn shades of ultramarine and cerulean, which are overlaid with bold, printed numbers—including a very prominent 1969—stamped in Gap-denim blue. “It was a way to tie all my favorite places that are influenced by art or that attach themselves to art in one way, shape, or form,” explained the artist of the numbers (which refer to phone numbers in downtown Manhattan). “And [to convey] that blue has a feeling.”
Grandinetti, who got his start in the music industry and just recently put up a mural on Ludlow commemorating A$AP Ferg’s debut album release, is one of five artists to leave their vision in blue for the Gap. “There’s one in London. One in Paris. I’m super psyched [to be a part of this],” says Grandinetti. “It’s an amazing feeling to have something in the street and have people live with it.”