15 posts tagged "Schiaparelli"
We’ve just passed the midway point of fashion month with the Milan shows well under way, and there have been plenty of memorable modeling moments thus far, particularly for newcomers. In general, the top-tier, A-list catwalkers have been more selective with their schedules, leaving room for fresh faces to ascend the ranks. Perhaps the easiest way to break down our favorite rookies is by hair color. By and large, it’s been the season of the platinum blond, with familiar faces Julia Nobis, Ashleigh Good, Juliana Schurig, Sasha Luss, and Devon Windsor making a strong case for bleached tresses (reminiscent of Khaleesi from Game of Thrones). Several new models have been riding Fall’s peroxide wave, too. First is ethereal Polish beauty Ola Rudnicka, who debuted at Prada’s Spring show and landed a spot in the label’s latest campaign. She’s turned up on just about every major runway in each city so far. Rudnicka kicked things off on a high note in New York, walking Jason Wu, Michael Kors, Proenza Schouler, and Marc Jacobs. She went on to do Burberry and Christopher Kane in London, and continued to take Milan by storm, bookending No. 21 on Tuesday in addition to walking Max Mara and Moschino yesterday. Another noteworthy newcomer rocking a flaxen mane is Harleth Kuusik (who currently stars in Proenza Schouler’s Spring ads). In New York, she did turns at Rag & Bone, Victoria Beckham, and Proenza Schouler, then followed those up with J.W. Anderson and Erdem in London. We plan to see a lot more of both Rudnicka and Kuusik next week.
Next up is the fiery-tressed group of redheads led by sophomores such as Lera Tribel and Nika Cole (who can forget her teased-out, lamp-shade ’do from Schiaparelli’s Couture show?). They are joined by Quebec native Sophie Touchet, who made an early impact at Thakoon, 3.1 Phillip Lim, MBMJ (a.k.a. Marc by Marc Jacobs), and Burberry Prorsum, then moved on to open Alberta Ferretti and walk in Fendi yesterday. Finally, we’ve got a mixed bag of brunettes, ranging from Dutch stunner Imaan Hammam (she won the genetic lottery with a Moroccan mother and a father from Egypt, and her exotic looks have helped earn her key spots in top-tier casts including Prada, Proenza Schouler, Narciso Rodriguez, and Fendi) to fierce-looking Ronja Furrer (that strong jawline gave her an edge at Altuzarra, Alexander Wang, Christopher Kane, and more). And how about this season’s most buzzed-about newcomer? Waleska Gorczevski has a hell of a name and a hell of a presence. During NYFW, the Brazilian model was the first girl out at Marc Jacobs. She also opened Yigal Azrouël and bookended Victoria Beckham, and has continued to rack up an impressive show list including Calvin Klein Collection, Hugo Boss, Proenza Schouler, Christopher Kane, and Fendi. No doubt Paris will take to her serene, slightly quirky appeal.
Aside from Fall’s freshman class of catwalkers, we’ve witnessed plenty of noteworthy cameos by old-school veterans, too. For example, Alexander Wang’s finale featured the likes of Angela Lindvall, Bridget Hall, Candice Swanepoel, Caroline Trentini, Anne V., Hilary Rhoda, and Jacquetta Wheeler. Meanwhile, Karen Elson has been going at full throttle this year, and she continued to dazzle at Tom Ford, Donna Karan, and Diane von Furstenberg. On the other hand, we’ve got Karolina Kurkova, who surprised us by opening Cushnie et Ochs and turning up at Christopher Kane (where she was easily the most experienced model in the lineup). Other highlights included: Kirsten Owen opening and closing Mary Katrantzou; Mini Anden at Proenza Schouler; Liberty Ross and Stella Tennant at Tom Ford; and the triple threat of Carolyn Murphy, Frankie Rayder, and Liisa Winkler at Michael Kors. Last but not least was the brilliant cast at Burberry Prorsum, which featured Edie Campbell in addition to her two younger sisters, Olympia and Jean. Mark our words, those Campbell girls are stars in the making. And speaking of stars, you can’t deny that Kendall Jenner was a total natural on the runways at Marc Jacobs and Giles.
Call it the Yayoi Kusama effect. George Clooney spotlighted an emerging trend when he turned up on the cover of W‘s Art Issue in a polka-dotted Giorgio Armani suit customized by the famed artist. (Her recent exhibition at David Zwirner’s gallery, I Who Have Arrived in Heaven, drew long lines.) We saw similar spots on Spring runways including Burberry Prorsum, Emanuel Ungaro, and Sportmax. Playful polka dots are popping up at this week’s Haute Couture shows, too. Raf Simons’ latest lineup for Dior featured intricate eyelets and cutwork details, while Marco Zanini put his own quirky spin on the quintessential spots at Schiaparelli. Cartoonish circles have also been popular in the new Pre-Fall collections, with designers like Stella McCartney and Lanvin’s Alber Elbaz making their respective points on cocktail attire and matching accessories.
It’s going to be an exciting couture season this January, full of fresh perspectives from old favorites. As we’re sure you’ve heard, Marco Zanini will present his debut collection for the revived house of Schiaparelli on January 20, and today, we’ve learned that conceptual fashion provocateur, Hussein Chalayan, has been tapped by the storied house of Vionnet to design its demi-couture collection, which was launched in Spring ’13. Chalayan will unveil his first outing for the brand in Paris on January 21. Goga Ashkenazi, Vionnet’s chairman and creative director who acquired the label in 2012 after a tumultuous round of designer switch-ups, told WWD she was “extremely happy about this collaboration,” and added that Chalayan is “a true artist, very conceptual, he thinks out of the box and has a strong architectural approach. He represents what Madeleine Vionnet represented in her era.” We have to admit, we’re excited to see what kind of cerebral kick that Chalayan—the man who, over the last twenty years, has been responsible for everything from the original bubble dress, to LED frocks, to conical wooden skirts—might bring to the house.
Didn’t get quite what you hoped for this Christmas? Don’t fret, just gather up those gift receipts, exchange your unwanted trinkets for cash, and head over to Christie’s in Paris. On January 23 (which, it should be noted, is the last day of the Haute Couture shows), the auction house will put 180 items from Elsa Schiaparelli’s personal collection under the hammer. The treasures—which include vintage Schiaparelli wares, a totally divine tête-à-tête chaise in pink (what other color would it be?), the legend’s 1936 Giacometti floor lamp, and original portraits of the designer—are expected to grab about 700,000 pounds. If you can’t make it to Paris for the sale, just tune in to Style.com on January 20, when Schiaparelli’s newly appointed creative director, Marco Zanini, will present his debut collection for the revived house.
Alessandro Dell’Acqua isn’t one to wax nostalgic. “For me, designing is all about a new story and a modern attitude,” the designer said before a cocktail party in honor of his ready-to-wear label, No. 21, at the New York residence of Valentina Castellani on Friday night. The soiree celebrated a new push for the brand, which, founded in 2010, gained financial backing from Gilmar in 2012. And the evolution of his label is evidence that Dell’Acqua’s forward-looking philosophy applies not only to his clothes, but to his life, too. Fall ’14 will bring plenty of new adventures for Dell’Acqua, now 50. He’s launching menswear under the No.21 moniker, as well as presenting his first collection for heritage French house Rochas, where he was appointed creative director in October after Marco Zanini announced that he was leaving to head up Schiaparelli. “I’m not a young designer, so when they called, I said, Are you sure?” Dell’Acqua laughed, noting that other storied houses (like Balenciaga and Loewe) have opted for younger creative directors (like Alexander Wang and Jonathan Anderson, respectively). Sometimes, however, it helps to have a talent who knows the ropes.
Indeed, Dell’Acqua is no up-and-comer. In 1996, before stints at Malo and Les Copains, the designer launched his successful, hyper-feminine namesake line, known for its whimsical yet seductive allure and lingerie accents. Two years later, he started an eponymous menswear range. But his story is all too familiar—Dell’Acqua lost the rights to his name after a dispute with his parent company, Cherry Grove (who also owned Malo), in 2009. He made a comeback a year later with No. 21—a ready-to-wear label named for his birthday (December 21) and his lucky number. “It’s about real women,” he told Style.com during that first show in 2010. Now, three years later, the brand, which is carried in stores like Selfridges and Matches, independent boutiques, and at such e-tailers as Net-a-Porter and Moda Operandi, delivers just that—smart staples (think: embellished separates, slick blazers, and crisp overcoats) that cater to real-world women with a penchant for luxury. “No. 21 was born out of a horrible moment for me,” recalled Dell’Acqua. “I wanted to do a little line that was completely different, but still had my DNA.”